| God Bless America and Other Star-Spangled Songs Viola [Sheet music + CD] Hal Leonard
(for Viola). Instrumental Folio. Softcover with CD. 16 pages. Published by Hal L...(+)
(for Viola). Instrumental Folio. Softcover with CD. 16 pages. Published by Hal Leonard
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Big Book of Viola Songs Viola [Sheet music] Hal Leonard
By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard....(+)
By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Big Book of Disney Songs Viola [Sheet music] Hal Leonard
(Viola). By Various. Instrumental Folio. Softcover. 80 pages. Published by H...(+)
(Viola). By Various.
Instrumental Folio. Softcover.
80 pages. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Russian Fiddle Tunes for Two Violas 2 Violas (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Russian...(+)
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Russian Folk. Tune book. Standard Notation. 47 pages
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 14 A flat major, Op. 105 String Quartet: 2 violins, viola, cello [Set of Parts] Barenreiter
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904...(+)
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904). For 2 violins, viola, cello. In a folder. The Complete Works of Antonin Dvorak IV/7 - B 193. Czech title: Smy covy kvartet 14 As dur op. 105. Set of parts. Opus 105, No. 14. 16/16/16/16 pages. Published by Editio Baerenreiter Praha
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rondo in the Nick of Time String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by Larry Clark. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS22. Published by Carl Fischer Music (CF.CAS22). ISBN 9780825858208. UPC: 798408058203. 8.5 X 11 inches. Key: G major. The fast paced rondo has a Dorian flavored melody with hints of quartel (based on an interval of a fourth) harmony to give it a contemporary sound The players are presented with solo opportunities as well as harmonic turns and twists that will keep them. Rondo in the Nick of Time was originally the third movement for a woodwind quintet piece that I wrote in 1990. I have always been fond of this little piece and felt that it would adapt well to larger ensembles. I have also scored this piece for band as part of a suite called Upon a New Horizon.The main theme is based on the Dorian Mode. The use of quartal harmony makes up most of the harmonic material. Each statement of the theme is followed by an episode that increases in length each time. There is a sudden change of style and tempo in the middle of the piece, where fragments of the theme are developed. The title is a play-on-words, since the work contains hemiola effects that alter the feel of the time.As with all of my pieces for strings, the bowings are given only as a reference. Feel free to alter them to fit the needs of your students. I have indicated a rather fast tempo for the piece. I really like the piece to fly, but it will work and sound fine at a slower tempo as well. Just endeavor to keep their energy moving forward.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students enjoy it and find it useful in your program.-Larry ClarkLakeland, FL. 2005. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
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| String quartet no. 1 (2015) - Score & parts String Quartet: 2 violins, viola, cello [Score and Parts] Fennica Gehrman
String quartet SKU: FG.55011-775-4 Composed by Alex Freeman. Classical, c...(+)
String quartet SKU: FG.55011-775-4 Composed by Alex Freeman. Classical, contemporary. Score & parts. Fennica Gehrman #55011-775-4. Published by Fennica Gehrman (FG.55011-775-4). ISBN 9790550117754. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement.
Duration: c. 13'
This product includes the score and the parts (A4 sized).
American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality.
His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. $48.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dixit Dominus SSA Choral 3-part SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gran Torso String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet. Composed by Helmut Lachenmann. This edition: 2 Violins, Viola, Cello. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Bremen (pro musica nova), May 6, 1972Have a look into KM 2261. Music post-1945; New music (post-2000). Set of parts. Composed 1971/78/88. 112 pages. Duration 23'. Breitkopf and Haertel #KM 2261. Published by Breitkopf and Haertel (BR.KM-2261). ISBN 9790004501658. 16.5 x 11.5 inches. Gran Torso, for string quartet, was composed in 1971 and revised in 1978. It belongs to a series of works, including Air, Kontrakadenz, Pression and Klangschatten, whose concept of material attempts to free itself from convention. That is, instead of using the sound itself as a point of departure, structural and formal hierarchies are derived from the mechanical and physical conditions present during the process of sound production. It is clear that such a radical break with tradition is not easily achieved: the instrument, the given means, the resonating body itself (as the embodiment of convention) all work against such attempts (with the extended performance techniques representing only the tip of the iceberg of deep-seated contradictions where the bourgeois artist is concerned). Implicit in such a challenge, however, is a claim to aesthetic pregnance: an offer, if one would have it, of uncomprosing beauty.(Helmut Lachenmann, 1978)CDs/LPs:Berner StreichquartettCD col legno 0647 277Berner StreichquartettLP col legno 5504Societa Cameristica ItalianaLP ABT ERZ 1003Arditti String QuartetCD KAIROS, 0012662KAIstadler quartettCD NEOS 10806The JACK QuartetCD mode 267Stadler Quartett, Rg. Caroline SiegersDVD NEOS 51001Bibliography:Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenmann, in: Helmut Lachenmann Music with matches, hrsg. von Dan Albertson, Contemporary Music Review 24 (2005), Vol. 1, pp. 39-51.Dulaney, Maxwell: Continuing the Tradition Untraditionally: Helmut Lachenmann's Restructuring of Musical Dialectic through an Analysis of his Three String Quartets, and an Original Composition, Harmonic Concerto, Diss. Brandeis University, MI 2013.Egger, Elisabeth: Kontinuitat, Verdichtung, Synchronizitat. Zu den grossformalen Funktionen des gepressten Bogenstrichs in Helmut Lachenmanns Streichquartetten, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 155-171.Hermann, Matthias: Helmut Lachenmann - Gran Torso, in: Analyse Musik XX. Jahrhundert (2). Postserielle Konzepte Klangflachen Aleatorik (= Materialien zur Musiktheorie 4), Saarbrucken: Pfau 2002, pp. 134-152.Hiekel, Jorn Peter: Die Streichquartett Gran Torso und Grido von Helmut Lachenmann, in: Lucerne Festival, Sommer 2005 Neuland, Konzertprogramm 6, pp. 65-69.Houben, Eva-Maria: Helmut Lachenmann: Gran Torso ..., in: dies., Musikalische Praxis als Lebensform (= Musik und Klangkultur 27), Bielefeld: Transcript 2018, S. 208-212Lehmann, Harry: Erhabenheit - Ereignis - Ambivalenz. Zur Asthetik der Neuen Musik, in: Neue Zeitschrift fur Musik 176 (2015), Heft 5, pp. 22-27.Mosch, Ulrich: Kunst als Medium der Ungeborgenheit. Streichquartette und soziale Funktion des Komponierens bei Helmut Lachenmann, in: Positionen 81 (November 2009), pp. 37-39.ders.: Was heisst Interpretation bei Helmut Lachenmanns Streichquartett ,,Gran Torso?, in: Wessen Klange? Uber Autorschaft in neue Musik, hrsg. Von Hermann Danuser und Matthias Kassel (= Veroffentlichungen der Paul Sacher Stiftung 12), Mainz u.a.: Schott 2017, S. 163-186Nonnenmann, Rainer: Werke als Schlussel zu Werken? Zur umstrittenen Kategorie ,,Schlusselwerke der neuen Musik, in: MusikTexte, Heft 147 (November 2015), pp. 35-46.Stork, Astrid: Materialbegriff und Strukturdenken. Untersuchungen zu den Streichquartetten von Helmut Lachenmann, Magisterarbeit Ruhr-Universitat Bochum 1992Tsao, Ming: Helmut Lachenmann's Sound Types, in: Perspectives of New Music 52 (2014), Heft 1, pp. 217-238.Velazquez, Rossana Lara: Composicion y escucha burguesa: Principios de continuidad y ruptura en el cuarteto Gran Torso de Helmut Lachenmann, Diss. Universidad Nacional Autonoma de Mexico 2011.Zenck, Martin: Die mehrfache Codierung der Figur: Ihr defigurativer und torsohafter Modus bei Johann Sebastian Bach, Helmut Lachenmann und Auguste Rodin, in: de figura. Rhetorik Bewegung Gestalt, Text und Bild, hrsg. von Gabriele Brandstetter und Sibylle Peters, Munchen 2003, pp. 265-288.
World premiere: Bremen (pro musica nova), May 6, 1972. $132.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| String Quartets, Vol. IX, Opus 71 and 74 (Apponyi-Quartets) String Quartet: 2 violins, viola, cello [Study Score / Miniature] G. Henle
By Franz Joseph Haydn (1732-1809). Edited by Isidor Saslav, Georg Feder. Study S...(+)
By Franz Joseph Haydn (1732-1809). Edited by Isidor Saslav, Georg Feder. Study Score. Henle Study Scores. Softcover. 136 pages
$36.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartet No. 1 (2020 Urtext Edition) String Quartet: 2 violins, viola, cello Fennica Gehrman
String quartet SKU: FG.55011-639-9 Composed by Einojuhani Rautavaara. Sco...(+)
String quartet SKU: FG.55011-639-9 Composed by Einojuhani Rautavaara. Score + parts. Fennica Gehrman #55011-639-9. Published by Fennica Gehrman (FG.55011-639-9). ISBN 9790550116399. New Urtext edition (2020) of Einojuhani Rautavaara's String Quartet No. 1 is based on the composer's manuscript, incorporating corrections and comments by composer's hand in various sources. Einojuhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Seventh Symphony, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music works and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism. His catalogue of influences over the decades includes Orthodox liturgical music and Finnish fiddlers. Rautavaara's first string quartet (1953) is from his Neo-Classical early period when he composed only little chamber music. Stravinsky and the Finnish folk music are present in the rhythmical first movement; later enters a characteristic scale alternating half and whole steps. After the Slavic romanticism of the slow movement Andante the fiddler is back in the cheerful Gigue. $54.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lift Up Your Hearts: 5 Pieces for Solo Instrument and Organ MorningStar Music Publishers
Composed by Gaston M. Dethier; Edward Elgar; Arthur Foote; John Ireland; James H...(+)
Composed by Gaston M. Dethier; Edward Elgar; Arthur Foote; John Ireland; James H. Rogers. Arranged by Charles E. Callahan Jr. Instrumental Solo, Flexible Instrumental Solo Collection, Classical Transcription. Classical. Published by MorningStar Music Publishers (MN.20-630).
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danzón No. 2 Piano solo Peermusic Classical
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical #70117-506. Published by Peermusic Classical (PR.701175060). UPC: 888680101268. “The idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon.. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danzón No. 2 Piano solo Peermusic Classical
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Classical #70118-501. Published by Peermusic Classical (PR.701185010). UPC: 888680101275. “The idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon.. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Finlandia Op. 26 Breitkopf & Härtel
Viola (2.2.2.2. - 4.3.3.1. - timp.perc - str) SKU: BR.OB-5658-19 Tone ...(+)
Viola (2.2.2.2. - 4.3.3.1. - timp.perc - str) SKU: BR.OB-5658-19 Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Timo Virtanen. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphonic poem; Early modern; Late-romantic. Part. 4 pages. Duration 9'. Breitkopf and Haertel #OB 5658-19. Published by Breitkopf and Haertel (BR.OB-5658-19). ISBN 9790004344385. 10 x 12.5 inches. It is the new, young Finland that will be described, and the composer gives us the description in the form of a song, a simple, four-part chorus, peculiar due to certain rhythmic accents [...]. It is a whole new folk song, or more correctly, [...] the song of our democratic Finnish folk. This is how Karl Flodin described his first aural impression of the tone poem Finlandia in 1899. In the aftermath of the February Manifesto implemented on 15 February 1899 by the Russian Emperor Nicholas II, artists expressed their support for the press and the freedom of speech in diverse cultural events arranged in Finland in the beginning of November 1899. A group of artists joined forces in arranging a performance of six historical tableaus. Jean Sibelius composed Music for the Press Celebration Days for this occasion. After several revisions, the music composed for the last tableau, Suomi heraa (Finland Awakes), became known as the tone poem Finlandia op. 26. As an independent work Finlandia quickly became part of the repertoire and is now one of the most frequently played and best known works by Sibelius. Today there are quite a number of arrangements of this popular composition. The original version is now published in our established Urtext-quality based on the complete edition Jean Sibelius Works.Compatible with the study score PB 3318. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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