SKU: CA.3108112
ISBN 9790007045470. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.
SKU: LP.MU-2625T
UPC: 765762057920.
Accompaniment CD includes stereo and split-channel mixes as well as demo recording.
SKU: LP.MU-9228C
UPC: 765762053748. Script by Nan Gurley.
Stereo accompaniment trax for performance use. High quality orchestral performance and recording. Cassette.
SKU: CA.3108100
ISBN 9790007045418. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies].
SKU: LP.765762109025
UPC: 765762109025.
Professional performance recording. Use to study and/or learn the music, or for personal enjoyment and meditation times. (Not an accompaniment CD.).
SKU: CA.3108113
ISBN 9790007045487. Key: E minor. Language: German/English.
SKU: LP.765762106628
UPC: 765762106628.
SKU: CA.1007900
ISBN 9790007018252. Language: German.
SKU: LP.765762079526
UPC: 765762079526.
SKU: CA.1007905
ISBN 9790007098476. Language: German.
Score available separately - see item CA.1007900.
SKU: CA.513313
ISBN 9790007008642. Language: German.
Score available separately - see item CA.513300.
SKU: CA.513300
ISBN 9790007008598. Language: German.
SKU: CA.513309
ISBN 9790007008611. Language: German.
SKU: CA.513312
ISBN 9790007008635. Language: German.
SKU: CA.513314
ISBN 9790007008659. Language: German.
SKU: FG.55011-355-5
Asked to contribute a carol to the already rich Finnish Christmas repertoire, music I've sung myself for many years, I was very aware of the things that mark the season for my adopted countrymen: peace, stillness, the cold landscape and home. When I came across Ester Ahokainen's gentle poem, so focused around these images, it seemed like providence. The resulting song is modest and warmly modal, departing only a little from Finnish tradition: a lingering dissonance here, a moment of quiet sentiment held slightly longer expected there. Like the words, the music opens outward in thanks at the end. Aattoilta was composed for the Helsinki Chamber Choir Christmas CD recording, and is dedicated to them.
SKU: CA.513315
ISBN 9790007008666. Language: German.
SKU: BA.BA10555
ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
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