SKU: HL.4008730
ISBN 9798350119473. UPC: 196288195238.
The last decades we humans have witnessed a significant number of disturbing developments. If we look at the direct and persistent destructive influence of humans on nature: air and water quality are reducing, soils are depleting, crops are short of pollinators, coasts are less protected from storms, deforestation, the degradation of land, loss of biodiversity and pollution. In stark contrast we find the intelligence and boundless creativity of humans: what about all the high technological advancements? What lies ahead in the realm of Artificial Intelligence? Will we let machines make human decisions? What ethical issues arise there? This composition reflects the desperation and urgency of the human need for action. The music draws inspiration from the brutal natural forces that ravage our world as a direct consequence of human failure and selfishness. Are we heading towards a 'Judgment Day'? Or will humanity find a way to reverse negative trends towards a more livable, peaceful, and joyful environment for humans, animals, and nature? To underscore this message, composer Peter Knockaert opted for a highly classical idiom that has been used by many composers in classical music: the 'Dies Irae'. Traditionally, the Dies Irae is the third part of a requiem (funeral mass). The text used in 'Judgment DayÂ? (for optional choir) is coming from the original Latin text.
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SKU: HL.4008731
UPC: 196288195245.
SKU: CF.BPS77
ISBN 9780825892325. UPC: 798408092320. 9 x 12 inches. Key: Bb major.
An introduction to the musical styles of the Caribbean and South America, Danza Latina is a level-appropriate work for young bands. While composed of only of quarter note and half note rhythms for the winds, rhythmic challenges are provided by the use of rests. Percussionists have the opportunity to experience Latin percussion instruments in this fun-filled composition for beginning groups.
SKU: CL.024-4415-01
Featuring your percussion section on mallet instruments and other latin accessories, Mallet Mambo is a fun and educational experience for the full band! Composed in the classic Cuban dance and musical style, Mallet Mambo provides multiple teaching opportunities for percussion and winds alike. Ritmos calientes!
SKU: BT.1023192-140-MS
The songs by the versatile singer and entertainer Robbie Williams, high in the pop charts for a number of years, are popular with an extremely diverse audience. With this medley of four of his greatest hits you will certainly bring great pleasure to all members of your audience! De nummers van de veelzijdige Engelse zanger en entertainer Robbie Williams zijn al jarenlang telkens weer te vinden in hitparades over de hele wereld. Deze medley, door Don Campbell op een vakkundige manier gearrangeerd, bevat desongs Supreme, The Road to Mandalay, Angels en Let Me Entertain You. Een feest om te spelen en om naar te luisteren!Die Lieder des vielseitigen Sänger und Entertainers Robbie Williams stürmen seit Jahren immer wieder die Hitparaden und begeistern ein breites Publikum. Mit diesem Medley aus vieren seiner größten Pop- Erfolge, gekonnt für Blasorchester arrangiert von Don Campbell, werden auch Sie Ihr Publikum für sich gewinnen! Célèbre tant pour ses chansons que pour son excentricité, Robbie Williams collectionne les succès et les disques en platine. Cet arrangement de Don Campbell rassemble quatre des plus grands tubes de cette star internationale : Supreme, Road to Mandalay, Angels et Let Me Entertain You.
SKU: CF.YPS35F
ISBN 9780825851667. UPC: 798408051662. 9 X 12 inches. Key: Bb major.
SKU: AP.37830S
UPC: 038081429878. English.
Just as the title implies, this arrangement weaves five holiday favorites together into an enjoyable and accessible medley. The percussionists have a chance to show off their varied skills as the band plays through styles ranging from traditional to Latin jazz. Holiday favorites featured are Sing We Now of Christmas, God Rest Ye Merry Gentlemen, The Holly and the Ivy, and Deck the Halls.
SKU: BT.DHP-1053914-010
9x12 inches. English-German-French-Dutch.
Bella Italia is a medley of three Neapolitan songs that were made famous and popular by the tenor Mario Lanza. The work opens with the graceful waltz Santa Lucia, which is followed by a Latin-style version of O Sole Mio, a melody that became even more well known when used by Elvis Presley as the basis of the song It’s Now or Never. The cheerful Funiculì, Funicul ends the medley in 6/8 time. This arrangement for concert band by Roland Kernen will appeal to a broad audience and will leave both the band and the audience in a high-spirited mood.Bella Italia is een medley van drie Napolitaanse liederen die met name door de tenor Mario Lanza bekend en geliefd zijn gemaakt bij een groot publiek. De sierlijke wals Santa Lucia komt als eerste aan bod. Dan volgteen latin-style versie van O Sole Mio. Het vrolijke Funiculì, Funicul sluit het geheel af in een 6/8 maat. Dit aanstekelijke arrangement voor harmonieorkest van Roland Kernen brengt zowel het orkest als het publiek in eenuitbundige stemming.Bella Italia ist ein Medley aus drei neapolitanischen Liedern, die durch den Tenor Mario Lanza bei einem breiten Publikum bekannt und beliebt geworden sind. Den Anfang macht der würdevolle Walzer Santa Lucia. Dann folgt eine Version von O Sole Mio im lateinamerikanischen Stil. Diese Melodie erlangte noch größere Berühmtheit in It’s Now or Never von Elvis Presley. Das fröhliche Funiculì, Funicul beendet das Medley im 6/8- Takt. Diese reizvolle Bearbeitung für Blasorchester von Roland Kernen versetzt sowohl Musiker als auch das Publikum in Hochstimmung.Bella Italia est un medley de trois chants napolitains rendus célèbres auprès du grand public par le ténor Mario Lanza. La valse gracieuse Santa Lucia ouvre le medley. S’ensuit le célébrissime O Sole Mio dans une version aux accents latino-américains. Le pétillant Funiculì, Funicul clôt le medley dans un 6/8 tourbillonnant. Cet arrangement pour Orchestre d’Harmonie signé Roland Kernen séduira les musiciens et l’auditoire. Bella Italia è un medley di tre canti napoletani resi celebri al grande pubblico dal tenore Mario Lanza. Il primo brano del medley è il grazioso valzer Santa Lucia. Segue la famosissima O Sole Mio in una versione dagli accentilatino-americani. Lo spumeggiante Funiculì, Funicul chiude questo medley in un 6/8 vorticoso.
SKU: BT.DHP-1053914-140
SKU: CF.CPS217F
ISBN 9781491153116. UPC: 680160910618.
The title, Aerius, is a Latin term meaning “soaring†or “rising aloftâ€. This piece is signature Carl Strommen at his best. The piece begins with a lush brass chorale that is developed before leading to an energetic presto section. The composition comes full circle and finishes with a majestic return of the chorale material from the opening. A welcome addition to the repertoire.The title Aerius is a Latin term meaning “soaring†or “rising aloft.†The students chose this title to signify the forward momentum and overall journey of their time in the high school band program. With new events and performances, and a first time commissioning a work, this piece signifies the great strides the band has made in recent years.The opening brass chorale section should be played very connected, observing the two-measure phrasing and breathing as one cohesive unit. The Presto section at m. 25 should be taken between 165-170 bpm. the vibraphone soloist should use medium-hard mallets with the pedal on. The sustained notes at m. 41 should be played way under the upper woodwinds to get the greatest effect as it builds in volume and intensity in m. 49, and again into m. 57.At m. 69, the percussion must sustain the pulse to the conductor’s tempo, careful not to add accents they’re hearing among the other sections. After the ritardando in m. 83, push the tempo at m. 85 slightly to where the woodwinds feel comfortable playing the triplet figure with appropriate breathing and phrasing.- Andrew Monsen, Hauppauge High School Band Director, June 2017.
SKU: CF.CPS217
ISBN 9781491152430. UPC: 680160909933.
SKU: BT.AMP-394-010
The melody of this Christmas carol comes originally from a Finnish songbook of 1582, containing a collection of 74 medieval songs together with Latin texts. The version arranged by Gustav Holst became very popular in the British Isles - with a textthat links it to December 28, the Day of the Holy Innocents. Philip Sparke based his adaptation on Holsts powerful arrangement and has added various musical material himself.De melodie van deze kersthymne werd in 1582 voor het eerst uitgegeven in een Fins liederenboek, een bundel van 74 middeleeuwse liederen met Latijnse teksten. Philip Sparke heeft deze bewerking voor harmonieorkest gebaseerd op het krachtige, inEngeland zeer geliefde arrangement van Holst, met toevoeging van inleidend materiaal en een discant in het laatste couplet.Die Melodie zu diesem Weihnachtslied stammt aus einem finnischen Gesangbuch von 1582, in dem 74 mittelalterliche Lieder mit lateinischem Text versammelt waren. Die von Gustav Holst arrangierte Version wurde dann auch in England sehr beliebt - miteinem Text, der das Lied mit dem 28. Dezember, dem Tag der unschuldigen Heiligen verknüpft. Philip Sparke basierte seine Bearbeitung auf dem kraftvollen Arrangement von Holst und fügte diesem noch eigenes musikalisches Material hinzu.Personent Hodie est un chant de Noël extrait dun livre de cantiques finlandais édité en 1582, rassemblant 74 chansons médiévales composées partir de textes en latin. Arrangé par Gustav Holst, il devint alors trés populaire en Angleterre, etfut surtout interprété le 28 décembre, le jour des Saints Innocents. Dans son arrangement qui prend le titre A Christmas Processional, Philip Sparke honore la version de Gustav Holst tout en lenrichissant de son immense savoir-faire musical.La melodia che accompagna questo canto natalizio ha origine da un libro di canti finlandese del 1582 che raccoglie 74 testi in latino risalenti al Medioevo. La versione arrangiata da Gustav Holst divenne molto popolare in Inghilterra, con un testoche riallaccia il canto al 28 dicembre, giorno dei Santi innocenti. Il potente arrangiamento di Holsté servito a Philip Sparke come base per il suo arrangiamento.
SKU: BT.AMP-394-140
The melody of this Christmas carol comes originally from a Finnish songbook of 1582, containing a collection of 74 medieval songs together with Latin texts. The version arranged by Gustav Holst became very popular in the British Isles - with a text that links it to December 28, the Day of the Holy Innocents. Philip Sparke based his adaptation on Holst’s powerful arrangement and has added various musical material himself. De melodie van dit kerstlied is afkomstig uit een Fins liedboek uit 1582 waarin 74 liederen met Latijnse tekst gebundeld waren. Gustav Holst maakte er een eerste arrangment van, wat ervoor zorgde dat dit lied erg bekend werd in de Britse Eilanden. Dit had ook te maken met de tekst die vertelt over de “Day of the Holy Innocents†op 28 december. Philip Sparke maakte een eigen arrangement dat gebaseerd is op de versie van Holst, en voegde er eigen elementen aan toe.Die Melodie zu diesem Weihnachtslied stammt aus einem finnischen Gesangbuch von 1582, in dem 74 mittelalterliche Lieder mit lateinischem Text versammelt waren. Die von Gustav Holst arrangierte Version wurde dann auch in England sehr beliebt - mit einem Text, der das Lied mit dem 28. Dezember, dem Tag der unschuldigen Heiligen†verknüpft. Philip Sparke basierte seine Bearbeitung auf dem kraftvollen Arrangement von Holst und fügte diesem noch eigenes musikalisches Material hinzu.Personent Hodie est un chant de Noël extrait d’un livre de cantiques finlandais édité en 1582, rassemblant 74 chansons médiévales composées partir de textes en latin. Arrangé par Gustav Holst, il devint alors très populaire en Angleterre, et fut surtout interprété le 28 décembre, le jour des Saints Innocents. Dans son arrangement qui prend le titre A Christmas Processional, Philip Sparke honore la version de Gustav Holst tout en l’enrichissant de son immense savoir-faire musical.La melodia che accompagna questo canto natalizio ha origine da un libro di canti finlandese del 1582 che raccoglie 74 testi in latino risalenti al Medioevo. La versione arrangiata da Gustav Holst divenne molto popolare in Inghilterra, con un testo che riallaccia il canto al 28 dicembre, “giorno dei Santi innocentiâ€. Il potente arrangiamento di Holst è servito a Philip Sparke come base per il suo arrangiamento.
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