SKU: BT.EMBZ14485
English-Hungarian.
In view of its arrangement Serenade, written for horn and chamber orchestra of fourteen instruments, may be regarded as a chamber concert. The one-movement piece written on command of horn player László Rákos is at the same time related to the notturno music of the 18th-19th centuries. It is a character piece in which a subdued, subtle irony makes itself felt alongside the characteristically night-time atmosphere. The solo role of the horn is obvious throughout, though the initial impetus is not sustained, and in the course of the movement the instrument falls silent. The instruments of the accompanying group join in with the horn in three ways: the clarinet, the English horn,the bassoon, the viola, the violoncello play the melodies of the horn, delicately repeating them, supplementing them or slowing them down, the flute, the violin, the trumpet and the double bass counterpoint the horn?s solos or hold dialogues with it, the third group ? the harp, the guitar, the vibraphone, the cimbalom and the piano ? plays soft, veiled, evenly progressing harmonies. In the last section of the piece, when the first and second group of instruments are no longer playing, these veiled sounds hold together, their rhythm gradually breaks up - the sound environment is reduced, progressively emptied. World premi?re: June 2, 1993, Budapest, László Rákos - horn, Componensemble, cond. Zsolt Serei.
SKU: KN.KEN10355
UPC: 822795103557.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Serenade; Trumpet Territory; Andante (Capuzzi); Let The Bright Seraphim; Sonata In A Minor (Andante & Vivace); Wind Dance; Habanera; Proclamation.
SKU: HL.50487472
ISBN 9790080131541. 26,5 x 32,5 cm inches. Laszlo Lajtha.
I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi meme. Moderato III. Maternite. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle decline ; et j'ai ete emporte de cote et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: BT.EMBZ14148
English-German-Hungarian.
Ferenc Farkas (1905-2000) most popular piece appears here in a new format: the publication folder contains both the individual parts and the score of the work. First published in the 1950s, this three-movement composition (Allegro - Andante espressivo - Allegro vivace) has - as the title suggests - a light, serenade-like tone. In particular, the dance-like final movement (subheaded with the word Saltarello ) is sure to find success with an audience.This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
SKU: HL.49009544
ISBN 9783795771485. UPC: 800522001543. 5.25x7.5x0.127 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: IM.3763
A delightful set of serenades for flute trio. Serenade I: Larghetto, Allegro; Serenade II: Theme and Variations; Serenade III: Andante mosso; Andante moderoso (Polacca). Score and parts.
SKU: TM.13349SET
Marche Slave, Andante Cantabile (String Quartet No. 2), Dance of the Flowers (Nutcracker), Barcarolle, Mazurka (Swan Lake), Chanson triste, Larghetto elegiaco (Serenade), Russian Dance (Nutcracker), Waltz (Swan Lake), Cradle Song, Andante non troppo (Serenade). P/C in set.
SKU: HL.14004140
ISBN 9780711998322. UPC: 502067952679. 7.0x10.0x0.156 inches.
A new edition of one of Berkeley's most frequently performed works, in this the composer's centenary year. This work is a classic in the repertoire of British Music for this medium. The first movement has the sparkling elegance of Mozart whom Berkeley idolised, but also the driving rhythm of a Bach Brandenburg Concerto; the second is a serenade; the third a kind of scherzo; but the final movement seems to reflect the tragic war years with a slow reminiscence of the opening theme at the very end. A critical commentary by Berkeley expert, Peter Dickinson, is provided.
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