| Ben Harper and Relentless7 - White Lies for Dark Times Guitar notes and tablatures [Sheet music] Hal Leonard
By Ben Harper. Guitar Recorded Version. Softcover. Guitar tablature. 128 pages. ...(+)
By Ben Harper. Guitar Recorded Version. Softcover. Guitar tablature. 128 pages. Published by Hal Leonard
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bluegrass Songbook Banjo [Fake Book] - Intermediate Oak Publications
Compiled by Peter Wernick. For voice and guitar (or banjo). Format: fake book (s...(+)
Compiled by Peter Wernick. For voice and guitar (or banjo). Format: fake book (simplified 3 string guitar tablature). With vocal melody (simplified 3 string guitar tablature), lyrics, chord names, performance notes, introductory text and black
(5)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christmas Carols Fake book [Fake Book] Hal Leonard
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and guitar chord diagrams. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.
(1)$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Peace on Earth Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 144 pages. Published by Hal Leonard.
(1)$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Crossing the Bar Choral SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Performance. 12 pages. Duration 3 minutes, 33 seconds. Carl Fischer Music #CM9608. Published by Carl Fischer Music (CF.CM9608). ISBN 9781491154304. UPC: 680160912803. 6.875 x 10.5 inches. Key: E major. English. Alfred, Lord Tennyson (1809-1892). The beauty in Alfred, Lord Tennysons poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 5764, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray. The beauty in Alfred, Lord Tennysonas poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m.A 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word adeepa in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word adarka in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word aembark,a which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57a64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word awhen.a Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray. The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray. The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray. The beauty in Alfred, Lord Tennyson’s poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word “deep†in m. 27 gives another instance of text painting.Take advantage of the minor second suspension on the word “dark†in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word “embark,†which is to be an ascent to Heaven.The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57–64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word “when.â€Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter.I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it.~Jamey Ray. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wedding and Love Fake Book - 6th Edition C Instruments Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Formula 602 Modern Essentials Crash Hal Leonard
19 Formula 602 Modern Essentials Crash SKU: HL.3710277 19-inches. ...(+)
19 Formula 602 Modern Essentials Crash SKU: HL.3710277 19-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1141419. Published by Hal Leonard (HL.3710277). UPC: 697643113688. 19.0x19.0x0.045 inches. Forged from the legendary “602 Bronze†(CuSn20), offering a complete new wide and dynamic sound dimension, developed in close collaboration with Vinnie Colaiuta, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to Vinnie's uncompromising sound concepts for a wide all-round application. Formula 602 Modern Essentials cymbals combine the essence of the Formula 602 Classic Sounds models – transparency and stick definition – with the richness, warmth, darkness and a bit of complexity of the Signature Traditionals series besides providing slightly more pizzazz than its Classic Sounds siblings. Alloy: CuSn20, also known as “Traditional Bronze†or “602 Bronze†Applications: Low to medium loud settings; especially well-suited for recording, live; extremely versatile cymbals for a wide range of music styles such as pop, rock, jazz, fusion, blues, R&B, country, folk, and acoustic music Sound: Deep, full, rich, warm, lively, silvery, dynamic, controlled and precise; Cymbals that combine clarity, consistency with deepness and warmth, yet providing a modern versatile sound character with dynamic, potent, well balanced qualities and a responsive, soft feel CRASHES Size: 19-inches Weight: medium Volume: low to loud Stick Sound: soft, washy, shimmering Intensity: lively Sustain: long Sound Character: Full, warm, brilliant, shimmering, deep. Fairly wide range, complex mix. Quick response, fairly soft feel. Rich, strong crash sound with open low end and shimmering highs. Very versatile, responsive crash cymbal suitable for numerous musical styles. $510.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| If You're in the Dark Choral SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB) SKU: HL.403396 Voices Without Borders Se...(+)
SATB a cappella Choral (SATB) SKU: HL.403396 Voices Without Borders Series. Composed by Will Schneider. Gentry Publications. Concert. Octavo. 8 pages. Duration 160 seconds. Gentry Publications #JG2606. Published by Gentry Publications (HL.403396). UPC: 196288058618. 6.75x10.5x0.019 inches. From conductor Jeffery Benson comes a new Choral Series, Voices Without Borders. These are choral songs for humanity, that devle a little deeper into meaningful subjects. This unique and encouraging number approaches those who are in need of a lift. It is great and novel concert repertoire for the college choir. $2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Adult All-in-One Course - Level 2 (Book)
Piano solo [Sheet music] - Easy Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Alfre...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Alfred's Basic Adult Piano Course. Format: instructional book. With introductory text, instructional text, illustrations and performance notes. Instructional. 9x12 inches. Published by Alfred Publishing.
(5)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| E-Z Play Today #192 - 65 Standard Hits Piano, Vocal and Guitar [Sheet music] - Easy Hal Leonard
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbo...(+)
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and big note notation. Traditional pop and vocal standards. Series: Hal Leonard E-Z Play Today. 160 pages. 9x12 inches. Published by Hal Leonard.
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Warren Haynes Legendary Licks Guitar notes and tablatures [Sheet music + CD] Cherry Lane
By Warren Haynes. For Guitar. Guitar Educational. Softcover with CD. Guitar tabl...(+)
By Warren Haynes. For Guitar. Guitar Educational. Softcover with CD. Guitar tablature. 80 pages. Published by Cherry Lane Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In the Dark of Midnight Choral 3-part SAB Alfred Publishing
Composed by Andy Beck. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. C...(+)
Composed by Andy Beck. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music
$2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Genesis: Anthology Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Performed by Genesis. For voice, piano and guitar chords. Format: piano/vocal/ch...(+)
Performed by Genesis. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Progressive rock and classic rock. 352 pages. 9x12 inches. Published by Hal Leonard.
(7)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In the Dark of Midnight Choral 3-part SSA, Piano Alfred Publishing
Composed by Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Choral Desig...(+)
Composed by Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music
$2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sun-Dogs Choral SATB SATB A Cappella Boosey and Hawkes
(Mixed Choir a cappella). By James Macmillan. For Mixed Choir (SATB). BH Large C...(+)
(Mixed Choir a cappella). By James Macmillan. For Mixed Choir (SATB). BH Large Choral. Book only. 46 pages. Boosey and Hawkes #M060122217. Published by Boosey and Hawkes
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Adult All-in-One Course - Level 2 (Book/CD)
Piano solo [Book + CD] - Easy Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Instructional b...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Instructional book (spiral bound) and accompaniment CD for piano. With introductory text, instructional text, standard notation and fingerings. Series: Alfred's Basic Adult Piano Course. 144 pages. Published by Alfred Publishing.
(5)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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