For 2 voices and piano. Format: Vocal Duet/piano songbook. With vocal parts, piano accompaniment, chord names and lyrics. Gospel. 112 pages. 9x12 inches

Songbook for voice, piano and guitar (chords only). Published by Alfred Publishing.

By Wilhelmine Von Bayreuth. Edited by Irene Hegen. For harpsichord, violin, viola, cello (string orchestra). First Publication. Level: beginning. Full score. Composed 1734. Published by Furore-Verlag (German import).

(Rock 'n' Roll). Arranged by Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Rock 'n Roll. 2B. Softcover. 28 pages

Arranged by Dan Fox. For diatonic or chromatic harmonica. Format: instrumental solo songbook. With Harmonica Tablature (diatonic and chromatic), lyrics, chord names and instructional text. Country. 48 pages. 9x12 inches. Published by Hal Leonard.

By Olson / Rossi. For Piano. The FJH Piano Teaching Library. Level: Late Elementary. Book. Published by The FJH Music Company Inc.

Flute Choir (Picc, 6 Fls, 2 Afls, 2 Bfls. Cbsfl (opt.)) - Grade 6 to 9

SKU: WN.OR004B

Composed by M. Orriss. Flutets series. Score and parts. Wonderful Winds #OR004B. Published by Wonderful Winds (WN.OR004B).

ISBN ISMN 9790570743766.

1.7.16 was commissioned by The Hamilton Flute Band to commemorate the 100th anniversary of the Battle of the Somme, and was premiered in St Columb’s Cathedral, Londonderry on 1st July 2016. This new version for flute choir was written for The Woodbridge Flute Choir, Virginia, USA, in 2024. The piece takes some of its ideas from musical elements already connected to the story, from the signalling bugle calls that might have been used in battle, to hints of one of the March tunes that the band still use today.
794,628 lives were lost in the Battle of the Somme, a chilling statistic. These numbers are also woven into the music, colouring the choices of intervals, harmonies and chords, and building the central themes, including the slow march to the trenches, where the uncomfortable juxtaposition of 7ths and 9ths is used as a motif over the solo flute theme before the screeching whistle signal to go over the top.
One of the musical elements central to the piece is the bugle call for Assemble which is used as an enthusiastic call in the opening, then to give unity to the chilling fear of the trenches on the eve of the battle, and finally to lead into the Commemoration of the final section, as those in the Cathedral 100 years later became part of the story as they assembled to commemorate the huge sacrifice made.

By Barry Milner. Concert Band. Concert Band; Score. Alfred Concert Band. Grade 3.5. 16 pages. Published by Alfred Music Publishing

Performed by Bob Wills. Songbook for voice, piano and guitar chords. 136 pages. Published by Creative Concepts.