SKU: PR.114412950
UPC: 680160589197. 9.5 x 13 inches.
Music for Piano Trio/ The March of Folly was inspired by Barbara Tuchman's book of the same name. In her book, Ms. Tuchman defines folly as, the pursuit by governments of pursuing policies contrary to their own interests. In the preface she asks, why do holders of high office so often act contrary to the way reason points seem so often not to function? She illuminates four decisive points in history that illustrate the very heights of folly in government, and illustrates folly as 'a child of power'.
SKU: HL.14023210
ISBN 9788759812341. English.
The composer writes... Doruntine is the name of a princess in Ismail Kadare's novel of the same name which takes place in thirteenth century Albania. Doruntine, who in the piece is represented by the Cello's melody, is taken through various strange musical landscapes before she finally finds her way home. The piece was composed 1994 and is dedicated to the Joachim Piano Trio.
SKU: HH.HH587-FSP
ISBN 9790708213024.
Fisher’s Op. 2 set is externally very similar to its Op. 1 predecessor in its combinations of movement types and musical language, but now has an added spaciousness and audacity born of greater maturity. Everything is wonderfully blended: the fugal movements are melodious; the ‘singing allegros’ are harmonically rich and contrapuntally charged; the dance-like movements, full of happy surprises, fizz and purr. Op. 2 appeared in print only in the year following Fisher’s death. Surprisingly in the circumstances, the level of accuracy in the engraved parts matched the high standard set by Op. 1. This would have gratified the composer, who was so evidently a perfectionist in all he undertook.
SKU: HL.49044694
ISBN 9790001197687. UPC: 841886026209. 9.0x12.0x0.183 inches.
An exciting communicative musical journey: These Dialogues have the violin and cello adopting different personalities, temperaments and moods to 'speak' to one another. The titles of the pieces and descriptive headings, such as Chatting, Giggling or Contest, suggest how the pieces may be played.In order to make these ten chamber pieces accessible to students at various different levels, all the duets appear again without markings in the second section of the book, providing an opportunity to experiment with different bowings and fingerings.
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