SKU: CF.YPS197
ISBN 9781491152171. UPC: 680160909674. Key: Eb major.
Chase the Horizon is a musical journey depicting a lonesome cowboy riding on his horse, chasing the horizon. Composer John Pasternak has delivered a strong and musically rewarding piece for the young band. It begins with a nice legato section before setting off on the journey with a tuneful theme. The piece develops through several contrasting sections finishing in a dramatic conclusion.This piece is a story of new beginnings. While writing this piece I pictured a lonely cowboy riding on his horse, chasing the horizon. The beginning for this piece should have a very legato feel except for the Xylophone part, which should use a very abrupt, staccato articulation. Measure 9 should take on a staccato and light feel. The feeling should remain light except for the instruments with the melody, who should play their parts with a more legato feel. Dynamics throughout this first section are crucial. All parts at m. 22 should play with a legato style with focus on the dynamics. The trumpet interjection at m. 25 should be played very light. At m. 32 there should be contrast with all the different styles of articulation. Measure 42 should not slow down too quickly as the group should not ever get slower than the tempo marking at m. 49.The slow section at m. 49 should be played soft with a legato style growing gradually through m. 61. The articulation at m. 61 should be short and staccato, and be careful not to rush. The sections with the melody here should contrast the staccato of the ensemble with a legato style. When the ensemble arrives at m. 78 the piece should have a maestoso-style feel. The rit. at m. 88 should not become slower than the tempo at m. 92. At m. 92, let the horns and saxophones really shine through.
SKU: CF.PPS21F
ISBN 9780825896026. UPC: 798408096021. 9 x 12 inches.
Named after the newly discovered comet ISON, this new piece from composer Kevin Mixon will have your very beginning students intrigued from the start. The piece is energetic and is exactly what students love to play! The most challenging rhythm is two repeated eighth notes and uses only the first six notes learned in most beginning band methods.
SKU: CF.BPS120F
ISBN 9781491152744. UPC: 680160910243.
An exceptionally clever idea, to combine the standard bugle calls into an easy march for beginning students. It is something they already know, and can be successful on right away. We are delighted to welcome composer/educator Chris Ferguson to the Carl Fischer catalog. He brings a wealth of experience working with beginners that has translated into this wonderful new march for young students.Reveille March is inspired by the bugle calls found throughout military history.The “Reveille†call is the signal used to awaken the troops for morning roll call and accompanies the raising of the flag. At the conductor’s discretion, the soli sections (measures 29 and 37) may also be performed as solos in reference to the traditional solo bugle call.“To the Color†(measure 49) is used to signal the end of a soldier’s day. It is also used when a full band is not available to render honors and commands all the same courtesies as our National Anthem.
SKU: CF.BPS114F
ISBN 9781491152683. UPC: 680160910182.
Expeditious begins with fanfare-like harmonies, making this beginning band piece sound unexpectedly advanced. Composer John Pasternak utilizes accessible notes and rhythms in this well-crafted piece for the youngest players while still creating a rich musical experience. Pasternak is fast becoming a go to composer for intriguing works for young bands.Expeditious focuses on contrast in articulations. The beginning of the piece focuses on a marcato/accented style, and the notes should be given full value. At m. 11, the piece switches focus to a staccato articulation style. Pickups into m. 26 should have a large dynamic contrast. The style at m. 41 should have a more legato feel. Measure 45 returns to a staccato feel. Measure 47 will then switch back to the prior legato style. The dynamic change at m. 52 should be instant. Measure 70 should also have an instant dynamic change. The piece ends with the marcato/accented style from the beginning of the piece.
SKU: BT.DHP-1074346-010
9x12 inches. English-German-French-Dutch.
This concert march does not begin with flourishing trumpets orloud tutti sounds: Jupiter opens refreshingly with percussioninstruments and the “high woodwindsâ€. This original introductionis followed by a broad melodic theme and gradually features otherinstrumental groups. Thus section by section the entire band ispresented. A fantastic entrance to the concert for all players! Jupiter opent verrassend met slagwerk en het ‘hoge hout’. Op deze originele inleiding volgt een breed melodisch thema in het middenregister en langzamerhand zetten ook andere instrumentale groepen in: zo komt het hele orkestuiteindelijk aan bod. Zoals in vergelijkbare marsen van Jan Van der Roost (bijvoorbeeld Arsenal, Mercury, Minerva, Helios en Artemis) is de triomelodie in Jupiter melodisch en lyrisch van karakter. In harmonischopzicht gebeuren bijzondere dingen - een handelsmerk van de componist.Dieser Konzertmarsch beginnt nicht mit strahlenden Trompeten oder lauten Tutti-Klängen: Jupiter eröffnet mit Schlaginstrumenten und den hohen Holzbläsern“. Diese originelle Einleitung wird von einem breiten melodischen Thema im mittleren Register abgelöst und bringt nach und nach auch andere Instrumentengruppen zum Vorschein: So wird schließlich das gesamte Blasorchester präsentiert. Ein schöner Einstieg ins Konzert für alle! Cette marche de concert ne s’ouvre ni sur des fanfares de trompettes, ni sur un puissant tutti, mais nous plonge dans un univers sonore rafraîchissant où dominent la percussion et les bois aigus. Cette introduction originale est suivie par l’exposition d’une ligne mélodique ample située dans le registre médium. Le tissu musical s’élargit d’autres groupes d’instruments et progressivement la formation se présente dans son intégralité. l’instar d’autres marches de Jan Van der Roost telles que Mercury, Arsenal, Minerva, Helios ou Artemis, Jupiter développe un trio particulièrement expressif. La mélodie prend quelquefois une tournure inattendue (même sur le planharmonique), une marque de fabrique du compositeur.
SKU: BT.DHP-1074346-140
This concert march does not begin with flourishing trumpets orloud tutti sounds: Jupiter opens refreshingly with percussioninstruments and the “high woodwindsâ€. This original introductionis followed by a broad melodic theme and gradually features otherinstrumental groups. Thus section by section the entire band ispresented. A fantastic entrance to the concert for all players! Jupiter opent verrassend met slagwerk en het ‘hoge hout’. Op deze originele inleiding volgt een breed melodisch thema in het middenregister en langzamerhand zetten ook andere instrumentale groepen in: zo komt het hele orkestuiteindelijk aan bod. Zoals in vergelijkbare marsen van Jan Van der Roost (bijvoorbeeld Arsenal, Mercury, Minerva, Helios en Artemis) is de triomelodie in Jupiter melodisch en lyrisch van karakter. In harmonischopzicht gebeuren bijzondere dingen - een handelsmerk van de componistDieser Konzertmarsch beginnt nicht mit strahlenden Trompeten oder lauten Tutti-Klängen: Jupiter eröffnet mit Schlaginstrumenten und den hohen Holzbläsern“. Diese originelle Einleitung wird von einem breiten melodischen Thema im mittleren Register abgelöst und bringt nach und nach auch andere Instrumentengruppen zum Vorschein: So wird schließlich das gesamte Blasorchester präsentiert. Ein schöner Einstieg ins Konzert für alle! Cette marche de concert ne s’ouvre ni sur des fanfares de trompettes, ni sur un puissant tutti, mais nous plonge dans un univers sonore rafraîchissant où dominent la percussion et les bois aigus. Cette introduction originale est suivie par l’exposition d’une ligne mélodique ample située dans le registre médium. Le tissu musical s’élargit d’autres groupes d’instruments et progressivement la formation se présente dans son intégralité. l’instar d’autres marches de Jan Van der Roost telles que Mercury, Arsenal, Minerva, Helios ou Artemis, Jupiter développe un trio particulièrement expressif. La mélodie prend quelquefois une tournure inattendue (même sur le planharmonique), une marque de fabrique du compositeur.
SKU: HL.44004207
UPC: 073999914436. 9.0x12.0x0.086 inches. James L. Hosay.
Your band can boldly go where no band has gone before with James L. Hosay's imaginative tone poem SPACE PROBE. Since the 1970s NASA has been launching long-range, solar-powered probes into space. This composition provides excellent opportunities for cross-curriculum teaching with science -- over the past 30 years, the Voyager, Pioneer, and Galileo series probes have sent back incredible photographs. The data sent to Earth by these probes (along with photos and information gathered by the Hubble telescope) has helped astronomers chart the ever-expanding universe all the way back to its origins. A scintillating musical spacescape ushers in a bold thematic statement in the trumpets and alto saxophones; French horns join in thrilling variation. A boundless contrasting espressivo theme soars through to the reprise of the initial ideas. Explore this inspiring work with your band this year.
SKU: HL.35011762
UPC: 888680006280. 8.5x11 inches.
Jubilant Spirit is sure to become a favorite among music educators, performers, and audience members. The high-energy introduction makes this piece an ideal opening for both concert and contest performances. The clever and spirited theme is shared by woodwinds, trumpets, and keyboards and supported by the low brass and horn. The beautiful Andantino provides every section the chance to play expressively and to explore each performer's ability and understanding of lyrical playing. Tasteful percussion writing contributes to the drive of the piece as well as giving the percussionists the opportunity to be fully involved in every section of the piece. Jubilant Spirit has been carefully edited to help the music educator maximize the effectiveness of style and dynamics and to also teach the concept of phrase development, especially in the lyrical middle section.
SKU: BT.DHP-0910271-010
Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a grandioso version of the main trio melody and thus concluding this march in a magnificent way.Een stevige concertmars met een trio van een ongekende schoonheid. Een klassieker binnen het blaasmuziekrepertoire. Mercury ist ohne Zweifel einer der weltweit bekanntesten Märsche für Blasorchester er stammt aus der Feder des belgischen Komponisten Jan Van der Roost. Mercury est sans doute l’une des plus célèbres marches de concert du répertoire pour Orchestre, composée par le belge Jan Van der Roost. Composta dal belga Jan Van der Roost, Mercury è sicura¬mente una delle marce più famose del suo repertorio.
SKU: CL.012-4468-75
This Victor Lopez work evokes images of excitement, bravery and sorrow as Erebus and Terror: The Lost Ships retells the story of the Sir John Franklin expedition in search of the Northwest Passage. Beginning with anticipation as the explorers depart their homeland, the rousing melodic theme is written for clarinet, horn and alto saxophone. The excitement of the journey turns melancholic for a few moments, as the gravity of their journey sinks in, but their courage is again renewed as the trumpets tell the story. A haunting flute and oboe duet foreshadows the inevitable crash portrayed with strong chromatic dissonances, into the ice and the loss of both ships and their crews. The journey has ended for these men, but their story lives on and Sir John Franklin is remembered as a hero due to his valuable contributions to the development of Canada's north. Highly recommended!
SKU: AP.49114S
ISBN 9781470646394. UPC: 038081564739. English.
Arabian Sandscapes by Rossano Galante is a stunning work that opens with a bold, unison statement of the main theme by the brasses. After the introduction, a rhythmic ostinato follows in the winds, which, by adding the horns and trumpets, creates an even more heroic feel. The piece then yields to a lyrical, plaintive theme for a contrasting section of this emotional work. A recapitulation of the main theme drives the piece to a riveting climax depicting the faraway lands of Arabia. (5:20) This title available in MakeMusic Cloud.
SKU: AP.33822S
UPC: 038081394787. English.
Perfect for your next concert or contest performance, Code of Honor will inspire feelings of courage and adventure. A robust opening flows naturally into the main theme proposed by the trumpets, accompanied by the dauntless snare drummer. Uplifting harmonies add to the already spirited mood. Things calm down a bit during a moving but dignified lyrical section. We are soon propelled once again into action by the snare drum and our heroic theme carries us to a rousing conclusion.
SKU: BT.DHP-1043546-140
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L’Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect. Claudio Monteverdi componeerde deze toccata als instrumentale inleiding tot de opera L’Orfeo (1607). Dit arrangement voor harmonieorkest is dan ook heel geschikt als openingswerk. De toccata wordt drie keer gespeeld, de eerste keer door een kwintet van twee trompetten en drie trombones. De opbouw van de spanning is intenser als het kwintet in de coulissen of achter het podium begint. Vervolgens voegen deze vijf muzikanten zich bij de rest van het orkest, waarna de tutti-versie nog twee keer klinkt.Claudio Monteverdi schrieb diese Toccata als instrumentales Vorspiel zur Oper l'Orfeo. Sie sollte drei Mal vor der Hebung des Vorhangs gespielt werden. Damit hatte er tatsächlich die erste Ouvertüre der Operngeschichte geschaffen! Wie im Original, wird auch in dieser Bearbeitung die Toccata drei Mal gespielt: zunächst von einem Trompeten- und Posaunenquintett, dann zwei Mal vom gesamten Blasorchester. Ein ideales Eröffnungswerk!Claudio Monteverdi (1567-1643) a composé cette toccata instrumentale pour l’ouverture de son opéra tragique L’Orfeo (1607). Selon le souhait du compositeur, cette pièce d’introduction doit être jouée trois fois rideau baissé. Ce faisant, Monteverdi a composé la première ouverture dans l’histoire de l’opéra. Cet arrangement pour Orchestre d’Harmonie est idéal pour débuter un concert. Fidèle la version originale, la Toccata est interprétée trois fois dont la première par un quintette composé de trois trombones et de deux trompettes.Claudio Monteverdi (1567-1643) compose questa Toccata strumentale per l’ouverture dell’opera tragica L’Orfeo (1607). Il compositore desiderava che questo brano di apertura fosse eseguito tre volte a sipario chiuso. Così facendo, compose la prima ouverture nella storia dell’opera. Questo arrangiamento per banda è ideale per iniziare un concerto. Fedele alla versione originale, la Toccata è interpretata tre volte, di cui la prima dal quintetto composto da tre tromboni e due trombe.
SKU: HL.1455428
UPC: 196288209591. 9.0x12.0x0.345 inches.
You'll find this a real winner for first-year students. Only the second clarinets and second trumpets play more than the first five notes and they only extend one note to written B natural.
SKU: BT.DHP-1043546-010
SKU: CL.012-4468-01
This Victor López work evokes images of excitement, bravery and sorrow as Erebus and Terror: The Lost Ships retells the story of the Sir John Franklin expedition in search of the Northwest Passage. Beginning with anticipation as the explorers depart their homeland, the rousing melodic theme is written for clarinet, horn and alto saxophone. The excitement of the journey turns melancholic for a few moments, as the gravity of their journey sinks in, but their courage is again renewed as the trumpets tell the story. A haunting flute and oboe duet foreshadows the inevitable crash portrayed with strong chromatic dissonances, into the ice and the loss of both ships and their crews. The journey has ended for these men, but their story lives on and Sir John Franklin is remembered as a hero due to his valuable contributions to the development of Canada’s north. Highly recommended!
SKU: CL.012-4468-00
SKU: HL.49015665
ISBN 9790001139786. UPC: 884088156251. 9.0x12.0x0.296 inches.
Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The Oregon Symphony occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb.
SKU: AP.49114
ISBN 9781470646387. UPC: 038081564722. English.
Arabian Sandscapes by Rossano Galante is a stunning work that opens with a bold, unison statement of the main theme by the brasses. After the introduction, a rhythmic ostinato follows in the winds, which, by adding the horns and trumpets, creates an even more heroic feel. The piece then yields to a lyrical, plaintive theme for a contrasting section of this emotional work. A recapitulation of the main theme drives the piece to a riveting climax depicting the faraway lands of Arabia. (5:20) This title is available in MakeMusic Cloud.
SKU: HL.4006437
UPC: 888680989965. 9.0x12.0 inches.
Mercury Rising was commissioned by sinfonisches blasorchester wehdel and its conductor Thomas Ratzek, to celebrate their 50th anniversary in 2018. They premiered this piece in their half-century concert on 2nd November 2018 in the Bremerhaven Stadttheater in Germany. Designed as a virtuosic and lively opener, Mercury Rising opens with nervous energy and driving, syncopated rhythms in a blaze of colour. The horns and saxophones then introduce a broad melody, which the trumpets subsequently take up after a change of tonality. A quieter moment introduces a distant fanfare on muted horns over bubbling semiquavers in the low clarinets. This is interrupted by a passionate tenor melody but soon returns on the full brass section, accompanied by echoes of the opening woodwind figuration, and is extended to bring the piece to a triumphant close.
SKU: BT.DHP-1135433-140
Julius Wechter wrote Spanish Flea in 1967 for the renowned trumpeter and bandleader Herb Alpert, who made the tune famous. The title itself might be less familiar, but the tune is known the world over through radio, tv and films such as Beverly Hills Cop and The Simpsons or simply as catchy, up-beat background music. A guaranteed smash hit for every concert! Julius Wechter schreef Spanish Flea in 1967 voor de beroemde trompettist en bandleader Herb Alpert. Hij was het die het nummer wereldberoemd maakte. Ook wie dit nummer niet van naam kent, herkent vast de wereldberoemde melodie van film of televisie. Want deze is bijvoorbeeld ook gebruikt in films als Beverly Hills Cop en The Simpsons. Als achtergrondmuziek bij allerlei vrolijke scenes doet hij het meestal ook erg goed. Spanish Flea brengt gegarandeerd de stemming erin op uw volgende concert!Spanish Flea schrieb Julius Wechter 1967 für den berühmten Trompeter und Bandleader Herb Alpert, der die Nummer weltberühmt machte. Auch wer den Titel dem Namen nach nicht kennt, wird die Melodie aus Funk, Film und Fernsehen kennen, wo sie in lustigen Filmen wie Beverly Hills Cop und Die Simpsons oder einfach als Hintergrundmelodie zu allerlei fröhlichen Szenerien gerne verwendet wird. Ein garantierter Stimmungsmacher für jedes Konzert!Spanish Flea, écrit par Julius Wechter en 1967 pour le célèbre trompettiste et chef d’orchestre Herb Alpert, est une mélodie qui a déj fait plusieurs fois le tour du monde. On entendra le thème dans plusieurs dessins animés tel que Les Simpsons, ou autres films comme Le Flic de Beverly Hills. Fond sonore de toutes sortes de scènes divertissantes et drôles, Spanish Flea apportera sans aucun doute cette fabuleuse et indispensable note d’humour dans tout programme de concert.Spanish Flea fu scritta nel 1967 da Julius Wechter per il noto trombettista e band leader Herb Albert, che grazie e questa canzone divenne famoso in tutto il mondo. Il titolo non è molto conosciuto, ma la melodia è nota ai più grazie alle serie televisive Beverly Hills Cop e The Simpsons.
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