| Hymnal Companion For Woodwinds, Brass And Percussion |percussion|organ|piano||choral|vocal | [Sheet music] Concordia Publishing House
By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Pu...(+)
By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Published by Concordia Publishing House.
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Twenty-six (26) Hymn Descants for One, Two, or Three Bb Trumpets Trumpet GIA Publications
By Various. Arranged by Harold Owen. For Instruments: 1, 2, or 3 B trumpets (var...(+)
By Various. Arranged by Harold Owen. For Instruments: 1, 2, or 3 B trumpets (varies). Inst; Coll; Org Ens; Brass Ens Sacred. 30 pages. Published by GIA Publications.
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let's Have Some Music Choral Durand
Piano/Vocal Score Choral SKU: HL.50564949 Composed by Darius Milhaud. Edi...(+)
Piano/Vocal Score Choral SKU: HL.50564949 Composed by Darius Milhaud. Editions Durand. Classical. 34 pages. Editions Durand #DF1564400. Published by Editions Durand (HL.50564949). ISBN 9781423478249. UPC: 884088398286. 7.25x10.5 inches. Darius Milhaud, with English Text by Jeremy Drake. Composed by French master Darius Milhaud in 1932, this collection of humorous children's songs is now available for the first time with English lyrics. At the time they were composed, radio and phonograph technology were causing the primary musical leisure activity to shift from actual music making to listening. Milhaud believed that if amateurs were provided with accessible music, they would be encouraged to continue playing music for recreation, thus reversing the trend. These delightful songs are excellent for young treble choirs in school and community and include: A Little Test, Skipping Song, Reading Lesson, The Luck of the Draw, Miss Spectacles, Mea Culpa, The Monitor Alexander, Deserved Praise, The Argument, The Orchestra of the Obedient Students, The Orchestra of the Mischievous Students, Final Chorus: In Praise of Computers. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Let's Have Some Music Choral Durand
(Game Songs for Children). By Darius Milhaud (1892-1974). For Choral. Editions D...(+)
(Game Songs for Children). By Darius Milhaud (1892-1974). For Choral. Editions Durand. 12 pages. Editions Durand #DF1579200. Published by Editions Durand .
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cuico Concert band [Score and Parts] - Intermediate C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications
$150.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Franz Joseph Haydn: Creation (satb)(e) Choral SATB SATB [Sheet music] Alfred Publishing
SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edi...(+)
SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edited by Robert Shaw and Alice Parker. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Lawson-Gould. Classical; Masterwork; Sacred. Book. 160 pages. Alfred Music #00-LG51595. Published by Alfred Music
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525914 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525914 Composed by George Frideric Handel. Edited by Alon Schab. Single Part, basso continuo. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525914. Published by Carus Verlag (CA.5525914). ISBN 9790007311100. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Great Big Praise for a Great Big God, Book 1 - CD/Book Combo Children choir Lillenas Publishing Co.
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke,...(+)
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke, Ken Bible. Arranged by Thomas Fettke, Ken Bible. (unison). This edition: MD492. Suggested Use: For children pre-school to third grade. Use at Sunday school, children's choir, children's church, VBS, camps, Christian schools, and home. Lillenas Publications. Great resource for working with younger kids. Sacred. Book/Split-Channel Accompaniment Cassette Combo. 144 pages. Published by Lillenas.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Open the Gates Choral CD Hope Publishing Company
Choir; French horn; flute; guitar; handbell; percussion SKU: HP.C5631C Co...(+)
Choir; French horn; flute; guitar; handbell; percussion SKU: HP.C5631C Composed by Joel Raney. Piano Accompaniment with Optional Unison Choir (or Soloist). Lent, Palm Sunday, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5631C. Published by Hope Publishing Company (HP.C5631C). UPC: 763628956318. Matthew 21:1-11, Mark 11:1-33, Luke 19:1-47, John 12:1-50. Original Anthem This dynamic Palm Sunday anthem from Joel Raney is brimming over with excitement. The adult voices begin the musical journey building to . . . Jesus, Redeemer, King, rides in triumphant majesty. Let all creation sing loud hosannas to the King of Glory! At this highpoint, the optional children's choir enters singing, Blessed is he who comes in the name of the Lord, echoed by the adult voices in a very effective exchange. From there the anthem builds to a thrilling hosanna-filled conclusion. The instrument packet contains a Conductor's Score and parts for Flute, French Horn, Percussion (tambourine, triangle, conga or djembe), Bass Guitar & 4 Handbells. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Dances and Songs to Play and Sing for Hammered Dulcimer Dulcimer - Intermediate Mel Bay
Composed by Peggy Carter. Squareback saddle stitch, Scottish. Celtic / Irish...(+)
Composed by Peggy Carter.
Squareback saddle stitch,
Scottish. Celtic / Irish.
Book. Mel Bay Publications,
Inc #30807. Published by Mel
Bay Publications, Inc
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Children Sing! Choral Unison Unison/2-part, Piano [Vocal Score] Triune Music Inc.
By Philip Gabriel. For unison/2-part choir. Sacred. Sacred Choral Collection. Pu...(+)
By Philip Gabriel. For unison/2-part choir. Sacred. Sacred Choral Collection. Published by Triune Music Inc. (45/1103K)
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchestra. Composed by Gyorgy Ligeti. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1985-1988. Duration 24'. Schott Music #ED23178. Published by Schott Music (HL.49046544). ISBN 9781705122655. UPC: 842819108726. 9.0x12.0x0.224 inches. I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. The markings of the movements are the following: 1. Vivace molto ritmico e preciso 2. Lento e deserto 3. Vivace cantabile 4. Allegro risoluto 5. Presto luminoso.The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale; my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. In the Piano Concerto I realized new concepts of harmony and rhythm. The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time 'rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form; later in the fourth movement it will be considerably developed. The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement; however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly; they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales; in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting; illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated; the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus; indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. (Gyorgy Ligeti). $34.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| All Creatures of Our God and King Handbells [Score] - Beginner Hope Publishing Company
Arranged by Linda Lamb. For 2 octave handbells. LASST UNS ERFREUEN, Hymntune, Ad...(+)
Arranged by Linda Lamb. For 2 octave handbells. LASST UNS ERFREUEN, Hymntune, Adoration, Creation, Evening, God - Creator, Holy Spirit, Morning, Music and Singing, Nature, Praise of God, Trinity, Worshiping, General, Sacred. Grade 1 . Handbell score. 8 pages. Published by Hope Publishing Company
$6.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| New Psalms and Hymns and Spiritual Songs Choral Unison Hope Publishing Company
Choir SKU: HP.1755 Composed by Carl P. Daw, Jr. This edition: Complete. A...(+)
Choir SKU: HP.1755 Composed by Carl P. Daw, Jr. This edition: Complete. Author Collections. General Worship, Sacred. Hymn Collection. 128 pages. Hope Publishing Company #1755. Published by Hope Publishing Company (HP.1755). UPC: 763628117559. As the title indicates, there are 13 new hymn texts based on Psalms, 12 as hymns and 24 as new spiritual songs. All are set to tunes ancient and modern, and all have been written since the publication of A Year of Grace (1990) and To Sing God's Praise (1992). $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525911 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525911 Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525911. Published by Carus Verlag (CA.5525911). ISBN 9790007311070. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II [Score] Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525900 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525900 Composed by George Frideric Handel. Edited by Alon Schab. Carus digital: Extra digital products. Full Score. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525900. Published by Carus Verlag (CA.5525900). ISBN 9790007252014. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525912 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525912 Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525912. Published by Carus Verlag (CA.5525912). ISBN 9790007311087. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525903 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525903 Composed by George Frideric Handel. Edited by Alon Schab. Vocal score. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525903. Published by Carus Verlag (CA.5525903). ISBN 9790007252021. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525919 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525919 Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525919. Published by Carus Verlag (CA.5525919). ISBN 9790007311063. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $90.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525949 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525949 Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525949. Published by Carus Verlag (CA.5525949). ISBN 9790007252045. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525913 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525913 Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525913. Published by Carus Verlag (CA.5525913). ISBN 9790007311094. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525905 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525905 Composed by George Frideric Handel. Edited by Alon Schab. Choral Score. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525905. Published by Carus Verlag (CA.5525905). ISBN 9790007252038. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525909 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525909 Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525909. Published by Carus Verlag (CA.5525909). ISBN 9790007310905. English. Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Church Pianist's Library, Vol. 10 Piano solo [Sheet music] Lorenz Publishing Company
For piano. Sacred. Intermediate. Collection. Published by Lorenz Publishing Comp...(+)
For piano. Sacred. Intermediate. Collection. Published by Lorenz Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria, Sing Out His Praise Choral SATB Fred Bock Music Company
Choral (SATB) SKU: HL.1436084 Composed by Patricia Mock. Arranged by Faye...(+)
Choral (SATB) SKU: HL.1436084 Composed by Patricia Mock. Arranged by Faye Ló and Johann Christoph Pez. Fred Bock Publications. Octavo. 12 pages. Fred Bock Music Company #BG2702. Published by Fred Bock Music Company (HL.1436084). UPC: 196288203858. 6.75x10.5x0.029 inches. “Let every breath on earth be raised, and every creature join in praise!” This anthem begins with an energetic and engaging invitation to join the sounds of celebration in response to the goodness and greatness of God from all His creation! The syncopated rhythms in the opening accompaniment quickly set the tone for an uplifting time of worship and lead to an interlude of praise to the familiar tune, “Praise Him, Praise Him.”. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Fruit of All Creation Choral SATB Hope Publishing Company
Choir SKU: HP.C6166C Arranged by Mark Hayes. Piano Accompaniment. General...(+)
Choir SKU: HP.C6166C Arranged by Mark Hayes. Piano Accompaniment. General Worship, Thanksgiving & Gratitude, Thanksgiving, Sacred, Stewardship. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6166C. Published by Hope Publishing Company (HP.C6166C). UPC: 763628961664. Fred Pratt Green. Hymn anthem Opening with a flourish, this hymn anthem launches into the dynamic statement 'Give thanks to God! Let every voice give thanks to God!'For SATB choir with piano accompaniment, this is especially useful for services of thanksgiving and praise. A reproducible part for the congregation to sing on stanza three is included. If you have yet to introduce this glorious hymn to your congregation, here is a festive way to do so. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
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