Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Orchestra SSA Choir, piano, percussion, harp

SKU: CF.O5173

Composed by Peter Mennin. The world premiere took place on January 18, 1979 at Alice Tully Hall, Lincoln Center. Choral. Score. With Standard notation. 63 pages. Duration 25 minutes. Carl Fischer Music #O5173. Published by Carl Fischer Music (CF.O5173).

ISBN 9780825867248. UPC: 798408067243. 9 X 12 inches. Text: Emily Dickinson. Emily Dickinson.

Harp

SKU: HL.48180980

For Lever Harp and Piano. Composed by Henriette Renie. Leduc. Classical. Softcover. 5 pages. Alphonse Leduc #AL19923. Published by Alphonse Leduc (HL.48180980).

UPC: 888680878504. 9x12 inches.

Composed by the famous harpist Henriette Renié, Pine trees of Charlannes is an easy small piece for lever harp with piano or harp accompaniment. This piece for beginners is really nice to play and to start playing ensemble music. The principal harp sections feature some really melodious sections and some sections with quavers going up. It alternates these sections with the accompaniment played by the piano or a second harp. Henriette Renié was a virtuoso French harpist born in 1875. With professors such as Alphonse Hasselmans and Théodore Dubois, she received the First Prize for the Harp in 1887. She wrote numerous works for harp including chamber music, and a concerto.

Harp

SKU: UT.MAG-265

Composed by Wilhelm Posse. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 265. Published by Ut Orpheus (UT.MAG-265).

ISBN 9790215326422. 9 x 12 inches.

Posse’s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.

Harp

SKU: UT.MAG-221

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 221. Published by Ut Orpheus (UT.MAG-221).

ISBN 9790215318625. 9 x 12 inches.

Martin-Pierre Dalvimare, born in 1770, in Dreux (Eure-et-Loir), from a distinguished family, learnt music as an entertainment art, and was obliged to make it a resource for his existence, after the troubles of the Revolution in 1789. He had acquired a remarkable talent for the harp; when he arrived in Paris he made a very good impression. Then, man of the world, knowledgeable in many fields, which is rare for a musician, he was welcome everywhere, and very soon came in friendly terms with some of the most renowned artists and men of letters of his times. The marriage certificate of the poet Legouve (15 pluviose of the year XI, or February 1803, 12th municipality of Paris), shows that Dalvimare was one of his best men and that at the time he was thirty-two years old. He became harpist of the Opera in the year VIII (1800), and was definitively confirmed in the month of fructidor of the year IX. At the time of the institution of the emperor Napoleon's private music, M. Dalvimare was appointed as his harpist. In September 1807 he obtained the title of harp master of the empress Josephine. A lucky change of his fortune allowed this artist to renounce to practise his talent for living, he resigned from all of his positions on March, 12th, 1812, and he retired in Dreux, where he still was living in 1837. For a peculiar weakness, he does not like to speak about his artist career, which had been entirely honourable, and he would like to forget his success too. His first composition was a symphonie concertant for harp and horn, which he composed with Frederic Duvernoy, and published in the year VII (1798); notwithstanding, he counted as his first opus a collection of romances with accompaniment of piano or harp, which he later published with Pleyel.

In 1809 Dalvimare composed, for the theatre Feydeau, a one-act opera-comique called The Marriage for Imprudence. The music was weak; the work did not succeed, and people used to say that the greatest imprudence had been the one of the authors who had it performed. Nevertheless, the score of this opera was published in Paris by erard. (Francois-Joseph Fetis).

Harp

SKU: FG.55011-885-0

Composed by Lotta Wennäkoski. Classical, contemporary. Part. Fennica Gehrman #55011-885-0. Published by Fennica Gehrman (FG.55011-885-0).

Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.

The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.

This product is the solo part.

The orchestral material is available for hire from the publisher.

Duration: 19'
Instrumentation:
Harp solo – equipped with paint brush, tuning key and a plastic hair clip
2 Flutes (2nd doubling piccolo)
2 Oboes
2 Clarinets in Bb
2 Bassoons
2 Horns in F
2 Trumpets in C – trumpets and trombone doubling an egg slicer
Bass trombone attached to a piece of wood or a flat cardboard box
Percussion (2 players)
Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushes
Percussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stick
Piano – equipped with a plectrum, wire brushes and 2 soft percussion beaters
Strings.

(The Calthorpe Collection). For Harp (IRISH HARP). Waltons Irish Music Books. Softcover. 48 pages. Hal Leonard #WM1333. Published by Hal Leonard

(The Calthorpe Collection). For Harp (IRISH HARP). Waltons Irish Music Books. Softcover. 48 pages. Hal Leonard #WM1334. Published by Hal Leonard

(The Calthorpe Collection). For Harp (IRISH HARP). Waltons Irish Music Books. 48 pages. Hal Leonard #WM1336. Published by Hal Leonard

Harp - Grade 3

SKU: RM.SL10609

Composed by Jean Michel Defaye. Harpe. Instrumental music. Duration 5 minutes, 30 seconds. Editions Robert Martin #SL10609. Published by Editions Robert Martin (RM.SL10609).

ISBN 9790231096095.

(10 Selections for Lever and Pedal Harp). By Billy Joel. Arranged by Emily Brecker. For Lever and Pedal Harp. Softcover. 88 pages. Published by Hal Leonard

Harp

SKU: UT.MAG-287

Composed by Alfonso Scotti. Edited by Anna Pasetti. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 287. Published by Ut Orpheus (UT.MAG-287).

ISBN 9790215328280. 9 x 12 inches.

Solo harp (Solo) - Moderately Difficult

SKU: OU.9780193359628

Composed by Michael Finnissy. 8 pages. Duration 6'. Oxford University Press #9780193359628. Published by Oxford University Press (OU.9780193359628).

ISBN 9780193359628. 12 x 8 inches.

For solo harp An arrangement of Scenes 5 and 12 from a projected stage-work on the life of Tchaikovsky. They are identical in structure and draw on the set of Russian folk songs that Tchaikovsky arranged for piano-duet, albeit with a high level of distortion and adaptation.

Harp

SKU: UT.MAG-160

Vol. 3. Composed by Gioachino Rossini. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 160. Published by Ut Orpheus (UT.MAG-160).

ISBN 9790215309814. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.

Tempesta; Il vecchiotto cerca moglie; Freddo ed immobile come una statua; Di sí felice innesto