Organ

SKU: HL.14011002

Composed by Franz Liszt. Music Sales America. 20th Century. Book [Softcover]. 17 pages. Music Sales #NOV590180. Published by Music Sales (HL.14011002).

UPC: 884088433741. 8.5x11.0x0.079 inches. C. H. Trevor - Author.

The B.A.C.H. motif has been known and used for centuries, but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature, and is expressed in standard notation as Bb-A-C-B.

The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral, but sadly, it wasn't finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece, no organist's library iscomplete without it.

Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (grade 5). Conductor Score and Parts. 324 pages. Published by Alfred Publishing.

Arranged by Andy Beck. For Choir. (2-Part). Choral Octavo. Choral Designs. Sacred; Secular. Choral Octavo. 12 pages. Published by Alfred Publishing.

Piano

SKU: BR.EB-6774

Piano Lessons by Johann Sebastian Bach. Composed by Johann Sebastian Bach. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Baroque period. Score. 16 pages. Breitkopf and Haertel #EB 6774. Published by Breitkopf and Haertel (BR.EB-6774).

ISBN 9790004169735. 9 x 12 inches.

The pieces contained in this volume prepare the student for the playing in three and four parts that is required for the perfomance of the three-part inventions and the French suites. They are most appropriately incorporated into the teaching material after the two-part inventions have been studied. New technical problems, such as the passing under and over of fingers without using the thumb and the rapid substitution of fingers on one key, must here be solved. In order to make the fonn clear, the notation has been simplified as much as possible; the indications of fingering remain quite complicated enough, even though they cannot by far show all the possibilities. lt is necessary to adapt the fingerings to the mobility and span of the particular player's hands, whilst retaining the chosen phrasings to the best of his ability. Isolated notes which require a span exceeding the octave have been placed in brackets; the performance of the ornaments is shown in footnotes. As in the first volume, the missing dynamic and tempo indications must be supplied by the performer himself in accordance with the character of each piece. Especial attention must be paid in polyphonic music to the problem of phrasing and articulation. The editor's suggestions can be replaced by other solutions that make musical sense; these should then be written into the parts. An intensive preoccupation with polyphone structures can even at an early age increase the understanding and love of the musical work of art. Heinz Walter, Salzburg, Summer 1977.

By Suzanne Guy. For Piano. Expressive Etudes. Book Four of Expressive Etudes includes 15 intermediate pieces which will supplement piano literature at the upper intermediate level. Level: Late Intermediate. Book. Published by The FJH Music Company Inc.