By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

(Featuring: The Gift / Valentine / Angel Eyes). Arranged by Jack Bullock. Orchestra. Full Orchestra; Part(s); Score. Pop Intermediate Full Orchestra. Light Concert; Pop. Grade 3. 218 pages. Published by Alfred Music Publishing

By Pietro A. Yon (1886-1943). Arranged by Mark Hayes. For Orchestra (Score and Parts). Shawnee Press. Shawnee Press #LB5768. Published by Shawnee Press

By Mark Hayes, Bart Millard. For full orchestra (conductor's score). Sacred Anthem. Published by Monarch Music. (30/2274M)

Orchestra - Grade 3

SKU: AP.38423S

As performed by Lady Gaga. Composed by Fernando Garibay, Paul Blair, and Stefani Germanotta. Arranged by Patrick Roszell. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Intermediate Full Orchestra. Light Concert; Pop. Score. 12 pages. Alfred Music #00-38423S. Published by Alfred Music (AP.38423S).

UPC: 038081436661. English.

Yes, Lady Gaga! This hip pop song is sure to be an over-the-top hit with both your students and audience alike! Ranking #3 on the US Billboard Hot 100, it is from Lady Gaga's second studio album, Born This Way.

Orchestra - Grade 2

SKU: AP.49455S

Composed by Cameron Bartolini, Joshua Cole, Shane Pittman, and Walker Hayes. Arranged by Patrick Roszell. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score. Duration 2:00. Alfred Music #00-49455S. Published by Alfred Music (AP.49455S).

ISBN 9781470660765. UPC: 038081577555. English.

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00).

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: LO.30-2428L

Composed by Mark Hayes. Choral. Sacred Anthem, Eastertide, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/2428L. Published by Lorenz Publishing Company (LO.30-2428L).

UPC: 000308121704.

Pulsating rhythms, colorful harmonies, and soaring melodies highlight this glad offering of praise from Mark Hayes. Masterfully conveying the spirit of Pamela Martin’s text, Hayes’s original music frames a refreshing contemporary treatment of Beethoven’s HYMN TO JOY. You are the source of our song! Instrumentation: 2 Flutes/Piccolo, Oboe, 2 Clarinets, Bassoon, 2 Horns, 3 Trumpets, 2 Trombones, Bass Trombone/Tuba, Master Rhythm (Piano, Bass, Drums, Guitar), Percussion, Timpani, Harp, Violins I & II, Viola, Cello, and Bass.

Full orchestra

SKU: LO.30-3086L

Composed by Mark Hayes. Choral. Sacred Anthem, General, Lent. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3086L. Published by Lorenz Publishing Company (LO.30-3086L).

UPC: 000308136920.

Thou art the Way, the Truth and the Life. Thou art the Christ. Mark Hayes has created this inspirational setting of Deborah E. Harris's text, full of intricate harmony and shifting keys. It is equally effective with piano accompaniment alone or full orchestra. (2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 3 Tbn, Tuba, Timp, 2 Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass).