SKU: BT.DHP-1115053-010

9x12 inches.

...Then Thy Words Will Take Wing... is a four movement composition based upon drawings made by Russian painter Zinovii Tolkatchev (1903-1970), who served as official artist during the liberation of concentration camps in Auschwitz. After the war, Tolkatchev’s works were published and now tour the world as a travelling exhibition. This composition is a tribute to the victims of the Holocaust who still remain nameless, and is a powerful piece to include in any concert programme.

“…dan zullen uw woorden vleugels krijgen...” is een vierdelige compositie gebaseerd op vier tekeningen van de Wit-Russische schilder Zinovii Tolkatchev (1903-1970). Tijdens de bevrijding van de concentratiekampen Auschwitz en Majdanekwas Tolkatchev bij het Rode Leger in dienst als tekenaar. Na de oorlog verschenen de tekening van Tolkatchevs in albumvorm en momenteel reizen ze de wereld over, te bekijken bij tentoonstellingen. De compositie is een eerbetoonaan alle naamloze slachtoffers van de Holocaust en grijpt daarbij ook terug op de hoofdgedachte van de Yad Vashems, het gedenkbeeld van de Holocaust in Jeruzalem.

...dann wachsen Flügel Deinen Worten...“ ist eine viersätzige Komposition nach Zeichnungen des weißrussischen Malers Zinovii Tolkatchev (1903-1970), der bei der Befreiung der Konzentrationslager Auschwitz und Majdanek in der Roten Armee als Zeichner diente. Nach dem Krieg wurden seine Bilder veröffentlicht und wandern jetzt in einer Ausstellung um die Welt. Diese Komposition will an die vielen namenlos gebliebenen Opfern des Holocaust erinnern und damit einen der Leitgedanken Yad Vashems, der Holocaust-Gedenkstätte in Jerusalem, vermitteln.

…Alors tes paroles s’envolent en chanson… est une oeuvre en quatre mouvements s’inspirant de quatre dessins du peintre biélorusse Zinovii Tolkatchev (1903-1970) qui servait dans l’Armée rouge en tant qu’illustrateur lors de la libération des camps de concentration d’Auschwitz et de Majdanek, sa t che consistant réaliser des croquis des atrocités commises. Plus tard, les enfants de Tolkatchev firent don de la série au mémorial Yad Vashem de Jérusalem. Ces dessins sont rassemblés en une exposition qui fait aujourd’hui le tour du monde.

Un brano in quattro movimenti che si ispirano a quattro dipinti del pittore bielorusso Zinovii Tolkachev (1903-1970) che servì nell’Armata Rossa come illustratore durante la liberazione dei campi di concentramento di Auschwitz e Majdanek. Il suo compito era realizzare schizzi delle atrocit commesse. In seguito, i figli di Tolkachev decisero di donare la serie di disegni al Memorial Yad Vashem di Gerusalemme, disegni ora oggetto di una mostra itinerante.

SKU: CA.336510

ISBN 9790007243982. Language: Portuguese.

This is a Brazilian popular melody compiled by Mário de Andrade (1893-1945) in his collection Ensaio sobre a música brasileira (1928). He was an ethnomusicologist who traveled around his country collecting data in order to preserve the ancestral memory of indigenous tribes, slaves from Africa and Portuguese settlers. He was one of the most important musicologists of the 20th century in Brazil, as well as a poet and writer who contributed alongside to Heitor Villalobos (1887-1959) to establishing Brazilian Nationalism. This song Cana-fi ta is a work song from Pernambuco which has the 'coco' rhythm and describes life at a sugar plantation. The choral version of Eduardo Lakschevitz, uses the main melody in a set of variations, alternating from the high to the low register of the choir. The percussion accompaniment of the instrumental group enhances the body percussion which the choir is asked to perform.

SKU: BT.GOB-000283-120

Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Club First performed in the Grieg Hall¬? at the 10th Anniversary Concert for the Norwegian Championship, Bergen, February 1989. EBML conducted by Michael Antrobus.

The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991.

The composer:
In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material.

When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves(?= turn upside down) heaven and earth. (Well, not a good translation I¬?m afraid).

The fast sections reflects the mighty winds from the north. In the middle section, I borrowed a folksong-like tune (by C. Elling, a norwegian composer).
The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God. De opening en het slot van dit werk beschrijven 'Circius' de wind die hemel en aarde verwoest.
Het middendeel is een bewerking van het Noorse volkslied 'The fisherman's speech to his son'. De inhoud van het lied komt overeen met Circius. De vader verzoekt zijn zoon de krachten van de natuur te trotseren, maar bovenal te respecteren.
Een kort doch spectaculair concertwerk dat het gehele orkest in de greep heeft.

Gobelin Music Publications.

SKU: BT.GOB-000037-130

Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Club First performed in the Grieg Hall¬? at the 10th Anniversary Concert for the Norwegian Championship, Bergen, February 1989. EBML conducted by Michael Antrobus.

The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991.

The composer:
In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material.

When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves(?= turn upside down) heaven and earth. (Well, not a good translation I¬?m afraid).

The fast sections reflects the mighty winds from the north. In the middle section, I borrowed a folksong-like tune (by C. Elling, a norwegian composer).
The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God. De opening en het slot van dit werk beschrijven 'Circius' de wind die hemel en aarde verwoest.
Het middendeel is een bewerking van het Noorse volkslied 'The fisherman's speech to his son'. De inhoud van het lied komt overeen met Circius. De vader verzoekt zijn zoon de krachten van de natuur te trotseren, maar bovenal te respecteren.
Een kort doch spectaculair concertwerk dat het gehele orkest in de greep heeft.

Gobelin Music Publications.

SKU: FH.FLE01

ISBN 978-1-55440-300-4.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.

Slavonic Dances, op. 46, no. 1 Antonin Dvorak
Symphony No. 100 in G Major (Military): II Franz Joseph Haydn
Le carnaval des animaux: Aquarium Camille Saint-Saens
HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan
La forza del destino: Overture Giuseppe Verdi
Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel
Symphony No. 100 in G Major (Military): III Franz Joseph Haydn
Ma Vlast: II Bedrich Smetana
HMS Pinafore: When I Was a Lad Arthur Sullivan
Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky
Symphony No. 6 (Pastoral): III Ludwig van Beethoven
Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak
Faust: Soldier's Chorus Charles Gounod
Peer Gynt Suite No. 1, op. 46: I Edvard Grieg
Symphony No. 102 in B flat Major: I Franz Joseph Haydn
Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach
Carmen: La garde montante Georges Bizet
Petite suite: Ballet IV Claude Debussy
Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn
Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart
Symphony No. 5: IV Ludwig van Beethoven
Carmen: Act 1, Prelude Georges Bizet
Faust Ballet Music: Danse antique Charles Gounod
Symphony No. 102 in B flat Major: IV Franz Joseph Haydn
Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov
Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven
Symphonie fantastique: V Hector Berlioz
Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35: I Nicolai Rimsky-Korsakov
Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach
Symphonie fantastique: I Hector Berlioz
Carmen: Entr'acte (Prelude) Georges Bizet
Symphony No. 1 in C Minor: IV Johannes Brahms
Die Zauberfloete: Overture Wolfgang Amadeus Mozart
Symphony No. 8 in G Major: IV Antonin Dvorak
Leonore Overture No. 3, op. 72a Ludwig van Beethoven
Symphony No. 4 in E Minor: IV Johannes Brahms
La mer: I, II, III Claude Debussy
Symphony No. 4 (Italian): IV Felix Mendelssohn
Symphony No. 1 (Classical): II Sergei Prokofiev
Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven
Prelude a l'apres-midi d'un faune Claude Debussy
Sinfonie Mathis der Maler: I, II Paul Hindemith
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn
Petroushka (1947 revision): Part 1 Igor Stravinsky
Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky
Capriccio espagnol, op. 34: IV Nicolai Rimsky-Korsakov
Symphony No. 1 (Classical): IV Sergei Prokofiev
Concerto for Orchestra: I, II, III, IV, V Bela Bartok
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith
Das Lied von der Erde: VI Gustav Mahler
Peter and the Wolf, op. 67 Sergei Prokofiev
Le carnaval des animaux: 10. Voliere Camille Saint-Saens
Daphnis et Chloe: Troisieme partie Maurice Ravel
Guillaume Tell: Overture Gioachino Rossini
Till Eulenspiegel's Merry Pranks Richard Strauss
Firebird Suite (1919 version) Igor Stravinsky
Symphony No. 9: IV Ludwig van Beethoven
Concerto for Orchestra: III Bela Bartok
Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov
Semiramide: Overture Gioachino Rossini
Symphony No. 5, op. 47: I, II Dmitri Shostakovich.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.