SKU: BT.HU3382
SKU: CA.5136114
ISBN 9790007225025. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.
SKU: BT.DHP-1165745-010
English-German-French-Dutch.
Childrenâ??s Oak was commissioned by the wind band from Beauquesne, France. This solemn work pays homage to a city particularly affected by the two World Wars and is inspired by the knowledge that the city of Beauquesne needed to recover from these terrible episodes in its history. The title has its origin in the roots of the word â??Beauquesneâ?, the beautiful oak tree. It is a beautiful slow piece for your concert, or as a resource to work on phrasing and intonation, or alternatively as a warm up piece.Childrenâ??s Oak is geschreven in opdracht van het blaasorkest van het Franse Beauquesne. Dit plechtige werk is een eerbetoon aan een plaats die in de beide wereldoorlogen zwaar is getroffen. Het is ge nspireerd op de gedachte dat de gemeente Beauquesne zich moest herstellen na deze verschrikkelijke periodes uit haar geschiedenis. De titel is gebaseerd op het woord â??beauquesneâ??: de mooie eikenboom. Het is een fraai langzaam stuk voor uw volgende concert dat tevens geschikt is om te werken aan frasering en intonatie. Ook is het prima muziek voor een warming-up.Das Stück Childrenâ??s Oak wurde vom Blasorchester in Beauquesne (Frankreich) in Auftrag gegeben. Dieses feierliche Werk würdigt eine Stadt, die in den beiden Weltkriegen stark in Mitleidenschaft gezogen wurde. Geprägt von der Hoffnung, die die Stadt Beauquesne brauchte, um sich von den schrecklichen Ereignissen seiner Geschichte zu erholen handelt es sich um ein wunderschönes langsames Stück, das nicht nur für Konzerte geeignet ist, sondern auch um Intonation und Phrasierungen zu üben oder aber auch als Aufwärmstück.Childrenâ??s Oak fut commandé par lâ??Orchestre dâ??Harmonie de Beauquesne, France. Ce morceau solennel rend hommage une ville particulièrement touchée par les deux guerres mondiales et sâ??inspire de lâ??espoir dont a eu besoin la ville de Beauquesne pour se relever des moments terribles de son histoire. Lâ??Å?uvre tire son titre de lâ??origine du mot « Beauquesne », le beau chêne. Un magnifique morceau lent pour votre concert, ou comme ressource pour travailler sur les phrasés et lâ??intonation, ou sinon comme pièce dâ??échauffement.
SKU: CF.MAS1F
ISBN 9781491163252. UPC: 680160922000. Key: D major.
In this multi-level arrangement for string or full orchestra, both new and experienced students get to enjoy the excitement of Offenbach's lively dance. This abbreviated rendition captures the energy of the familiar melody, allowing players at every ability level to play the tune most beginners will know from their method books. The piece can be performed with strings only, with parts for beginning, intermediate, and advanced levels. Or, add optional advanced wind, brass, and percussion parts for a full orchestra concert - combined levels or advanced players only. The perfect grand finale to your pyramid concert that will motivate young musicians with a great sense of pride and accomplishment!
SKU: BA.BA04688-65
ISBN 9790006534036. 32.5 x 25.5 cm inches. Key: E-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: SU.80603480
Condensed scoreConcert Band Composed: 1974 Published by: E.B. Marks Set of parts available. Quote given upon request.
SKU: BT.EMBZ14056
Ferenc Farkas (1905-2000) was one of Hungary's most important 20th-century composers. He studied with Leó Weiner and Albert Siklós at the Academy of Music in Budapest from 1922 to 1927, then continued his studies in Rome at the Accademia di Santa Cecilia with Ottorino Respighi. From 1935 he taught at the Higher Music School in Budapest, then at the Conservatory in Kolozsvár, and later at the Székesfehérvár Conservatory (he was also director of the latter two). In 1949 he was appointed teacher and later head of the department of composition at the Academy of Music Budapest. His oeuvre of more than 700 works comprises almost every musical genre. His technical virtuosity as acomposer and his knowledge of style won him international recognition.
SKU: AP.49164
UPC: 038081563657. English. Poem by William Butler Yeats (1865-1939); Traditional Irish Folk Song.
This version of Down by the Salley Gardens arranged by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. The union of this glorious traditional Irish folk song with William Butler Yeats' compelling poem results in an expressive choice, arranged by Patrick Roszell. Lyrical in nature, there are musical teaching opportunities for slurring, sustaining phrases, intonation, and dynamic shading. Stunning! (3:00)Percussion Accompaniment Track Downloads: with click. without click.This title is available in MakeMusic Cloud.
SKU: CA.3117449
ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.
SKU: KJ.JB96F
UPC: 084027044308.
In Prelude and Dance, composer Jack Stamp incorporated many of the techniques found in his more difficult works to create a piece for younger bands without full instrumentation. This edition adds parts for oboe, bassoon, alto clarinet, electric bass, and rehearsal piano, to meet the needs of full bands.
About Kjos Concert Band Legacy
The Neil A. Kjos Music Company's legacy of producing superb literature for concert band spans its entire 80 year history. We're proud to honor that legacy by continuing to publish compositions of the utmost quality at all grade levels in the Kjos Concert Band Legacy series. Each composition is carefully selected and edited to provide the best in wind band literature by both celebrated and rising composers of today. Skillful engraving with logical page turns, measure numbers, rehearsal marks, essential cueing, and other useful indications ensure that the rehearsal process runs smoothly, so bands can focus on making great music.
SKU: XC.WB2206
ISBN 9781644021057. 12 x 9 inches.
The resurgence of the Sea Shanty as a cultural phenomenon in 2020 was a perfect flashpoint for this collection of 16 well-known and re-discovered shanties. Arranger Tyler Arcari uses his experience at writing flexible music that works to bring this new addition to your adaptable library. Playable with as little as three musicians or expandable to an entire concert ensemble; these Shanties bring a whole new meaning to the phrase All Hands on Deck. The Adaptable Ensemble Series has become a well-established resource for chamber music and this new edition is in top shipshape order.
SKU: M7.OERT-7044
ISBN 9790501800360.
SKU: ST.Y290
ISBN 9790220223228.
Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's Avidity is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title. In the outer sections of Avidity strongly accented rhythms command the attention, with arresting unisono phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding Avidity with a decisive cadence of abrupt repeated chords.
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