SKU: SU.80400440

Mixed Chorus and Harp or PianoDuration: 4:00Commissioned by National Federation of Music Clubs for The Singers - Minnesota Choral Artists Dedication: For the 2006 National Conference, Minneapolis, MN Premiered by: The Singers: Minnesota Choral Artists; Matthew Cullaton, conductor Copyright 2006Text author: Edna St. Vincent Millay Published by: Paulus Publications Minimum order quantity: 8 copies. To order quantities fewer than 8.

SKU: OU.9780193391703

ISBN 9780193391703. 12 x 8 inches.

For SSAATTBB unaccompanied I sing of a Maiden combines flowing lines with rhythmic irregularity, and ends with an airy weightlessness which, in the words of the composer, echoes the vernal flavour of the words. Although rhythmically challenging, this beautiful carol is hugely rewarding and perfect for any experienced choir.

About Oxford New Horizons

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

SKU: GI.G-7204

Latin. Text source: From the Eucharistic Liturgy of the Roman Rite. Scripture: Isaiah 6:3, Psalm 118:26, Matthew 21:9, Revelation 4:8.

An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII. Though not particularly complex, the extensive divisi requires fairly sizeable forces, and the harmonic texture requires careful attention to intonation. The end result creates a powerfully rich sonority.

An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII.

SKU: GI.G-8070

UPC: 785147807001. Arabic, English, Greek, Hebrew, Latin. Text Source: Allah uh Akbar, Kyrie eleison, Adon olam (Jewish hymn), Lux aeterna, Yuriduna anyuttufiu (Qur'an—Sura 9:32), Agnus Dei, Isaiah 2:4. Scripture: Isaiah 2:4.

A serious choral work for eight mixed voices, organ, brass quintet, and timpani on texts in Latin, Greek, Hebrew, Arabic, and English. The vocal score is 19 pages 219 measures in length. Composition began on 9/11/01, and the work was published for the tenth anniversary of the events of that day. It's a work that calls for peace through unity and pluralism. The title refers to a fence along the Israeli-Lebanon border on which the flags of both countries fly over a plaque containing Isaiah 2:4 inscribed in Hebrew, Arabic, and English. .

SKU: OU.9780193953901

ISBN 9780193953901. 12 x 8 inches.

For SSAATTBB, SSATTB verse and organ First edited in the 1950s by Watkins Shaw and published privately, this magnificent anthem has been revised in honour of the centenary of Shaw's birth by his successor as Honorary General Editor of the Church Music Society.

SKU: HL.49025282

ISBN 9790001010177.

SKU: CA.742611

ISBN 9790007229603. Language: Latin.

In lectulo meo for violin solo and mixed choir (SSAATTBB) was commissioned by the State Academy of Music Baden-Wuerttemberg Ochsenhausen, dedicated to the Orpheus Vokalensemble. It was recorded by Orpheus Vokalensemble and violinist Ida Bieler for the CD Touched by the Strings. Chorwerke mit Solovioline (Choral works with solo violin, Carus 83.481). Score and part available separately - see item CA.742600.

SKU: CA.177600

ISBN 9790007253912. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).