SKU: HL.50571390
SKU: BU.EBR-A057
ISBN 9790560151373. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.L'opus 593 se compose de deux scherzi. Le premier est en si bémol majeur et le deuxième en ré bémol majeur. Ces deux scherzi sont destinés à l'origine aux sonates D567 et D568. Le scherzo en si bémol est une sorte d'invitation à la danse par son allure rythmique enlevé et sautillant.Cette pièce respire le bien-être et la frivolité sur un ton aimable et gracieux. La bienséance de Schubert s'exprime dans cette page, ainsi que sa simplicité à l'état pur.Venez délecter ce scherzo en famille !
SKU: HL.48025278
UPC: 196288158561.
Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. The playfully inventive cycle for voice, piano and string quartet, dedicated to his “dear wife†Martha, brings together short compositions written in 1937-40. “These are,†says Schmid, “12 small pieces in a wide variety of instrumentation and different forms - some of them twelve-tone pieces, some of them in a technique that comes close. An attempt to write music that is technically easier to perform.†The arch-like overall form combines folksong-like vocal numbers on text from “Des Knaben Wunderhorn†with solo pieces, quartet movements and counterpoint art on the name of “BACH†and expresses Schmid's view of music in a subtly personal way.
SKU: PR.46600077L
UPC: 680160636969. 11x15 inches. Key: Eb major.
SKU: HL.50602043
ISBN 9781540056467. UPC: 888680948276. 9.0x12.0x0.103 inches. German-English.
The complete opus 39 for voice and piano by R. Strauss. Contents: Leises Lied, Junghexenlied, Der Arbeitsmann, Befreit, Lied an meinen Sohn. Texts in German and English.
SKU: HL.191947
Author: Jean-Jacques Eigeldinger.
SKU: BA.BA08343-67
ISBN 9790006522156. 32.5 x 25.5 cm inches. Key: G minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49019113
ISBN 9790001181778. UPC: 884088699321. 9.0x12.0x0.171 inches.
'san-Baptiste Duvernoy (1800-1880) was a French pianist, composer, and professor of piano at the Conservatoire de Paris. A composer of more than 300 works, he is primarily known for his studies, including the opus 176 Elementary Studies, which were written for beginner's lessons on the piano. Duvernoy's studies intentionally lack technical sophistication making them a suitable complement to Czerny etudes. The lack of technical rigor allows students the latitude to focus on expression, lyricism and tone production...With clearly notated articulation and dynamic markings, the student has the opportunity to experience music making on a number of levels...Looking at the music itself the quality and mindfulness of Schott's typography is self-evident. Through careful spacing, most of the studies fit well on a single page.--American Music Teacher.
SKU: BA.BA02425
ISBN 9790006421152. 27 x 19 cm inches. Text: Heribert Menzel.
Print on demand (POD).
SKU: PR.114414240
UPC: 680160607815. 9 x 12 inches.
SKU: HL.48025271
UPC: 196288154341.
Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. Suite No. 1 is an interesting hybrid that conveys the most modern compositional structure in the genre of light music. Schmid composed it shortly after the end of his year as a master student of Schönberg in Berlin. Like his other works of the time, its unusual instrumentation already shows an effort to move on from classical “high forms†and compose in looser structures, with the free use of the twelve-tone technique providing inner coherence. “Danceâ€, “Waltzâ€, “March†are linked by two inserted “Intermezzi†and introduced by an “Introductionâ€. Not all movements require full instrumentation and are designed for solo rather than group performance. Professional playing techniques such as flutter tonguing and alienating sound effects through damping and muting are used.
SKU: BA.BA04202-74
ISBN 9790006444915. 32.5 x 25.5 cm inches. Key: B-flat major.
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: ST.C525
ISBN 9790570815258.
The Ukrainian Suite for wind quintet dates from 1983 and is in three movements. In the opening Allegretto, there is a hint of minimalist techniques, where the unusual harmonic shifts will challenge the players to forget conventional cadences. Several parts share parallel rhythms in many places, while one part carries the melodic material. Similar principles can be seen at work in the Moderato con moto second movement, where persistent repeated notes accompany the melody. The third movement, also Moderato at the start, builds towards a final section where all five parts share very similar note patterns, and excitement is generated by the contrasting dynamics and the relentless drive of the rhythms. This quintet was originally published by Phylloscopus Publications in 2001 and set from the manuscript by C.M.M. Nex and F.H. Nex.Flute, Oboe, Clarinet in B flat and A, Horn in F and Bassoon. Score and 5 Parts included.Former Spartan Press Cat. No.: PP391.
SKU: ST.C526
ISBN 9790570815265.
Gavotte on a Ukrainian Folk-Song: A Pumpkin at large in the Garden, converts effectively into a wind quintet, with a few unexpected cadences and harmonies as well as a clarinet cadenza of eastern character. This music was originally published by Phylloscopus Publications in 1992.Arranged by A. GinsburgScored for Flute, Oboe, B flat Clarinet, Horn in F & Bassoon.Score and 5 Parts included.Former Spartan Press Cat. No.: PP391.
SKU: ST.C351
ISBN 9790570813513.
For Soprano, Tenor & Piano (Vocal Score/Piano Reduction).‘As Steals the Morn’ (The Cheerful Man, the Thoughtful Man and the Moderate Man), was composed in 1740. It is described as a ‘Pastoral Ode’ and based on the poetry of John Milton. Many of the arias which occur in Handel’s operas and oratorios are suitable for concert performance, but are not readily available with instrumental parts. Using the Friedrich Chrysander complete edition as a source, this edition was researched and edited by C.M.M. Nex and F.H. Nex, originally for Phylloscopus Publications.Grades 6–8Former Spartan Press Cat. No.: PP153AFull score and parts available here.