SKU: IS.VCP6187EM
ISBN 9790365061877.
Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists.
SKU: FG.55011-903-1
ISBN 9790550119031.
Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).Victoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.Yagling won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.
SKU: PR.111402440
ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm.
Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.
SKU: PR.11140244S
UPC: 680160616077. 9.5 x 13 inches. Old MacDonald Had A Farm.
SKU: CF.O4963
ISBN 9780825894374. UPC: 798408094379. 9 x 12 inches.
A director of Peabody Conservatory and long-time president of the Juilliard School of Music, the very busy Mennin found time to compose a number of major works in the post-World War II American music scene, up until his untimely death at age 60. His Cello Concerto was commissioned by the Juilliard Music Foundation in 1955, one of many commissions from prestigious organizations. Enjoy a YouTube performance from Albany Records' American Archives, as performed by Janos Starker and the Louisville Orchestra (Jorge Mester, cond.).
SKU: BT.MUSM570201778
English.
After Colonna was expertly composed, in 2001, by Sadie Harrison . First performed at Hampstead Town hall in March 2001 by Miriam Lowbury and David Carhart . After Colonna later featured on Harrison ’s 2002 album, No Title Required . Australian born freelance composer and performe, Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist, often abrasive style, have led her to be compared with Bartok, but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey, Peter Sheppard Skaerved, Sergej Okrushko, Alex South, Duncan Honeybourne are among many whohave had the privilege to work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano, London Chamber Symphony, Music Projects/ London, Ixion, Okeanos, Bournemouth Sinfonietta, Kokoro and the St. Christopherus Chamber Orchestra, and many others.
SKU: HL.14041367
ISBN 9788759818893. 10.0x14.0x0.436 inches.
This is the Piano reduction for Momentum - Cello Concerto No. 2 for Violoncello Solo and Chamber Orchestra by Per Nørgård (2009).
Full Score: WH31033
SKU: HL.14007473
8.25x11.75x0.419 inches.
Arthur Bliss' Concerto For Violoncello. Reduction for Cello and Piano.
This work was first performed at the Aldeburgh Festival on 24th June 1970 by Mstislav Rostropovich and the English Chamber Orchestra, conducted by Benjamin Britten.
SKU: PR.UE008600
ISBN 9783702464400. UPC: 680160678471.
SKU: HL.49033137
ISBN 9790001133272.
Volker David Kirchner's works encompass every genre; in addition to numerous compositions for musical theatre and for orchestra, this viola player who formerly played in orchestras and chamber ensembles still shows a preference for composing chamber music. Yet even in this field of 'pure, absolute' music, Kirchner's work has a theatrical quality which shows itself very clearly in his choice of titles (e.g. Mysterion, Il canto della notte, Lamento d'Orfeo, Exil).In this Quintet Kirchner manages to use the various possible combinations of the different instruments to create highly expressive music.
SKU: CF.BF141
ISBN 9781491159989. UPC: 680160918584.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayerâ€, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.†This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer†and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication†(the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Songâ€, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
SKU: HL.48025324
UPC: 196288175445.
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for soprano and orchestra, Eliza Aria introduces Princess Elisa and expresses her pure soul, innocence and belief in the goodness of the world: Without saying a word, she must weave stinging nettles into cloth to save her enchanted brothers. The short, enchanting vocalise is perhaps Elena Kats-Chernin's best-known creation and went around the world as music in a promotional video on YouTube. It is now available in numerous versions for `ifferent instruments and instrumentations.
SKU: BR.OB-16104-19
ISBN 9790004339435. 10 x 12.5 inches.
The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).
SKU: BR.OB-16104-27
ISBN 9790004339459. 10 x 12.5 inches.
SKU: BR.OB-16104-30
ISBN 9790004339466. 10 x 12.5 inches.
SKU: HL.14032647
ISBN 9788759876626. Danish.
Per Norgard 's Tango Chikane , arranged for Flute, Cello and Piano by Gunnar Moller Pedersen (1969). TANGO CHIKANE - music for a ballet by Flemming Flindt (1967). “Tango Chikane” is a humorous paraphrase on the evergreen hit from the 1920s, the Danish composer Jakob Gade's “Tango Tzigane” (also known as 'Tango Jalousie'). Per Norgard Orig. version for Orchestra: WH28904.
SKU: BR.OB-16104-16
ISBN 9790004339428. 10 x 12.5 inches.
SKU: BR.OB-16104-23
ISBN 9790004339442. 10 x 12.5 inches.
SKU: PR.114419310
ISBN 9781491114599. UPC: 680160673568.
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