SKU: UM.15759
ISBN 9790224415759.
SKU: HL.50511754
ISBN 9790080143582. B/4 quer inches. Hungarian, English. Laszlo Tihanyi.
Greek mythology seems spontaneously to have offered the figure of linos as the central character in a work for solo harp. (Linos was a poet, believed to be the brother of Orpheus, and according to Greek tradition no greater musician ever appeared among mankind.) The musical material, conforming to the characteristics of the harp, consits of two interesting seven-degree note rows incorporating all the possible pedal combinations, their mirror inversions and the five-degree noterows that fit between them. The nine-section composition is made up of scenes from the imagined life of Linos, an imagined 'Linos's hymn', and laments played in his honour.
SKU: UT.LB-3
ISBN 9788881094462. 6.5 x 9.5 inches.
«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia. Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»
SKU: UT.LB-4
ISBN 9788881094479. 6.5 x 9.5 inches.
â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.However, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven ProvinÂces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..
SKU: FZ.55211
Cat : 8 cm - Harp : 11.5 cm inches.
This pewter music figurine (95,5%) is made in France. A touch of music in your home thanks to this musician animal cat harp. This decoration is delivered with his authenticity certificate. Michel Laude Collection. Photos and sizes no-contractual.
SKU: FZ.55216
6 cm inches.
This pewter music figurine (95,5%) is made in France. A touch of music in your home thanks to this musician animal mouse harp. This decoration is delivered with his authenticity certificate. Michel Laude Collection. Photos and sizes no-contractual.
SKU: HL.50606509
ISBN 9781705190722. UPC: 196288126850.
The two harp pieces by Gergely VAJDA (*1973) approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. Contents: 1. Idle Time 2. Minute Machinery.
SKU: HL.50605490
ISBN 9781705190548. UPC: 196288126577.
Come un meccanismo di precisione (like a precision machine) - as Gyorgy Ligeti wrote above one of his works. The two harp pieces by Gergely Vajda (*1973) also approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. Contents: 1. Idle Time 2. Minute Machinery.
SKU: CF.O5173
ISBN 9780825867248. UPC: 798408067243. 9 X 12 inches. Text: Emily Dickinson. Emily Dickinson.
SKU: HL.14045624
ISBN 9788438700921. Spanish.
SKU: HL.14045697
ISBN 9788438707500. Spanish.
SKU: SU.80111201
Harp Duration: 11 ' Composed: 1966 Published by: Soundspells Productions Infinities #16 (1966) is a vivid solo for harp. An active opening works its way towards a subdued conclusion.
SKU: HF.FH-2071
ISBN 9790203420712. 9 x 12 inches.
SKU: SU.91480600
Instrumentation: Harp Duration: 4' ' Composed: 2011 Published by: Subito Music Publishing.
SKU: SU.90840120
Instrumentation: Harp Duration: 11' Composed: 2006 Published by: Subito Music Publishing.
SKU: HL.14007563
ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.
Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .
SKU: SU.50500990
Solo Harp Duration: 5' 30 Composed: 2010 Published by: Seesaw Music.
SKU: SU.60000920
Solo harp Duration: 5'45 ' Composed: 1996 Published by: J.B. Elkus Music.
SKU: SU.50029040
Harp Duration: Composed: 1984 Published by: Seesaw Music.
SKU: SU.27020120
Duration: ca. 5'Harp Composed: 2005 Published by: Distributed Composer.
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