| A Tribute to Nino Rota Concert band [Score and Parts] - Easy Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1694-09-010-MS Composed by Nino R...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.1694-09-010-MS Composed by Nino Rota. Arranged by Lorenzo Bocci. DHP Pop, Film and Show. TV-Film-Musical-Show. Set (Score & Parts). Composed 2009. Music Sales #1694-09-010 MS. Published by Music Sales (BT.1694-09-010-MS). 9x12 inches. English-German-French-Dutch. Nino Rota (1911-1979) war ein italienischer Komponist, der hauptsächlich Filmmusik schrieb. Zu seinen ungefähr 150 Filmmusiken zählen die Soundtracks für Der Pate I und II und zahlreiche weitere Filme von berühmten Regisseuren, wie Federico Fellini, Luigi Visconti und Francis Ford Coppola. Sein Landsmann Lorenzo Bocci ehrt ihn nun mit diesem Medley.
Les musiques de Nino Rota ont marqué l’histoire du cinéma. Ses thèmes mythiques sont associés des scènes inoubliables de films de grands réalisateurs comme Fellini, Visconti ou Coppola (avec Le Parrain I et Le Parrain II pour lequel il reçut un Oscar en 1974). Ce medley signé Lorenzo Bocci rassemble quatre des partitions les plus célèbres du maître italien : Bevete piú latte (Boccace 70), Amarcord, La dolce vota et La Passarella (8 ½).
Nino Rota è il compositore di alcune delle colonne sonore più famose mai scritte, sia per il grande cinema italiano (indimenticabili le collaborazioni con Federico Fellini) sia per Hollywood (basti pensare alla colonna sonora de Il Padrino, vincitrice del meritatissimo oscar). Il medley include musiche tratte da Amarcord, 8½, La Dolce Vita e Boccaccio ’70. $155.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Tribute to Nino Rota Concert band [Score] - Easy Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1694-09-140-MS Composed by Nino R...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.1694-09-140-MS Composed by Nino Rota. Arranged by Lorenzo Bocci. DHP Pop, Film and Show. TV-Film-Musical-Show. Score Only. Composed 2009. 44 pages. Music Sales #1694-09-140 MS. Published by Music Sales (BT.1694-09-140-MS). 9x12 inches. English-German-French-Dutch. Nino Rota (1911-1979) war ein italienischer Komponist, der hauptsächlich Filmmusik schrieb. Zu seinen ungefähr 150 Filmmusiken zählen die Soundtracks für Der Pate I und II und zahlreiche weitere Filme von berühmten Regisseuren, wie Federico Fellini, Luigi Visconti und Francis Ford Coppola. Sein Landsmann Lorenzo Bocci ehrt ihn nun mit diesem Medley.
Les musiques de Nino Rota ont marqué l’histoire du cinéma. Ses thèmes mythiques sont associés des scènes inoubliables de films de grands réalisateurs comme Fellini, Visconti ou Coppola (avec Le Parrain I et Le Parrain II pour lequel il reçut un Oscar en 1974). Ce medley signé Lorenzo Bocci rassemble quatre des partitions les plus célèbres du maître italien : Bevete piú latte (Boccace 70), Amarcord, La dolce vota et La Passarella (8 ½).
Nino Rota è il compositore di alcune delle colonne sonore più famose mai scritte, sia per il grande cinema italiano (indimenticabili le collaborazioni con Federico Fellini) sia per Hollywood (basti pensare alla colonna sonora de Il Padrino, vincitrice del meritatissimo oscar). Il medley include musiche tratte da Amarcord, 8½, La Dolce Vita e Boccaccio ’70. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Scarlet Letters Piano Solo Piano solo - Intermediate Schott
Piano - intermediate SKU: HL.49008100 Composed by Barbara Heller. This ed...(+)
Piano - intermediate SKU: HL.49008100 Composed by Barbara Heller. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1984. 12 pages. Duration 15'. Schott Music #ED 8620. Published by Schott Music (HL.49008100). ISBN 9790001115490. Scarlet Letters was composed in 1984 on commission of the pianist and harpsichordist Franzpeter Goebels (1920-1988) on the occasion of the 300th birth day of Domenico Scarlatti. The original working title 'Lettere scarlattine' is a concealed homage to the Italian composer. The compositional material is limited to the tones D, E, C, Es (= S, spoken 'Es' = E flat in German notation) and A, derived from the musical letters of Domenico Scarlatti's name, and the tones B (= B flat in German nota tion) and H (= B natural), the initials of my name. With 7 tones and 7 parts, this music is a sort of story about my imaginary encounter with the composer Domenico Scarlatti who was then one of my favourite composers. Sometimes I also used compositional means which I discovered in the sonatas of Scarlatti, such as quick 6/8 figures, afterbeat octaves and repetitions of short motifs. I tried to translatethe clarity, brightness and cheerfulness, the astounding modulations and the pianistic brilliance of his music into my compositional language.Barbara HellerThe piece was recorded on CD by the American pianist Deborah Richards (WERGO 6610-02). First performance: 31. October 1987 International Festival of Women Composers, Unna; Rosario Marciano, piano. $20.99 - See more - Buy online | | |
| The Orchestra Musician's CD-ROM Library, Volume 7 Double Bass CD Sheet Music
SKU: SU.00220180 Composed by Maurice Ravel. Strings, Contrabass. CD (PDF ...(+)
SKU: SU.00220180 Composed by Maurice Ravel. Strings, Contrabass. CD (PDF Scores). CD Sheet Music #00220180. Published by CD Sheet Music (SU.00220180). The complete Double Bass parts [CD-ROM] for the 46 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 7: Ravel, Elgar and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: CHADWICK Symphonic Sketches; DELIUS Brigg Fair, In a Summer Garden, On Hearing the First Cuckoo in Spring, Summer Night on the River; D'INDY Symphony on a French Mountain Air; DUKAS Symphony in C, La Péri, Sorcerer's Apprentice; ELGAR Cockaigne Overture, Enigma Variations, Falstaff, Froissart, In the South, Introduction and Allegro, Pomp and Circumstance Marches 1-4, Serenade for Strings, Cello Concerto, Violin Concerto, Symphonies 1 & 2; GRIFFES Pleasure Dome of Kubla Khan, Poem for Flute, White Peackock; HOLST The Planets; NIELSEN Symphonies 1-5, Violin Concerto, Helios Overture, Maskarade Overture and Dance; RAVEL Alborada del gracioso, Daphnis et Chloé Suites 1 & 2, Mother Goose Suite, Pavane pour une infante défunte, Rhapsodie Espagnole, Le Tombeau de Couperin, La Valse, Valses Nobles et Sentimentales Visit for more information Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flauto dolce. Formazione musicale attraverso un’esperienza strumentale Ut Orpheus
Methods and Music for Children; Recorder SKU: UT.DM-30 Composed by Alessa...(+)
Methods and Music for Children; Recorder SKU: UT.DM-30 Composed by Alessandra Anceschi. Saddle stitching. Fare Musica. Classical. Ut Orpheus #DM 30. Published by Ut Orpheus (UT.DM-30). ISBN 9790215305687. 9 x 12 inches. La scelta di questo strumento come uno dei mezzi di conoscenza del linguaggio musicale (meglio sarebbe dire la sua riconferma, dato l’utilizzo assai frequente in molte scuole italiane), ha ragioni semplici e perciò tanto più convincenti: innanzi tutto il basso costo e un ingombro ed un peso minimi; in secondo luogo la facile comprensione e messa in pratica della tecnica d’uso oltre alla sua secolare tradizione ricca anche di repertorio originale; infine la possibilità dello strumento di costituire un valido sostegno all’intonazione e all’emissione vocale. Per queste ragioni il testo presenta un breve itinerario, indispensabile al bambino per procedere con la lettura intonata e la tecnica strumentale. Questo quaderno comprende un percorso graduale di avviamento allo strumento utilizzando il linguaggio tradizionale. Il lavoro qui raccolto ha come presupposto la consapevolezza di aver tralasciato quegli ambiti di espressione che non si avvalgono dei codici tradizionali, vale a dire quelle esperienze che presumono l’utilizzo e la conoscenza di repertori che si allontanano dal linguaggio tonale e che si esprimono attraverso altre grafie di codifica. In questa direzione il volume avrebbe avuto tutt’altra impostazione e, pur ribadendo l’importanza di un approfondimento dei terreni musicali meno battuti e della loro esplicitazione anche attraverso uno strumento forse poco flessibile ad esperienze di questo tipo (almeno per i principianti) come il flauto dolce, si è ritenuto di mettere a disposizione un itinerario strumentale che ha dalla sua una validità consolidata nel tempo. Il repertorio, certamente non esaustivo, ha avuto come criteri di scelta quegli ambiti geografici e temporali che più hanno messo in evidenza le caratteristiche dello strumento. È per questo motivo che per i brani d’autore si è privilegiato l’ambito rinascimentale e barocco e per ciò che riguarda la provenienza geografica ci si è rivolti verso quelle tradizioni che hanno fatto del flauto uno strumento protagonista. Per ciò che riguarda i brani d’insieme, ci preme sottolineare che le indicazioni degli strumenti non sono vincolanti poiché a tutti è nota la proverbiale carenza di attrezzature nelle scuole che impedisce l’utilizzo di diversi organici. Ogni insegnante si adatti quindi alle risorse che la scuola fornisce. Inoltre, le brevi strumentazioni dei brani proposti sono da considerarsi solo un supporto di completezza qualora si intenda dare forma più compiuta all’esecuzione. Il percorso, pertanto, può proseguire anche con la semplice esecuzione dei brani al flauto dolce senza il corredo delle elaborazioni per un organico più ampio. Relativamente agli equilibri sonori e timbrici tra le parti, ogni insegnante li adatti in base al numero degli allievi delle proprie classi e degli strumenti disponibili. In linea generale è bene ricordare che, in fase esecutiva, una sufficiente intensità sonora si ottiene con almeno 5-6 flauti dolci, ma se il registro sale all’acuto possono essere sufficienti anche la metà. Un’utile strategia di lavoro può essere quella di decidere insieme agli allievi le possibilità di distribuzione numerica degli strumenti. Sostegno sempre indispensabile all’insegnante è uno strumento armonico (chitarra o pianoforte) utilizzato per accompagnare e sostenere le esecuzioni. I brani qui raccolti serviranno di collegamento e supporto alle attività di esercitazione ritmica, melodica, armonica, vocale, di ascolto e di analisi delle forme, tutti temi approfonditi dagli altri quaderni della collana. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Free Harmonizations...vol Ii Organ Hinshaw Music Inc.
(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music ...(+)
(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.
$69.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| De Pedro Dionisio Teoria Completa De La Musica Volume 1 Revised Bk Piano solo Real Musical
Piano SKU: HL.14046102 CARISCH - MUSIC SALES. Tuition. General Merchandis...(+)
Piano SKU: HL.14046102 CARISCH - MUSIC SALES. Tuition. General Merchandise. Composed 2014. Real Musical #MK19124. Published by Real Musical (HL.14046102). ISBN 9788438712580. 7.0x9.0x0.516 inches. La Teoria Completa De La Musica en esta nueva edicion revisada, ha mantenido intactas todas aquellas cuestiones teorico-practicas que son inamovibles, al tiempo que conserva por su probada eficacia, su estructura tematica, lo que la convierte tantoen una obra de consulta como en una obra capaz de ser estructurada y adaptada tanto al curriculo de Conservatorios como al de las Escuelas de musica, sean estas regladas o no. Tampoco se ha olvidado al aficionado autodidacta, por lo que el lenguajeempleado procura ser directo, sin ambiguedades ni retoricas que dificulten su entendimiento. Como toda obra viva y en constante evolucion tambien se ha procurado revisar aquellosconceptos, definiciones, ejemplos, etc., susceptibles de modificacion,al tiempo que se han ampliado, incorporado y en algun caso modificado materias y apartados que asi lo requerian. Este libro aspira a cumplir el proposito que lo inspiro, es decir, facilitar los medios teoricos suficientes (dentro del limitado espaciode una obra de estas caracteristicas), que justifican y corroboran el fenomeno musical. $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Czerny Scuola Della Velocita 40 Studie Op. 299 Volume Iii Pf Bk Piano solo Carisch
Piano SKU: HL.14046182 Trascrizione Ed Elaborazione Per Fisarmonica A ...(+)
Piano SKU: HL.14046182 Trascrizione Ed Elaborazione Per Fisarmonica A Piano E. Composed by Carl Czerny. CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #MK3393. Published by Carisch Edition (HL.14046182). ISBN 9788850729654. 9.25x12.5x0.111 inches. Italian. $16.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Il Flauto Dolce. Dallo scolaro al virtuoso Ut Orpheus
Books and Journals; Recorder; Early Music SKU: UT.LB-1 Edited by Vittorio...(+)
Books and Journals; Recorder; Early Music SKU: UT.LB-1 Edited by Vittorio Nicolucci. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 1. Published by Ut Orpheus (UT.LB-1). ISBN 9788881094417. 6.5 x 9.5 inches. Scritti di Sergio Balestracci, Andrea Bornstein, Peter Hauge, Francesco Li Virghi, Gerd Lünenburger, Patricio Portell, Pietro Sopranzi, Karel van Steenhoven, Giovanni Toffano, John Tyson, Angelo Zaniol
L’idea del volume Il flauto dolce. Dallo scolaro al virtuoso nasce nel ’94 grazie al prezioso contributo di Marcos Volonterio che nella fase iniziale cura con Vittorio Nicolucci il progetto e la scelta degli autori. La contemporaneità di questo lavoro con la nascita della manifestazione Musica Umanità , con la preparazione dell’Annuario Italiano della Musica Antica e Danza Storica e con la partenza dall’Italia di Marcos Volonterio ne avevano posticipato la pubblicazione. Il Convegno Nazionale sul Flauto Dolce, organizzato dall’Associazione Consort Veneto, avvenuto a Padova il 6-7 giugno ’98, costituì l’occasione per presentare questa monografia in una forma ormai quasi definitiva. Rimanendo quanto più possibile fedeli alla forma già esistente, priva sin dall’origine di una prefazione tecnica, si è lavorato, da aprile a oggi, a una nuova stesura definitiva, dando l’opportunità a tutti gli autori di rivedere i testi. Le sole modifiche riguardano aggiornamenti, integrazioni e post-scriptum. Per quanto concerne invece alcuni contributi stranieri, gli adattamenti delle traduzioni sono stati curati e, dove necessario, completati da Giuliana Montanari.
Vittorio Nicolucci, laureato in ingegneria ed esperto in elaborazione dati, ha sempre coltivato, sin dall’epoca degli studi universitari, interessi diversificati e interdisciplinari. Ha studiato pianoforte, violoncello e flauto dolce, ha seguito corsi e seminari di organo, teoria del temperamento, basso continuo, danza storica. Diplomato a Parigi in Analisi della scrittura si è dedicato, oltre al proprio lavoro professionale, a ricerche sulla Psicologia dei colori e a 415 Associazione Italiana per la Musica e la Danza Antiche che ha fondato nel 1990 e di cui è stato il Presidente. . $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Juveniles 1 Piano solo Editorial de Musica Boileau
Piano SKU: BO.B.3305 Composed by De Larrocha Granados. Published by Edito...(+)
Piano SKU: BO.B.3305 Composed by De Larrocha Granados. Published by Editorial de Musica Boileau (BO.B.3305). ISBN 9788480206792. English comments: Given that Granados' creative periods continually overlap, in order to organize the works of Granados' Juvenilia this edition has grouped the works according to their chronological-biographical order and/or to their style. The majority of the works in this section were composed between his student years in Paris (1887-1889) and the founding of the Academia Granados in 1901. Many of these works are quite similar to one another being sketches and brief compositions characterised by an unfocused formal structure, harmonic ambiguity and a tendency to place the final cadence on the dominant. The fact that many of these works were not highly developed would tend to suggest that they were never revised by the composer. Typical of a young composer focusing on his own personal inspirations, Granados concentrated on themes of nature, oriental motifs, exploration of emotions, frequently making use of the salonnier (salon) genre.
Comentarios del Espanol: Para organizar la edicion de los apartados correspondientes a las obras juveniles de Granados se ha partido de los criterios cronologico - biograficos y de estilo dado que, aunque los periodos creativos del compositor se mezclan continuamente, la mayor parte de las obras de este apartado fueron escritas entre su etapa de estudiante en Paris y la fundacion de la Academia Granados en 1901 y, a pesar de presentar una gran heterogeneidad entre ellas, se trata de esbozos y breves composiciones caracterizadas por una estructura formal poco destacada, marcada por la ambiguedad armonica y por una tendencia a colocar la cadencia final en la dominante. La poca elaboracion de la mayor parte de estas obras delata que probablemente ni tan siquiera fueran revisadas posteriormente por el compositor. Todas ellas son propias de un compositor joven y responden a los temas propios del momento como son la naturaleza, los motivos orientales o la exaltacion de los sentimientos. El recurso al genero salonnier (obras de salon) y las dedicatorias a senoras y senoritas son tambien recursos propios de la epoca. $25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| De Pedro Dionisio Teoria Completa De La Musica Volume 1 Revised Bk Piano solo Real Musical
Piano SKU: HL.14046101 CARISCH - MUSIC SALES. Tuition. General Merchandis...(+)
Piano SKU: HL.14046101 CARISCH - MUSIC SALES. Tuition. General Merchandise. Composed 2014. Real Musical #MK19123. Published by Real Musical (HL.14046101). ISBN 9788438712573. 9.0x0.645 inches. La Teoria Completa De La Musica en esta nueva edicion revisada, ha mantenido intactas todas aquellas cuestiones teorico-practicas que son inamovibles, al tiempo que conserva por su probada eficacia, su estructura tematica, lo que la convierte tantoen una obra de consulta como en una obra capaz de ser estructurada y adaptada tanto al curriculo de Conservatorios como al de las Escuelas de musica, sean estas regladas o no. Tampoco se ha olvidado al aficionado autodidacta, por lo que el lenguajeempleado procura ser directo, sin ambiguedades ni retoricas que dificulten su entendimiento. Como toda obra viva y en constante evolucion tambien se ha procurado revisar aquellosconceptos, definiciones, ejemplos, etc., susceptibles de modificacion,al tiempo que se han ampliado, incorporado y en algun caso modificado materias y apartados que asi lo requerian. Este libro aspira a cumplir el proposito que lo inspiro, es decir, facilitar los medios teoricos suficientes (dentro del limitado espaciode una obra de estas caracteristicas), que justifican y corroboran el fenomeno musical. $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spanische Suite für Klavier op. 47 Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ13591 By Jozsef Sarmai. By Isaac Albeniz. Book Only. Co...(+)
Piano SKU: BT.EMBZ13591 By Jozsef Sarmai. By Isaac Albeniz. Book Only. Composed 1990. 48 pages. Editio Musica Budapest #EMBZ13591. Published by Editio Musica Budapest (BT.EMBZ13591). International. Isaac Albéniz (1860-1909), the renowned pianist and composer, was one of the most significant Spanish masters of the second half of the 19th century. Following studies in Paris and Brussels he went on a world tour and earned great success as a pianist. From 1880 onwards he belonged to Ferenc Liszt's circle and improved his piano technique as a pupil of the Hungarian master. Besides his operas, orchestral works and songs he also composed a considerable number of piano works. One of his most popular cycles for the piano is the Op. 47 Suite espagnola (1886), the movements of which he named after Spanish towns and provinces. The composition is thus an enthusiastic tribute to hishomeland: a fascinating embodiment of Spanish folk music elaborated with Lisztian virtuosity. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Musica Incerta - Un?introduzione alla musica contemporanea per Chitarra. Guitar (band part) Ut Orpheus
Guitar SKU: UT.CH-64 6 Compositions for Guitar by Mauro Bortolotti, Ma...(+)
Guitar SKU: UT.CH-64 6 Compositions for Guitar by Mauro Bortolotti, Mauro Cardi, Fabrizio Casti, Agostino Di Scipio, Fausto Razzi, Italo Vescovo. Edited by Arturo Tallini. Saddle stitching. Classical. Ut Orpheus #CH 64. Published by Ut Orpheus (UT.CH-64). ISBN 9790215305649. 9 x 12 inches. Mauro Bortolotti: Lâ??impervia, pervia via Mauro Cardi: Impromptu Fabrizio Casti: Lâ??Anima Visionaria Agostino Di Scipio: Ektopos Fausto Razzi: Invenzione Italo Vescovo: Come la quiete notturna
Perché un libro sulla musica contemporanea? Spesso capita di sentire allievi che, come ?brano contemporaneo?, suonano La Catedral di Barrios, qualche Estudio Sencillo di Brouwer o un Preludio di Villa-Lobos. Il valore di questi brani è indiscutibile, ma è altrettanto certo che essi appartengono, pur con le dovute differenze, a un linguaggio tradizionale. È convinzione del curatore che non possa più bastare il semplice dato anagrafico («In fondo Barrios è nato nel ?900...» è la tipica motivazione di quegli allievi) per definire contemporaneo un brano: è necessario possedere strumenti adatti a orientarsi nei linguaggi che gli autori elaborano ogni giorno. Il rapporto di diffidente estraneità instaurato da Andrés Segovia con la nuova musica può oggi evolversi in qualcosa di diverso: a distanza di 50 anni i chitarristi sono in grado di porsi in un atteggiamento di maggior ricettività e, non più costretti a procurarsi una ?visibilità? nel mondo musicale, possono rivolgersi più serenamente alla musica dei loro contemporanei. â??Musica Incertaâ?? cerca di rendere possibile questo mutamento di prospettiva: Arturo Tallini si è rivolto a Enrico Fubini, al musicologo Filippo Poletti e a sei compositori italiani, progettando il presente volume che è così costituito: ? uno scritto di Enrico Fubini sul rapporto fra linguaggio e storici della musica; ? un ponderoso scritto di Filippo Poletti che sviscera in profondità tutti gli aspetti grafici della simbologia usata negli ultimi decenni, non solo fornendo spiegazioni sull?esecuzione, ma aiutandoci a scorgere il significato del rapporto fra segno e oggetto musicale, partendo dall?impostazione del filosofo e linguista nordamericano Charles Pierce; ? sei brani scritti per questa occasione da Mauro Bortolotti, Mauro Cardi, Fabrizio Casti, Agostino Di Scipio, Fausto Razzi e Italo Vescovo, tra i più rappresentativi compositori italiani dei nostri anni. Ogni brano è corredato da note dell?autore, note del curatore, indicazioni tecniche e diteggiature che aiutano l?esecutore nello studio. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Gitaar Starter deel 2 Guitar [Sheet music + CD] Alsbach
Guitar SKU: BT.ALB10655 Composed by Cees Hartog. Tuition. Book with CD. 6...(+)
Guitar SKU: BT.ALB10655 Composed by Cees Hartog. Tuition. Book with CD. 64 pages. Alsbach #ALB10655. Published by Alsbach (BT.ALB10655). ISBN 9789043145305. Dutch. Following on from the material in Gitaar Starter 1, this book/CD set covers even more techniques that are vital for the beginning guitarist to learn. It discusses, amongst other topics, playmaking, legato, positionchanges, harmonics and chords. In addition to the individual exercises, the techniques are mainly used in the playing materials, which contains pieces in many different styles from all around the world. When thewhole Gitaar Starter series has been worked through, the student will have mastered the most important basics of Guitar playing. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 7 Harp/Keyboard/Other CD Sheet Music
SKU: SU.00220181 Composed by Maurice Ravel. Harp, Harp with other Instrum...(+)
SKU: SU.00220181 Composed by Maurice Ravel. Harp, Harp with other Instruments, Keyboard, Piano/Harpsichord, Keyboard, Organ. CD (PDF Scores). CD Sheet Music #00220181. Published by CD Sheet Music (SU.00220181). The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 46 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 7: Ravel, Elgar and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: CHADWICK Symphonic Sketches; DELIUS Brigg Fair, In a Summer Garden, On Hearing the First Cuckoo in Spring, Summer Night on the River; D'INDY Symphony on a French Mountain Air; DUKAS Symphony in C, La Péri, Sorcerer's Apprentice; ELGAR Cockaigne Overture, Enigma Variations, Falstaff, Froissart, In the South, Introduction and Allegro, Pomp and Circumstance Marches 1-4, Serenade for Strings, Cello Concerto, Violin Concerto, Symphonies 1 & 2; GRIFFES Pleasure Dome of Kubla Khan, Poem for Flute, White Peackock; HOLST The Planets; NIELSEN Symphonies 1-5, Violin Concerto, Helios Overture, Maskarade Overture and Dance; RAVEL Alborada del gracioso, Daphnis et Chloé Suites 1 & 2, Mother Goose Suite, Pavane pour une infante défunte, Rhapsodie Espagnole, Le Tombeau de Couperin, La Valse, Valses Nobles et Sentimentales Visit for more information Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For Roscoe Mitchell Orchestra Peters
Orchestra SKU: PE.EP68783 For Cello and Orchestra. Composed by Tys...(+)
Orchestra SKU: PE.EP68783 For Cello and Orchestra. Composed by Tyshawn Sorey. Edition Peters. Book. 48 pages. Edition Peters #98-EP68783. Published by Edition Peters (PE.EP68783). ISBN 9790300762296. English. Like his subsequent non-certo For Marcos Balter – also composed during the upheavals, political and otherwise, of the year 2020 – Tyshawn Sorey's For Roscoe Mitchell for cello and orchestra is a single-movement work that imagines a non-adversarial, non-hierarchical relationship between the soloist and the ensemble. The 20-minute piece is named in admiration of Sorey's friend and collaborator Roscoe Mitchell, the Chicago-based bandleader, composer, educator, and performer. Cellist Seth Parker Woods gave the world premiere in November 2020 alongside conductor David Robertson and the Seattle Symphony, who commissioned the piece. This full score is available for purchase as part of the Peters Contemporary Library, with solo and orchestral parts available on hire. This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $79.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Adina - Intermediate Ricordi
Vocal, Piano Accompaniment (Vocal Score) - intermediate SKU: HL.50601634 ...(+)
Vocal, Piano Accompaniment (Vocal Score) - intermediate SKU: HL.50601634 Vocal Score based on the Critical Edition by Fabrizio Della Seta. Composed by Gioachino Rossini. Edited by Fabrizio Della Seta. Vocal Score. Classical, Opera. Softcover. Composed 2018. 173 pages. Ricordi #CP13825900. Published by Ricordi (HL.50601634). ISBN 9788881920457. UPC: 888680932381. 8x11 inches. Italian-English. - Rossini -. Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition. $32.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harp Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Carl Swanson. Collection - Score. Carl Fischer Music #H84. Published by Carl Fischer Music (CF.H84). ISBN 9781491165539. UPC: 680160924530. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 Next page 31 |