Chamber Music Guitar, alto Saxophone

SKU: PR.114419970

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-41997. Published by Theodore Presser Company (PR.114419970).

UPC: 680160684670. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.

By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. For Tenor Saxophone in Bb. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3

A Method for the Recorder Based on Israel Folk Melodies. By Tzipora H. Jochsberger. Transcontinental Music Folios. Size 9x12 inches. 66 pages. Published by Transcontinental Music Publications.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323809

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. 1x 33.238/21 flute 1, 1x 33.238/22 flute 2, 1x 33.238/23 oboe 1, 1x 33.238/24 oboe 2, 1x 33.238/25 bassoon, 1x 33.238/31 horn 1, 1x 33.238/32 horn 2, 1x 33.238/33 trumpet 1, 1x 33.238/34 trumpet 2, 1x 33.238/35 trumpet 3, 1x 33.238/41 timpani. Harmony parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/09. Published by Carus Verlag (CA.3323809).

ISBN 9790007212193. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and parts available separately - see item CA.3323800.

Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co..

SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124569

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Set of Orchestra Parts. Composed 1725. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/69. Published by Carus Verlag (CA.3124569).

ISBN 9790007097097. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and parts available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB choir, SATB voices, 2 flutes, 2 oboes (oboe d'amore, basso continuo), 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124594

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Paperback. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Johannespassion Bwv 245 Tradition.Fassung. Innovative practice aids, Sacred vocal music, Passions, Lent and Passiontide. Vocal score. Composed 1739/1749. BWV 245. 152 pages. Duration 120 minutes. Carus Verlag #CV 31.245/94. Published by Carus Verlag (CA.3124594).

ISBN 9790007181307. Language: German/English. John 1:18-19.

Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

(Version II). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. For SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Johannespassion 1725. Passions, Lent and Passiontide. Study score. Language: German/English. Composed 1725. BWV 245. 208 pages. Duration 120 minutes. Published by Carus Verlag

SATBB vocal soli, SATB choir, 2 flutes, 2 oboes (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violins, viola, basso continuo

SKU: CA.3124589

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. Composed 1725. BWV 245. 140 pages. Duration 120 minutes. Carus Verlag #CV 31.245/89. Published by Carus Verlag (CA.3124589).

ISBN 9790007211455. Text language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.

(Version II). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. For SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. German title: Johannespassion 1725. Erganzg zu 31.245/49. Passions, Lent and Passiontide. Organ part. Language: German/English. Composed 1725. BWV 245. 36 pages. Duration 120 minutes. Published by Carus Verlag