SKU: HL.286248
UPC: 888680893989. 6.75x10.5x0.025 inches.
A classic Appalachian folk song originally arranged by Philip Lawson for The King's Singers and now available for SSAA. Wonderful harmonies accent the moving lyric.
SKU: BP.DF1023
6.88 x 10.5 inches.
From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.
SKU: HL.48022722
ISBN 9780851628257. 7.25x10.0x0.091 inches.
A setting of a nativity poem from Her Maker's Maker by Michael Symmons Roberts, New-made for a king was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts, the choral texture is homophonic, the harmony rich yet approachable by young performers, with a decorative piano accompaniment. In the mould of a lullaby, the piece's over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano, in response to the poem's portentous closing words.
SKU: BP.BP122
James Weldon Johnson.
Winner of Honorable Mention in the 2020 King's Singers New Music Prize, Marianne Forman's sparkling music sets James Weldon Johnson's text about singing through adversity: ...and if the way grows darker still, shadowed by Sorrow's somber wing, with glad defiance in my throat, I pierce the darkness with a note, and sing..., ...no nights are dark, no days are long, while in my heart there swells a song, and I can sing. Deeply encouraging, and suitable for a variety of performance situations, especially as choirs work through the events of 2020. Also available for SATB.
SKU: SU.80300130
This loveliest of all Christmas motets for upper voices, long out of print in the U.S., is newly edited from the original print of 1572, with literal word-by-word and prose translations and keyboard reduction. SSAA a cappella. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: BP.BP2187
Printed product. Add a string quartet to this joyful arrangement of a well-known hymn set for SATB and piano, and the result is a classical setting that will forever live as a favorite for your choir and congregation alike. The imperative Rejoice is felt not only in the text but in the clear call of the voices and the accompaniment.Original SATB version: Rejoice the Lord is King! - Forrest (SATB).
SKU: GI.G-10138
English. Text Source: Sight, Archibal Lampman, 1861–1899, alt. Text by Archibald Lampman.
SKU: AP.47718
UPC: 038081544113. English.
A well-constructed original a cappella Christmas spiritual built upon a memorable chorus of interlocking rhythms. The gripping minor key, dramatic dynamic contrasts, and a compelling modulation will make for an impressive holiday performance.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: HL.14021007
ISBN 9781844492893. 8.5x11.0x0.088 inches.
A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing for children: straightforward, tender, affectionate, yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointilliste allusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown', and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?
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