| Veni Creator Spiritus Choral SATB SATB divisi, A Cappella Hinshaw Music Inc.
Composed by Anthony Bernarducci. For SATB choir (divisi), djembe. Sacred. Publis...(+)
Composed by Anthony Bernarducci. For SATB choir (divisi), djembe. Sacred. Published by Hinshaw Music Inc.
$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Djembe Laya Concert band [Score] - Easy Alfred Publishing
Concert Band - Grade 2 SKU: AP.44995S Composed by Vince Gassi. Concert Ba...(+)
Concert Band - Grade 2 SKU: AP.44995S Composed by Vince Gassi. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Score. 16 pages. Duration 2:25. Alfred Music #00-44995S. Published by Alfred Music (AP.44995S). UPC: 038081517940. English. Add some spice to your next concert with this flavorful mash-up of ingredients. Start with one part catchy tune, toss in a generous portion of djembe beats, and of course, sauté additional percussion rhythms over medium heat. Add a pinch of seasoning, stir as needed, and what do you have? A recipe for fun your band and audiences will savor for some time. Just try to sit still for this one! (2:25). $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fair Ines Choral SATB - Intermediate/advanced Walton Music
Composed by Eric William Barnum and Thomas Hood. For Choral, Djembe (SATB). Walt...(+)
Composed by Eric William Barnum and Thomas Hood. For Choral, Djembe (SATB). Walton Choral. 24 pages. Walton Music #WJMS1130. Published by Walton Music
$2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Have Fun Playing Hand Drums / A Book and CD for Playing the Djembe, Conga, and Bongo Drums Percussion [Sheet music + CD] Alfred Publishing
By Ben James. Edited by Ray Brych. CPP books (Percussion). 84 pages. Published b...(+)
By Ben James. Edited by Ray Brych. CPP books (Percussion). 84 pages. Published by Alfred Publishing.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Le Djembe - Volume 1
(French Edition). For Djembe. Music Sales America. World. 208 pages. Editions Mu...(+)
(French Edition). For Djembe. Music Sales America. World. 208 pages. Editions Musicales Francaises #EMF100936. Published by Editions Musicales Francaises
$39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Kum Ba Yah Handbells [Sheet music] - Intermediate Lorenz Publishing Company
By Jason W. Krug. For handbells (3-6 octaves) (with optional Shaker, djembe). Co...(+)
By Jason W. Krug. For handbells (3-6 octaves) (with optional Shaker, djembe). Concert, General, Sacred. Level 3. Sheet music. Published by Lorenz Publishing Company . Sheet music. Concert, General, Sacred.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Djembe Laya Concert band [Score and Parts] - Easy Alfred Publishing
Composed by Vince Gassi. Concert Band; Part(s); Score. Young Symphonic. 232 page...(+)
Composed by Vince Gassi. Concert Band; Part(s); Score. Young Symphonic. 232 pages. Published by Alfred Music (AP.44995).
$58.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Kuimba Nafsi Yangu Carl Fischer
Choral Djembe 1, Djembe 2, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: C...(+)
Choral Djembe 1, Djembe 2, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9791 Composed by Jacob Narverud. Duration 2 minutes. Carl Fischer Music #CM9791. Published by Carl Fischer Music (CF.CM9791). ISBN 9781491164624. UPC: 680160923533. Key: D major. Swahili, English. Original. Sing my soul, sing my heart. Sing for peace, sing for joy.                    There is so much love here, yes! Kuimba Nafsi Yangu is a celebratory song derived from common Swahili phrases for joy. Intended as a concert opener, this spirited piece is pure energy from start to finish. The piano and djembes drive the momentum forward while the choir sings in call and response. Each section gets a chance to shine, all while building with anticipation to the final note and stomp. Accents/articulations, vocal inflections, and three part chords call for vocal flexibility, rhythmic intensity, and movement from the singers. If desired, mm. 3 and 4 may serve as a vamp, while the performers enter from around the auditorium to take the stage.PronunciationKuimba nafsi yangu,                                                    [Koo-eehm-bah nahf-see yahn-goo,]                                Kuimba moyo wangu.                                                   [Koo-eehm-bah moh-yoh wahn-goo.]                               Kuimba kwa amani,                                                     [Koo-eehm-bah kwah ah-mah-nee,]                                 kuimba kwa furaha.                                                     [Koo-eehm-bah kwah foo-rah-ha.]                                     Sana upendo, sana mpenzi wangu.                                      [Sah-nah oo-pehn-doh, sah-nah mmpehn-zee-wahn-goo.]             Na wewe. Ey na wewe. Ndiyo.                                            [Nah way-way. Ay nah way-way. Nn-dee-yoh.]                             O hey na, hey na!                                                          [Oh hey nah, hey nah!] About the ComposerJacob Narverud (b. 1986) is an American Composer, Arranger, and Conductor. A native Kansan, Jake is the Founding Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences and is the Editor of Santa Barbara Music Publishing, Inc. As a sought-after composer, Jake has been commissioned to write new works for over fifty choral organizations nationwide, as well as ensembles in Australia and Japan. Many of Narverud's pieces are publisher Best Sellers and are performed worldwide by choirs of all levels.Website: jnarverud.com        YouTube & Spotify: jacobnarverud  . $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Siedi. Concerto for solo percussion and orchestra (score) Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2). ISBN 9790550113152. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.
Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bongo Grooves for Beginners Volume 3 DVD Bongos [DVD] - Easy Mel Bay
(African Rhythms For Popular Music). Composed by Alan Dworsky. For bongo. Boxe...(+)
(African Rhythms For Popular
Music). Composed by Alan
Dworsky. For bongo. Boxed.
Beginning-Intermediate. DVD.
Published by Mel Bay
Publications, Inc
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Djembe 1, Djembe 2, Djembe 3, Percussion, Piano, Shaker, alt...(+)
Choral Bass Guitar, Djembe 1, Djembe 2, Djembe 3, Percussion, Piano, Shaker, alto voice, soprano 1, soprano 2 SKU: CF.CM9742IN Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742IN. Published by Carl Fischer Music (CF.CM9742IN). ISBN 9781491162224. UPC: 680160920983. Key: E minor. English. Iyana Davis. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Am Out With Lanterns Choral 3-part SSA Heritage Music Press
SSA choir, djembe SKU: LO.15-4051H Composed by Ayrian Norman. Choral. Con...(+)
SSA choir, djembe SKU: LO.15-4051H Composed by Ayrian Norman. Choral. Concert, General. Octavo. Heritage Music Press #15/4051H. Published by Heritage Music Press (LO.15-4051H). ISBN 9780787779535. This poignant quote from Emily Dickinson has been set to original music by Ayrian Norman for SATB or SSA voices and djembe. The djembe part is integral to the composition as it underpins the rhythmic groove. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tomumieli (Mind of Dust) Choral TTBB Hal Leonard
Djembe; Men's Choir (TTBB Choir) SKU: HL.48022797 Choral Score. Co...(+)
Djembe; Men's Choir (TTBB Choir) SKU: HL.48022797 Choral Score. Composed by Mikko Heiniö. BH Secular Choral. Classical, Contemporary. Softcover. Hal Leonard #M550098091. Published by Hal Leonard (HL.48022797). An exotic voyage accompanied by two djembe drums. The text by Lassi Nummi (in Finnish) tells about the Chinese terracotta warriors in Xian. Djembe parts also available (item 48022798). $20.00 - See more - Buy online | | |
| God will give orders/Sweet Child Choral SATB SATB, Piano - Easy Oxford University Press
SATB choir, piano, djembe & cello (SATB) - easy SKU: OU.9780193514416 Com...(+)
SATB choir, piano, djembe & cello (SATB) - easy SKU: OU.9780193514416 Composed by Sarah Quartel. Sacred choral - mixed voices. Vocal score. 20 pages. Duration 4'. Oxford University Press #9780193514416. Published by Oxford University Press (OU.9780193514416). ISBN 9780193514416. 10 x 7 inches. For SATB, piano, djembe, and cello This anthem from the larger work Snow Angel is in two halves. The first section ('God Will Give Orders') is ethereal, until a vibrant figure in the djembe lifts the music into the uplifting second section ('Sweet Child'). Instrumental parts are in the vocal score. A version for SSAA is also available. $4.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ubuntu Piano solo Theodore Presser Co.
Chamber Music Bass, Djembe, Piano SKU: PR.141400980 Composed by Ellen Taa...(+)
Chamber Music Bass, Djembe, Piano SKU: PR.141400980 Composed by Ellen Taaffe Zwilich. Stanley Moss, Ubuntu. Set of Score and Parts. With Standard notation. 12+4 pages. Duration 6 minutes. Theodore Presser Company #141-40098. Published by Theodore Presser Company (PR.141400980). ISBN 9781491112953. UPC: 680160671229. 9 x 12 inches. Text: Stanley Moss. Stanley Moss, Ubuntu. The opening of Stanley Moss’s poem unfurls the spirit captured in Zwilich’s musical setting for Bass Voice, Djembe (African drum), and Piano: “I salute a word, I stand up and give it my chair, because this one Zulu word, ubuntu, holds what English takes seven to say: ‘the essential dignity of every human being.’ I give my hand to ubuntu —†Zwilich’s six-minute work proudly declaims Moss’s message, using a djembe to add African-inspired color and punctuation to the musical whole. $10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Am Out With Lanterns Choral SATB SATB, Percussion(s) Heritage Music Press
SATB choir, djembe SKU: LO.15-4052H Composed by Ayrian Norman. Choral. Co...(+)
SATB choir, djembe SKU: LO.15-4052H Composed by Ayrian Norman. Choral. Concert, General. Octavo. Heritage Music Press #15/4052H. Published by Heritage Music Press (LO.15-4052H). ISBN 9780787779542. This poignant quote from Emily Dickinson has been set to original music by Ayrian Norman for SATB or SSA voices and djembe. The djembe part is integral to the part as it underpins the rhythmic groove. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tomumieli (Mind of Dust) Hal Leonard
Djembe SKU: HL.48022798 Djembe Parts. Composed by Mikko Heiniö...(+)
Djembe SKU: HL.48022798 Djembe Parts. Composed by Mikko Heiniö. Boosey & Hawkes Chamber Music. Classical, Contemporary. Softcover. Hal Leonard #M550111264. Published by Hal Leonard (HL.48022798). An exotic voyage accompanied by two djembe drums. The text by Lassi Nummi (in Finnish) tells about the Chinese terracotta warriors in Xian. Choral score also available (item 48022797). $44.00 - See more - Buy online | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice SKU: CF.CM9743IN Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN). ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743). ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Gift to Sing Choral SATB SATB, Piano - Intermediate Santa Barbara Music Publishing
SATB choir, piano, djembe accompaniment - Intermediate SKU: SB.SBMP-1663 ...(+)
SATB choir, piano, djembe accompaniment - Intermediate SKU: SB.SBMP-1663 Composed by Matthew Emery. Choral. Jamie Hillman Choral Series. Classical, Sacred. Octavo. 12 pages. Santa Barbara Music Publishing #SBMP1663. Published by Santa Barbara Music Publishing (SB.SBMP-1663). UPC: 000308159035. Ever clever, composer Narverud came up with a highly rhythmic celebratory composition. The title translates “We are oneâ€, the theme being that all human beings have much in common. The energetic djembe sets the tone, the piano adds its own rhythmic design, and the singers deliver the message, at times sounding as though there should be a campfire at the center of their circle. This BEST SELLER is great fun, a profound message, and an intriguing piece. See composer notes below for pronunciation. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fly Away Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano accompaniment, percussion - Intermediate SKU: GI.G-9074 ...(+)
SATB choir, piano accompaniment, percussion - Intermediate SKU: GI.G-9074 Composed by Ian Good. Music for Young Voices,Young Voices-ES. Music Education. Octavo. 12 pages. GIA Publications #9074. Published by GIA Publications (GI.G-9074). UPC: 785147907404. English. Text by Ian Good. This simple text can be interpreted in many ways. Some of the themes mentioned included personal growth and passing away. The central message that I intended to communicate is that of community, of the necessity of relying on each other to achieve our dreams. There may be times when we have to “fly†on our own, but ultimately our greatest strength is born of our unity. The djembe player is encouraged to embellish the given rhythm per the idiom of the instrument. Adding additional percussion is also encouraged. Percussion part is for djembe. $2.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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