SKU: AY.FRD58

ISBN 9790302115434.

Prior to 2018, the Trio Sonata of John La Montaine might as well have not existed. When ALRY Publications became the sole representative for Fredonia Press, this work was not mentioned in the catalogs, nor was any score or manuscript included in the Fredonia archives. Suddenly it resurfaced, a paper copy, bearing a handwritten inscription to Doriot Anthony Dwyer, with the subtitle for 3 Flutes or 30 Flutes or 300 Flutes. The new and freshly re-engraved edition, featuring a full score and parts, consists of three movements: Questioning (a trio version of the opening movement of his Sonata for Solo Flute), Song and Scherzo.

SKU: BT.DHP-0981324-070

ISBN 9789043101837. International.

Seven original pieces for flute players of a moderate standard.

Vrolijke stukken voor drie spelers. Inhoud: Dance of the Marionettes • Spring Dream • Merry-Go-Round • Mother Goose • Pete Rabbit • Teddy’s Wintersleep • Funny Parade

Johan Nijs komponierte sieben lustige Stücke für das Ensemblespiel von drei Bläsern.

Sept trios sous forme de dessins animés musicaux.

Johan Nijs ha arrangiato le colonne di 7 famosi cartoni animati per trio di strumenti a fiato.

SKU: P2.10022

The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).

SKU: KU.GM-1153A

For 3 flutes. Op.78 No. 1.

SKU: KU.GM-1151

Trio for 3 flutes

SKU: KU.GM-790A

ISBN 9790206206498.

SKU: M7.BRP-1484

SKU: IM.3763

A delightful set of serenades for flute trio. Serenade I: Larghetto, Allegro; Serenade II: Theme and Variations; Serenade III: Andante mosso; Andante moderoso (Polacca). Score and parts.