SKU: CA.2380194
Text language: German. Text: Schiller, Friedrich.
It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.
SKU: CA.2380191
SKU: CA.1200200
ISBN 9790007064860. Language: German. Text: te Reh, Veronika. Text: Veronika te Reh.
SKU: HL.49015696
ISBN 9784890664535. UPC: 884088138394. 10.0x14.25x0.156 inches.
SKU: HP.8967
UPC: 763628189679.
Original hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass.
SKU: HP.C5419O
UPC: 763628254193. John Parker. 1 Chronicles 16:23-27, 1 Chronicles 29:11, Job 40:10, Psalms 93:1, Daniel 7:14.
Original anthem John Parker & Tom Fettke collaborate to bring us this stately and moving expression of worship. Scored for SATB choir, this fully orchestrated anthem magnificently ushers the worshipper into the very presence of the supreme Sovereign of the universe. Using fresh, rich harmonies and modulations, Tom Fettke lifts us to the heights as we bow to worship the King of the ages. The orchestration includes: a conductor's score; 2 flutes, oboe and 2 clarinets; a full brass section (3 trumpets, 2 horns, 3 trombones, tuba); timpani, percussion (triangle, mark tree, suspended cymbal, bells, chimes), harp and keyboard; and a full string section.
SKU: PR.46600062L
UPC: 680160599158. 11 x 17 inches. With spoken introduction translated and paraphrased by Paul Woodruff.
SKU: CA.1200203
ISBN 9790007080914. Language: German. Text: te Reh, Veronika. Text: Veronika te Reh.
Score available separately - see item CA.1200200.
SKU: PR.41641389L
UPC: 680160607907. German. Poems by Nelly Sachs. Poems by Nelly Sachs.
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, Harp, Piano/Celesta, Timpani, Percussion (1 player), Strings, Soprano Solo.
SKU: HL.14010199
ISBN 9780711975262.
A ballet in five movements for orchestra was commissioned by The Royal Opera House, for Sir Kenneth MacMillan and The Royal Ballet. The first performance was given at The Royal Opera House on 19th March 1992. Scoring 4 FLUTES; 2 OBOES; COR ANGLAIS; 2 CLARINETS IN BFLAT(2ND DOUBLING CLARINET IN E FLAT); BASS CLARINET IN B FLAT; 2 BASSOONS; CONTRA BASSOON; 4 HORNS IN F; 4 TRUMPETS IN C; 2 TROMBONES; 1 BASS TROMBONE; TUBA; HARP; CELESTA; TIMPANI; SOPRANO STEEL PAN; PERCUSSION; STRINGS. The duration of this work is 34 minutes, Conductor's score, piano score and orchestral parts are available on hire.
SKU: CA.4075200
ISBN 9790007106447. Language: German.
Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters.
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