SKU: BA.BA09352
ISBN 9790006499830. 21 x 29.5 cm inches. Language: German. Preface: Thomas Daniel Schlee.
The first piece “Sicut ros Hermon†(Psalm 133) meditates on the path God’s mercy takes, whereby the initial slow descending harmonic sequences develop into an emphatic song followed by a tender chorale-like coda. “Si sumpsero pennas aurorae†(Psalm 139) relates to a highly poetic, consolatory but also admonishing image of the psalm: As far as our wings may carry us, God’s hand will take hold of us. We cannot escape his mercy or his judgement. At the end of this striking movement the music conveys almost haptic moments; one can sense the mighty ‘hand’ by means of the tutti sound. Finally the music becomes as calm as at the start of this piece, though dialogue-like figurations convey repercussions of what was experienced and acknowledged.
SKU: LO.70-2173L
ISBN 9780787766214.
Reprinted from past issues of Lorenz's long-running magazine The Organist, this handy coil-bound book has almost one hundred pages of accessible music and would be a welcome addition to any organist’s library. Novice players will appreciate the uncomplicated pedal parts, while veteran organists will enjoy the convenient pick-up-and-play aspect. Registration, duration, and usages are provided for all titles.
SKU: HL.14008939
ISBN 9780853609551. 8.25x11.75x0.178 inches.
The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches, Op.51 No.1) by the American composer, Edward MacDowell (1860-1908). During the course of the Variations, To A Wild Rose appears as a blues and also as a classical rag, often as both together. The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I now involving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag, now much decorated. First performed in New York in April 1986. Duration c.15 mins.
SKU: BA.BA11045
ISBN 9790006543243. 30 x 23 cm inches. Language: German/English. Preface: Dominik Susteck.
Thoughts on the composition “Zwischenklänge†with regard to the subject of “home and abroadâ€:- Music that never rests, that is in constant motion and mutation, its tones almost trembling, on the run, in constant tension.- Music that unfolds its beauty in the “in betweenâ€, in the appoggiatura, in the flash-like emergence and disappearance of harmonic colors.- Music as an evolvement of time, waiting, bustling, erupting, or withdrawing.The composition “Zwischenklänge†was awarded tje 11th Composition Prize of Contemporary Sacred Music of the European Church Music Festival Schwäbisch Gmünd. – The premiere was given on 27 August 2012 by Roman Summereder (Vienna).Listen to “Zwischenklänge†on Youtube
SKU: LO.70-2280L
ISBN 9780787771836.
Reprinted from past issues of our long-running magazine The Organist, this handy coil-bound book has almost one hundred pages of accessible music and would be a welcome addition to any organist’s library. Novice players will appreciate the uncomplicated pedal parts, while veteran organists will enjoy the convenient pick-up-and-play aspect. Registration, duration, and usages are provided for all titles.
SKU: PR.UE034697
ISBN 9783702472450. UPC: 803452069577.
Marx was one of Austria's most-loved and most-performed composers in the first half of the 20th century, but almost completely disappeared with the rise of more modern contemporary music. Even so, it is of interest that Universal Edition today publishes the first edition of two volumes of his Organ Works, 50 years after his death, in cooperation with the Joseph Marx Society.
SKU: LO.70-2174L
ISBN 9780787766207.
Gathered from previous issues of Lorenz's popular periodical The Organ Portfolio, this collection provides organists with a wealth of moderately challenging material to present during the worship service. The coil-bound format of almost one hundred pages includes hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.
SKU: LO.70-2279L
ISBN 9780787771850.
SKU: LO.70-2204L
ISBN 9780787767761.
SKU: JK.01235
UPC: 093285012356.
The pedals for these preludes are fairly easy but manual parts range from medium to almost medium difficult. Hymns included are: Come Come Ye Saints I Am a Child of God I'll Go Where You Want Me to Go O Lord of Hosts O My Father Rock of Ages Sing We Now at Parting..
SKU: LO.70-2203L
ISBN 9780787767754.
SKU: LO.70-2323L
ISBN 9780787773045.
Gathered from previous issues of Lorenz's popular periodical Organ Portfolio, this collection provides organists with a wealth of moderately challenging material to present during the worship service. The coil-bound format of almost one hundred pages includes hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.
SKU: CA.3111707
ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
SKU: JK.02066
UPC: 093285020665.
Postludes Volume 9Â continues in the rich tradition of spirit-filled arrangements by the acclaimed James C. Kasen. Offering a refined touch, these beautiful arrangements are appropriate for a wide variety of worship services, large and small. Intermediate in difficulty, these variations on beloved hymns are almost as easy under the fingers as they are on discerning ears.Contents:How Great Thou ArtLord, We Come before Thee NowNow Let Us RejoiceNow Thank We All Our GodOh, May My Soul Commune with TheePrecious Savior, Dear RedeemerSweet Hour of Prayer.
SKU: CA.1036411
ISBN 9790007190385. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.
SKU: CA.1036405
ISBN 9790007166540. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.
SKU: CA.1036415
ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036403
ISBN 9790007166533. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.2709505
ISBN 9790007186883. Language: Latin.
Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.
SKU: CA.2709500
ISBN 9790007186418. Language: Latin.
Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality.
SKU: CA.1015213
ISBN 9790007189716. Language: German/English.
First version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and part available separately - see item CA.1015200.
SKU: CA.1036413
ISBN 9790007190408. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036409
ISBN 9790007190378. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and parts available separately - see item CA.1036400.
SKU: CA.3530419
ISBN 9790007134297. Language: German/English.
First version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and parts available separately - see item CA.3530400.
SKU: CA.1036414
ISBN 9790007190415. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1015212
ISBN 9790007189709. Text language: German/English.
SKU: CA.1036419
ISBN 9790007166557. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
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