Jerry Lee Lewis. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Book. 156 pages. Published by Alfred Publishing.

Choral (SSA Choir)

SKU: HL.142309

Composed by Jack Antonoff and Taylor Swift. Arranged by Alan Billingsley. Pop Choral Series. Dance, Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard (HL.142309).

UPC: 888680047962. 6.75x10.5 inches.

The second release on her critically acclaimed album 1989, Taylor Swift continues to turn heads with her transition from country to pop. With a breathless pop sound, always interesting vocals and a certain amount of autobiography, this song demonstrates why Taylor Swift is the star she is. Fantastic for pop and show groups!

2-part choir and piano

SKU: LO.15-3377H

Composed by Erik Whitehill. Choral. Octavo. Heritage Music Press #15/3377H. Published by Heritage Music Press (LO.15-3377H).

ISBN 9780787753443.

Over raging rapids and around sharp bends, here's an energizing musical trip down Colorado's 31-mile Boulder Creek. A highly rhythmic piano part sets the stage while the exciting lyrics leave audiences breathless!

Composed by Edward Bury. Arranged by Richard Zielinski. For SSA choir (a cappella). Janet Galvan Women's Choral Series. Concert, General. Octavo. Roger Dean Publishing #15/2438R. Published by Roger Dean Publishing

Chamber Music Clarinet, Flute, Piano, Violin, Violoncello, soprano voice

SKU: CF.MXE109

Four songs after Shakespeare. Composed by Daniel Godfrey. SWS Main. Set of Score and Parts. With Standard notation. 60+16+16+16+16+36 pages. Duration 18 minutes. Carl Fischer Music #MXE109. Published by Carl Fischer Music (CF.MXE109).

ISBN 9781491149409. UPC: 680160906901. 9 x 12 inches.

Composed for Soprano, Flute, Clarinet in Bb, Violin, Cello, and Piano, Daniel S. Godfrey's Juliet at her Window includes four texts taken primarily from Act II, Scene II of Shakespeare's Romeo and Juliet, with supplemental passages from elsewhere in the play. Lines are combined and/or rearranged to form brief, thematically related stanzas in each song. Godfrey's intention was to focus on Juliet's breathless optimism and extroverted declarations of love, while hinting at the pathos, denial, and isolation from reality that he believes underly them.

Woodwind Quintet

SKU: SU.32040050

For Woodwind Quintet. Composed by Amy Riebs Mills. Woodwinds, Woodwind Ensemble, Chamber Music, Woodwind Quartet/Quintet. Score & Parts. Subito Music Corporation #32040050. Published by Subito Music Corporation (SU.32040050).

Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) Duration: 6' Composed: 2012 Published by: Amy Mills Music, LLC 3 movements I. Seven Toes Down II. En Pointe III. Muddy Boots This charming suite has three short movements, each with its own character. The suite bursts open with breathless energy. Seven Toes Down is modal, in 7/8 time, with people dancing in bare feet on bare ground, so vigorously that it kicks up the dust. En Pointe opens with a lovely waltz, then it focuses in on the tiny, delicate movements of a ballerina high up on her toes. Muddy Boots is big strong guys, covered with dirt from a hard day of work, practicing one-upmanship. Different players have the chance to show what they can do, surrounded by their friends. Then we catch another glimpse of the ballerina before closing playfully with Seven Toes Down. Difficulty Level: 4 (Advanced) See composer website for audio sample.

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6346S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score. Duration 4:30. The FJH Music Company Inc #98-ST6346S. Published by The FJH Music Company Inc (FJ.ST6346S).

English.

Exploring mature harmonies while a single note lingers throughout the entire work, this powerful piece will leave you breathless. Orchestrated for strings and piano, the music moves through a series of sections that become increasingly intense, all while the note G sounds nonstop from the first measure until the final chord. The haunting sound of voices (members of the ensemble) eventually fade into a soft hum before the music reaches is final chord and ultimate resolution. Simply stunning.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

SKU: LO.99-4017MD

Choral. Sacred Anthem. Performance/accompaniment CD (split-track). Medallion Music #99/4017MD. Published by Medallion Music (LO.99-4017MD).

UPC: 000308154092.

Performance/accompaniment CD plus Split-track for 10/5313MD Arranged and orchestrated by Richard Kingsmore, this worship song has a gospel groove that will energize your choir and congregation. The song alternates between soloist and choir, providing a wonderful opportunity for a soloist to shine. This alternation between choir and soloist ultimately leads to a full-choir ending that will leave worshipers breathless! A perfect choice for any Advent Sunday or as part of a larger program.

SATB choir

SKU: BP.BP2177

Composed by Howard Helvey. Sacred octavos. Octavo. Beckenhorst Press #BP2177. Published by Beckenhorst Press (BP.BP2177).

Printed product.

The original American Folk melody takes on new significance in this stunning, deeply moving arrangement. The aching beauty in the persistent power of the promise in the text resolves in settled conviction in the final statement. It will leave the congregation breathless.

Violin

SKU: ST.Y237

Composed by Morgan Hayes. String music. 3 minutes. Part. Stainer & Bell Ltd. #Y237. Published by Stainer & Bell Ltd. (ST.Y237).

ISBN 9790220221835.

1st perf: Darragh Morgan, The Picture Gallery, Royal Holloway College, University of London, 15 November 2006

Programme Note
Lucky's Speech was composed at the request of the violinist Darragh Morgan, for the launch of his recital CD Opera on the NMC label in June 2006. The title refers to a pivotal moment in Samuel Beckett's play Waiting for Godot, when the hitherto silent character Lucky suddenly pours forth a torrential stream of gibberish.

This idea also suggested the cadenza of my Violin Concerto, composed in the same year, and it is reflected in both cases by an almost breathless musical activity punctuated by pizzicato commentaries. I should like to thank Darragh Morgan for his invaluable advice in the preparation of the score.

(c) Copyright Morgan Hayes