SKU: PL.PPMO2063M
An exuberant large-scale work with jaunty syncopated themes and a reflective central section on the chant, Victimae Paschali. Conceived for a large instrument, but the composer has included alternative registrations for a smaller organ.
SKU: PL.PPM02154M
Discover a major new piece for organ by Christopher Maxim. Multi-metered with an emphasis on dance rhythms, Maxim has given plenty of opportunities for color.
SKU: PL.2013M
This ingenious concert work is based on the letters of Durufle's name. The perpetual motion prelude is mainly in 7/8 while the fugue is full of verve and excitement leading to a grand conclusion.
SKU: FZ.508
ISBN 9782841690183. 21.00 x 21.00 cm inches.
Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The history. Description. Tuning and temperament. Aesthetic consideration. The builders. Bibliography. Archives. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique.
SKU: PL.2001M
Written in various styles (i.e. chaconne, cantus firmus in different voices, intensely chromatic), this set features preludes on both familiar and unfamiliar Lutheran chorales. While influenced by the past, these are written in a fresh manner, attractive and useful for both listener and organist.
SKU: PL.PPMO2035M
A major organ work, reminiscent of French models, in five movements: Intrada, Aria, a gigue-like Fugue, Scena (a recitative) and a fiery Toccata-Sortie. A challenging and exciting concert work in an early 20th century harmonic style.
SKU: PL.PPMO-1836M
A moving and brief organ work with a slow-march rhythm. Great harmonic interest and appropriate for funerals and solemn occasions.
SKU: PL.PPM02153M
Find a distinctive work for organ by Christopher Maxim. The Invocation exploits dynamics and color while the Paean is energetic and rhythmic.
SKU: PL.PPMO-1903M
Maxim has set these three works as hymn fantasies with much color and textural variety. The tunes are Aberystwyth, Blaenwern, and Trefaenan and they have an imaginative flair and are attractive for both organist and listener.
SKU: PL.PPMO2314M
A perfect addition to your repertoire for weddings or other celebratory liturgies.
SKU: PL.PPMO-1905M
This is a genuine, large-scale scherzo movement that will delight both organist and listener. The multi-meter style is complemented by endless variations of color. Great fun!
SKU: HH.HH170-SOL
ISBN 9790708059004.
The Anhang of Köchel’s catalogue is full of pieces that for more than a century after his death were thought to be his work; the Müller sonata, a very effective piece on both fortepiano and clavichord, is still suspected of containing some elements of original Mozart in it, and deserves to be rescued from oblivion in this Mozart anniversary year.
SKU: CA.5280700
ISBN 9790007164164.
Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.
SKU: CA.5280400
ISBN 9790007139384.
The fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.
SKU: HH.HH300-SOL
ISBN 9790708092490.
Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.
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