Performed by James Galway, Phil Coulter. For flute solo and piano accompaniment. Format: flute/piano songbook (includes separate pull-out flute part). Folk, irish and celtic. 68 pages. 9x12 inches. Published by Hal Leonard.

Composed by Dona Gilliam and Mizzy McCaskill. For flute and piano. Saddle-stitched. Made Easy. Beginning. Book and online audio. Published by Mel Bay Publications, Inc

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

Flute, Piano, Play-Along CD SKU: HU.F0571526314 For Flute and Piano/CD. Arranged by John Kember. Woodwind, Repertoire, Collections. Play Broadway. Softcover Book and CD. 16 pages. Faber Music #F0571526314. Published by Faber Music (

Flute and piano

SKU: P2.10029

Composed by Seth Johnson. Solo music, 20th century. Published by Potenza Music (P2.10029).

Inspired by a tour to Brazil with the Campbellsville Univeristy Chorale, Rio de Janeiro for Flute and Piano was written for Cristina Soares, a native of Rio de Janiero. The opening section in 7-beat phrases is meant to evoke the laid back attitude of the city with some bossa-nova style. An abrupt change in character leads to the more energetic side of the city, incorporating Latin rhythms, syncopation, and some blues inspired chromaticsim. There is a return to the original section, but this time in a minor mode and at a faster tempo, concluding with the lively energy that Rio de Janiero is known for.

Seth Johnson (b.1989) is a composer, pianist, and cellist from Kentucky. He holds a Bachelor's of Arts in Music Theory/Composition and a Master's Degree in Music from Campbellsville University, where he served as composer-in-residence, principal cellist for the University Orchestra, and accompanist for the University Chorale. His works include numerous pieces for orchestra including Superhero Symphony, various solo/chamber pieces, as well as scores for the award winning Kentucky Education Television series My Kentucky Home.

Solo Part Included: Flute.

Flute and Piano. By Christopher Norton. (Flute). Boosey and Hawkes Chamber Music. Book only. 104 pages. Published by Boosey and Hawkes.

Flute & Piano + CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-13769

Composed by Ted Barclay. Flute & CD Playback (Play Along) (+ Play Back / Play Along CD optional). Score and parts. Duration 14'39. Editions Marc Reift #EMR 13769. Published by Editions Marc Reift (MA.EMR-13769).

Little Brown Jug / Clementine / Swing Low / Shenandoah / Home On The Range.

By Martin Luther; Rowland H. Prichard; Wolfgang Amadeus Mozart; Anonymous; Antonin Dvorak; Charles F. Gounod; Franz Schubert; Hans Leo Hassler; Johann Pachelbel; Johann Sebastian Bach. Edited by Steven L Rosenhaus; William Arms Fisher. Arranged by Johann Sebastian Bach; Steven L Rosenhaus. For Flute Solo, Piano. Classical. Solo part with piano reduction. Composed 1999. 32 pages. Published by Theodore Presser Company.

With online audio of piano accompaniments. By Various. By Various. Misc. Softcover Audio Online. 48 pages. Published by Hal Leonard

Flute and Piano with Online Accompaniments. Composed by Alain Boublil and Claude- Michel Schonberg. For Classical Players. Broadway, Movies, Musicals. Softcover Audio Online. 56 pages. Published by Hal Leonard

By John G. Mortimer. For 3 flutes and piano (keyboard). Swiss import. Play Along. Level: 2-2 . Sheet music and accompaniment CD. Published by Editions Marc Reift. (EMR 2252)

Flute and Piano

SKU: BT.MUSM570366569

Composed by Thomas Simaku. Classical. Score Only. University of York Music Press #MUSM570366569. Published by University of York Music Press (BT.MUSM570366569).

English.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. TS.