High Voice & Piano

SKU: SU.00220338

For high Voice & Piano. Composed by Arturo Toscanini. Vocal/Choral, Solo Voice. Score. Subito Music Corporation #00220338. Published by Subito Music Corporation (SU.00220338).

Original compsitions by Arturo Toscanini for High Voice, Piano Published by: Subito Music Publishing The first compilation of its kind, The Songs of Arturo Toscanini makes available over 70 pages of original songs, many never before published. Showcasing a mixture of both mature and student works, this song album is suitable for all music levels. The booklet also contains in-depth biographical material as well as several pages of helpful translations and editorial notes. Contents Toscanini as composer Autunno I baci Canto di Mignon Desolazione Donna vorrei morir Fior di siepe Forse una volta Nevrosi Pagina d'album Per album Il pescatore Presentimenti Primo bacio Quando cadran le foglie Son gelosa!! Sono sola Il sorriso e l'anima di Margherita Spes, ultima dea V'amo Editorial Notes Translations Acknowledgments Also available for purchase:.

Choral (ShowTrax CD)

SKU: HL.345613

Choral Medley. By Various Artists. Arranged by Alan Billingsley. Pop Choral Series. Medley, Movies, Pop, Sixties. CD. Duration 340 seconds. Published by Hal Leonard (HL.345613).

UPC: 840126920079. 5.0x5.0x0.15 inches.

This is James Bond Medley you've been “Die”-ing for! This superlative nine-song choral medley features the best of the ongoing spy series' theme song catalog, from Adele to Shirley Bassey, from Paul McCartney & Wings to Duran Duran. As Ian Fleming's British Secret Service agent 007 approaches his landmark 25th film No Time to Die, don't miss this chance to celebrate the best of Bond... James Bond. Includes: James Bond Theme, The World is Not Enough, Skyfall, Goldfinger, Goldeneye, You Know My Name, A View to a Kill, Nobody Does It Better and Live and Let Die.

Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Part(s); Score. 130 pages. Duration 2:00. Alfred Music #00-45969. Published by Alfred Music (AP.45969).

Viola (2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5267-19

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Bastiaan Blomhert. Stapled. Orchester-Bibliothek (Orchestral Library). Overture; Classical. Part. 4 pages. Duration 6'. Breitkopf and Haertel #OB 5267-19. Published by Breitkopf and Haertel (BR.OB-5267-19).

ISBN 9790004332139. 9 x 12 inches.

Bars 282-285 or not? To this day, it has been impossible to ascertain exactly how Mozart wanted to end his Overture for a concert performance. Bastiaan Blomhert's source-critical new edition, which makes use for the first time of authentic performance material revised by Mozart himself, gives the conductor the freedom to choose between the two plausible alternatives. Johann André’ s concert close, the standard ending for nearly two centuries, went down in history as a historically legitimated version.

By Various. For Piano/Keyboard. Easy Piano Songbook. Softcover. 72 pages. Published by Hal Leonard

(The Singer's Series). By Various. Vocal Collection. TV, pop. Softcover. 72 pages. Published by Hal Leonard

Tenor Book. By Various. Vocal Collection. Softcover. 296 pages. Published by Hal Leonard.

Piano

SKU: BR.EB-4342

Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. This edition: paperback. Solo instruments; Softbound. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic LamondHave a look into EB 4342. Sonata; Classical. Score. 316 pages. Breitkopf and Haertel #EB 4342. Published by Breitkopf and Haertel (BR.EB-4342).

ISBN 9790004162873. 9 x 12 inches.

Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.

The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic Lamond.

STB vocal soli, SATB choir, 2 violins, viola, cello, basso continuo

SKU: CA.3119605

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Wedding. Choral Score. Composed 1708. BWV 196. 8 pages. Duration 14 minutes. Carus Verlag #CV 31.196/05. Published by Carus Verlag (CA.3119605).

ISBN 9790007210434. Language: German/English.

Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score available separately - see item CA.3119600.