SKU: HL.14015589

ISBN 9781844499458. UPC: 888680967550. 8.25x11.75x0.15 inches. German.

The Bosworth edition of this set of progressive scale studies for the Violin. All text and descriptions are provided in German, English and French, and the set includes many examples of tremolo bowing, broken chords, cyclic exercises, staccatos, slurs and awkward playing patterns. Scales and arpeggios appear in both two and three-octave forms.

SKU: HL.14043547

8.25x11.75x0.05 inches.

Judith Weir 'S Sundew For Violin And Cello. Score. ' The Bog-Based Sundew Plant Isn'T As Pleasant As The Name Suggests. It Produces Beads Of Fluid, Resembling Dew, But In Fact A Sticky Deposit In Which Visiting Insects Become Trapped. The Plant Closes In On The Insect And Digests It For The Extra Nutrition It Needs In An Acidic Habitat. Each Of The 36 Bars Can Be Understood As A Time-Lapse Study Of Parts Of This Process. Often One Instrument Encloses And Digests The Music Of The Other. Occasionally One Player Tries To Struggle Free; At Other Times Both Exist Motionless, Stuck To Each Other. In The Final Bars, A Lucky Insect (The Violin) Escapes From The Goo And Flies Off IntoThe Ether. ' Judith Weir.

SKU: HL.14048262

8.0x11.72 inches.

Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. November - Eleven was the 11th piece to be composed and is scored here for solo Violin.

SKU: HL.288102

Preface / Programme NoteThe title is meant to suggest something playful, even childlike, but also something challenging and competitive. All these elements are part of sports, games and playing and playing music.Even if the mostly straightforward melodic patterns resemble the melos of childrens jingles and chants, substantial technical and musical demands will be made on the violin player during the six to seven minutes of musical play.PLAYGROUND was commissioned by The 8th Carl Nielsen International Violin Competition, taking place in Odense, May/June 2008.Per Norgard.

SKU: HL.14043239

ISBN 9788759885239. 9.5x14.25x0.081 inches. German.

Solo violin part.

SKU: SU.29110060

1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).

SKU: HL.14018200

ISBN 9788759875568.