SKU: OU.9780193391703
ISBN 9780193391703. 12 x 8 inches.
For SSAATTBB unaccompanied I sing of a Maiden combines flowing lines with rhythmic irregularity, and ends with an airy weightlessness which, in the words of the composer, echoes the vernal flavour of the words. Although rhythmically challenging, this beautiful carol is hugely rewarding and perfect for any experienced choir.
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New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: SU.80400320
SSAATTBB Chorus & Organ (or Orchestra)Duration: 3:00 Publisher: Paulus Publications (SP387 Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com. Orchestra performance materials available on rental only:.
SKU: CA.7070100
ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.
Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!
SKU: CA.7070110
ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.
“Friede auf Erden†op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erdenâ€, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen†(pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.
SKU: HL.48022632
ISBN 9780851627649. 7.25x10.25x0.037 inches.
Another close harmony arrangement of a traditional Christmas melody, with Latin text. The melody, shared by different voice parts, is accompanied by sustained, stirring harmonies in the remaining parts; perfect for a gentle interlude.
SKU: GI.G-8187
UPC: 785147818700. English. Text by Sara Teasdale.
A setting of a Sara Teasdale poem that is an ode to beauty. A performance piece for SATB (with some divisi), piano, and cello, duration ca. 6:00. Though it requires substantial vocal forces, it is a “big†work that is not overly difficult, staying within the established tonality and remaining mostly homophonic.
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