SKU: HL.14043782
8.5x11.75x0.3 inches.
Simon Holt 's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes, this wonderful work is arranged for String Quartet and was co-commissioned by The Radcliffe Trust, NMC Recordings, Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins, Viola and Cello. The six different compositions, of which 3rd Quartet is the third, are for different combinations of stringed instruments, featuring Piano in the second piece. The music that comprises 3rd Quartet is drawn from the other parts ofthe cycle as a whole, yet in a reverse order. In this way the piece develops what has come before, foreshadows what's to come, all the while encompassing the entire cycle in a single piece.
SKU: HL.14043127
8.25x12.0x0.068 inches.
Ikon of Joy/Sorrow is for 2 Violins, Viola and Cello. Composed in 1999, when Tavener was around 55 years old, this short 2 minute long piece was premiered by the Brodsky Quartet.
SKU: HL.14008409
This is - so far - the earliest composition by Davies to be available for performance, and mighty interesting it is. Written while he was still a young student, it provides a candid glimpse of the thing that concerned him: how music could be both forward-moving in the classical Western sense (this is, after all, a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. What results is a singular machine geared to an intermittent ostinato in the first violin. This movement for string quartet was first performed by the Arditti Quartet in May 1983, as part of the 40th Anniversary Gala concert of the Society for the Promotion of New Music at the Barbican Hall, London. Score (miniature). Duration c. 5mins.
SKU: HL.14043597
8.25x12.0x0.166 inches.
String Quartet Was Composed By Mumbai-Born Brian Elias In 2012, And Was Commissioned By The Jerusalem String Quartet. Lasting Around 20 Minutes, This Is The Full Score Of The Work Arranged For Violin I, Violin Ii, Viola And Cello. The Work Has Been Laid Out In The Conventional Four Movements, Allegro, Adagio, Presto, Adagio-Allegro-Adagio, But It Is Essentially A Work In A Single Movement To Be Performed With No Breaks. A Set Of Double Variations Generates The Thematic And Harmonic Material For The Entire Piece In Its First Few Bars, With A Brilliant Viola Solo Afterwards. Throughout The Piece, Changes In Dynamics And Tempo Characterise The Different Movements, Before Finally EndingWith A Calming Return To The Slow Music.&Nbsp; You Can Purchase The Individual Instrument&Nbsp; Parts Here.
SKU: HL.14043527
9.25x12.0x0.091 inches. English.
Richard Reed Parry 's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello). Richard Reed Parry is familiarto millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets. The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience. Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry . Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body.
SKU: HL.14041957
This work was inspired by a keyboard piece of the same name, A Sad Paven for these Distracted Tymes by Thomas Tomkins (1572-1656). Tomkins had a long association with Worcester Cathedral, where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time, he was organist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646, Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. These were the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester. Parts. Score also available (14037561).
SKU: HL.14036341
ISBN 9780711955080.
Commissioned by the BBC and premiered by the Chilingirian String Quartet. Quoting Wood: In my Second and Third Quartets I attempted sectional, agglutinative forms: in my Fourth I return to the conventional four movement form of my First Quartet of 1962. Both works build up (as in the 19th century symphony) to the Finale, thus making it the most substantial movement, which provides a climax to the work. The First Movement has, in both works, only the status of an Introduction. But there the consciously willed resemblances end. This Introduction follows the Second Quartet to a certain extent, in that it provides a sort of 'cauldron', from which elements to be used later can all be plucked. Its opening will reappear at various points throughout the work, most completely at a climatic point of the Finale (bar 110). Subsequent material will be more fully worked out in the second movement, a large Scherzo. The Introduction concludes with an unusually placed violin cadenza (itself a rare feature in a string quartet, the idea lifted from Elliott Carter's First Quartet) of which the opening is to reappear halfway through the Finale. The Scherzo (which follows attacca) does not have at its centre a discretely characterized Trio: a figure in double-stops like a distant fanfare supplies the necessary contrast of a second idea. The Slow Movement has a secondary idea first heard on the cello and marked appassionato: an agitato middle section recalls the opening of the work, but in a formulation which will be found closely to anticipate its reappearance in the Finale. The Finale is planned on a broad scale. Only after a fully worked exposition of both primary and secondary material does the opening of the whole work return, now in a greatly extended form. Then, at bar 140, the tune of the violin cadenza is first harmonized in fanfare style on the upper instruments, then presented as a chorale on the lower ones, with a rushing semiquaver accompaniment above. This climatic activity mounts to the very end. The work is dedicated to the Chilingirian Quartet, old friends over many years. Score available separately: SOS04044.
SKU: HL.14023641
ISBN 9780711964082. 9.0x12.0x0.219 inches.
String Quartet No.4 was written for the Camilli Quartet who gave the first performance at the Queen Elizabeth Hall, London, April 1995. It is dedicated to the memory of Nyman's composition teacher, Alan Bush. This quartet is a narrative made up of a chain of twelve complete but often cross-related movements, each quite simple in design. For instance, the Scottish melody first heard in the second half of I is hinted at in the 2nd violin/viola in the second fast section of II and is directly quoted again during III and XII. The theme of the fast section of IV is taken up again in VIII; IX reverts to the mood of the opening of I, while the rising scale/syncopated themes of II, IX and the bass of X and XII are related. X also reintroduces the slow harmonics theme from VII. XII is (apparently) cast in the form of a baroque French rondeau. The main theme of VI was plucked out of the Quartet and used in my score for Christopher Hampton's film Carrington. Duration 40 minutes. A set of parts is available for sale.
SKU: HL.14047957
8.5x11.75 inches.
String Quartet No.2 is a work by Gabriel Prokofiev for String Quartet, commissioned by The Elysian Quartet with support from the PRS for Music Foundation. The work lasts around 17 minutes. This is the Full Score and Parts .
SKU: HL.14023669
ISBN 9780711977570. 9.0x12.0x0.155 inches.
There are two primary ideas behind this composition, the first being to create and almost orchestral chamber music, the idea for this coming from a performance of the Grosse Fuge performed by the Arditti Quartet. The second idea was to excercise the impressive and oppresive history of the string quartet by making the work a compendium of quotations from quartet repertoire. Influence from Schoenberg can be heard in chromatic, harmonic sequences and modal/diatonic varioations are also actively displayed within the piece. The quartet is written with amplification in mind and it is the composer's preference that it is performed in this way. String Quartet No.1 is dedicated to the memory of Thurston Dart. It was commissioned by the Arditti Quartet and first performed by them on 23 September 1985, Warsaw. Duration 26 minutes. Instrumental parts are available on sale.
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