Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Peter Jost. Sheet music. Henle Music Folios. Classical. Softcover. 56 pages. G. Henle #HN1244. Published by G. Henle

Composed by Pablo de Sarasate (1844-1908). Arranged by Andreas van Zoelen. For Violin and Concert Band. Grade 3. Full score and set of parts. Duration 9:00. Published by Baton Music

(for Violin). By Pablo de Sarasate (1844-1908). Arranged by Gerhart Drijvers. For Violin and Concert Band. Grade 4. Score. Duration 12:30. Published by Baton Music

By Vittorio Monti (1868-1922). Arranged by Marco Tamanini. For violin and concert band. Baton Music Instrumental Series. For Violin and Orchestra. Grade 3. Full score and parts. Duration 5:00. Published by Baton Music

Composed by Pablo de Sarasate (1844-1908). Edited by Aaron Rosand. For 2 violins and piano. Published by International Music Company

(after Bizet's Opera) Composed by Pablo de Sarasate (1844-1908), edited by Zino Francescatti. Instrumental solo book for violin and piano accompaniment. With bowings and fingerings. 33 pages. Published by International Music Co.

(Violin and Piano). By Pablo de Sarasate (1844-1908). Edited by Friedemann Eichhorn and Wolfgang Birtel. For Piano, Violin. String. Softcover. 28 pages. Schott Music #VLB169. Published by Schott Music

By Pablo de Sarasate. For trumpet & piano. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 642) Level: 5.

Woodwinds (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-30

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: wind parts. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Set of parts. 176 pages. Duration 35'. Breitkopf and Haertel #OB 5520-30. Published by Breitkopf and Haertel (BR.OB-5520-30).

ISBN 9790004338995. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Woodwinds (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-30

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Set of parts. 50 pages. Duration 9'. Breitkopf and Haertel #OB 15155-30. Published by Breitkopf and Haertel (BR.OB-15155-30).

ISBN 9790004344989. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violoncello (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-23

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: cello part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-23. Published by Breitkopf and Haertel (BR.OB-5520-23).

ISBN 9790004338971. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Double bass (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-27

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: double bass part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-27. Published by Breitkopf and Haertel (BR.OB-5520-27).

ISBN 9790004338988. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.