SKU: KN.9221
UPC: 822795092219.
This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been retained, however, to provide a positive musical and educational experience for all. Helpful fingerings and bowings by string specialist Amy Rosen are provided to assist young players. Duration 1:45.
SKU: GI.G-7135INST
UPC: 785147713593. English. Text source: Based on Romans 8. Text by J. Michael Joncas.
SKU: GI.G-8277INST
English. Text Source: Para. JLB; Translation: William Ramirez.
SKU: TM.01751SC
Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.
SKU: BR.OB-32034-20
ISBN 9790004350928. 10 x 12.5 inches.
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.
SKU: KN.8203
UPC: 822795082036.
This sparkling medley features bell-like pyramid figures and clearly-marked articulations, dynamics and bowings to help young players deliver a truly festive performance. In his score notes, Caponegro says that every effort should be made to use the optional percussion instruments (bells and jingle bells) to enhance the seasonal flavor. Duration 2:50.
SKU: PR.416412380
UPC: 680160092185.
SKU: CA.1002712
ISBN 9790007189334. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.
SKU: HL.49044524
ISBN 9790220135538. UPC: 841886024687. 9.0x12.0x0.052 inches.
A trumpeter is a cavalry or artillery soldier who gives signals with a trumpet. (Gerald Barry, 1998)This piece may be performed on any of the following instruments in different transpositions. If played by a string instrument, there should be no vibrato. It may be played by Flute, Alto Flute, Bass Flute, Piccolo, Oboe, Cor Anglais, Clarinet, Basset Clarinet, Bass Clarinet, Bassoon, Contrabassoon, Trumpet, Horn, Trombone, Tuba, any other Brass Band instrument, Mouth Organ, Ondes Martenot, Concertina, Bagpipes, Tubular Bells, Violin, Viola, Cello, Double Bass.In thinking of the register in which to play it, thought should be given to the drama and colour of the instrument involved. For example, if it were played by a Contrabassoon, the version in this edition should be transposed down two octaves and a minor 6th, so that the lowest note in the melody is B flat, the lowest note on the Contrabassoon.
SKU: PR.446411020
UPC: 680160096237.
SKU: PR.41641375L
UPC: 680160588589. 11 x 17 inches. Libretto by Charles Kondek.
SKU: PR.416413960
ISBN 9781598068160. UPC: 680160595112. 9x12 inches. Key: C major.
A favorite at family concerts from community ensembles through the Philadelphia Orchestra, Dorff's Goldilocks uses the familiar story to engage listeners young and old, while the plot and characters illustrate variations on a theme, and contrasts between low/medium/high. The recording on Bridge Records has drawn rave reviews for exciting the next generation of concertgoers.
SKU: PR.41641208P
UPC: 680160091836.
SKU: GI.G-7913FS
UPC: 785147791393. English. Text by Francis Patrick O'Brien.
Keyboard accompaniment and guitar chords are printed in full scsore.
SKU: CF.AS38
ISBN 9781491144695. UPC: 680160902194. 9 x 12 inches.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
