SKU: BA.BA06210
ISBN 9790006476930. 30 x 23 cm inches. Text Language: German, English.
Play on the piano keys - Play on the piano keys with the use of a tape recorder - Play on the piano strings (German/English).
SKU: ST.0011
ISBN 9790220200069.
Ideally, a piano pupil should learn the treble and bass clefs simultaneously, absorbing both without difficulty. There is, however, an increasing number of children and adults, including students at training colleges, who begin piano lessons with a working knowledge of the treble clef but who are entirely ignorant of the bass.Many have gained their knowledge of the treble, but not the bass clef, in good singing and aural training classes at school; others, and there are many of them, play the recorder, whilst violinists and players of various wind instruments are in the same position when they learn the piano for the first time.It frequently happens, too, that piano pupils, and not only young children, are prompted by musical curiosity to read enthusiastically anything written in the treble clef fluently, but the bass clef lags far behind.For all those people mentioned above, it is an urgent matter to learn the bass clef thoroughly and quickly, in as musical and interesting way as possible, and it is for them that this book is intended. A spell of concentrated work upon the bass clef alone can work wonders.[Maisie Aldridge].
SKU: HL.234744
9.0x12.0x0.035 inches.
Composer's Note: The Lullaby from The Unicorns arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six-movement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Soderstrom and Solna Brass under Lars-Gunnar Bjorklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith. The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute an piano. Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo.
SKU: HL.14063639
SKU: HL.49030021
ISBN 9790220129049.
SKU: CA.1123400
ISBN 9790007092764. Language: all languages.
SKU: HL.49030018
ISBN 9790220129018.
SKU: HL.49014727
ISBN 9790220121432. UPC: 841886022805.
SKU: HL.49030022
ISBN 9790220129056.
SKU: HL.49030019
ISBN 9790220129025.
SKU: CA.2914800
ISBN 9790007039110. Language: all languages.
SKU: HL.49030020
ISBN 9790220129032.
SKU: HL.49030073
ISBN 9790220129162.
SKU: HL.49004504
ISBN 9780793538362. UPC: 73999822687. 305 X 229 inches. German.
M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989. Piano Solo. M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989.M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989. M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989. M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989. M'ai Sang (My Song) can be translated into Pulsating Voices. A 10-minute piece in 3 movements that interprets Chinese folk-music and dance into a Western mold. Written for and recorded by Peter Serkin in 1989.
SKU: ET.PNO67
ISBN 9790207024251.
The time had come to pay homage to someone who has been a faithful companion to me for 65 years and has witnessed of the joy and pain I have endured during the writing of all of my opuses, from 8 to 111. Today he still shares my fervor for jazz music and our wonderful complicity has been preserved on my piano solo album, The Last Call...?* which I recorded at the age of 93. This “someone is my instrument, an old grand piano over 100 years old: Blüthner No. 89293, model 190, constructed in 1910 in Leipzig, Germany, and to which I dedicate this Opus 111, the very last of my series of works for piano. The Blüthner-Variationen were composed starting with a theme I had imagined during recording sessions which were done in my home. I named it Blues in Three, since it was related to the traditional harmonic chord progressions of the 12 bar blues, but in 3/4 time. The simple theme, repeated twice, generates 8 variations, each one requiring different pianistic means. It is my hope that future performers will like the undeniably jazzy orientation of this work. Julien-François Zbinden, Lausanne – Valombré, 23 juillet 2012 * The Last Call...?, piano solo album, TCB The Montreux Jazz Label No. 43102.
SKU: BU.EBR-530
ISBN 9790560154565. 9.45 x 13 inches.
En décembre 2011, Chilly Gonzales déménagea son piano au studio Pigalle à Paris. Tout seul pendant 10 jours, il enregistra une sélection de ses compositions parmi une centaine de mélodies composées depuis les 8 années qui le séparent du mythique album Solo Piano I.Jour après jour, le processus d’enregistrement pur et minutieux prit place. Chilly Gonzales enregistra ses pièces les unes après les autres, jusqu’à capturer l’essence-même de chacune.Après des années passées à distraire son public avec sa personnalité “larger than life, à défier tous les artistes du monde, les obligeant à se surpasser pour atteindre l’excellence qu’ils doivent à leurs fans, Chilly Gonzales nous présente son argument le plus persuasif : les 14 titres de Solo Piano II contenus dans ce recueil.La route fut riche jusqu’à Solo Piano II pour “le génie musical auto-proclamé. Porté par une nomination Grammy et un record du monde Guinness Book du concert le plus long, Chilly Gonzales reprit enfin la scène après de nombreuses années passées derrière la console d’un studio à travailler pour les autres. Il devient LE pianiste sollicité par Drake, Feist, Daft Punk, …et même Steve Jobs pour sa campagne mondiale pour IPAD 2.A travers ses albums et tournées, Chilly fascine par sa polyvalence en tant qu’interprète et sa virtuosité en tant que pianiste. Rare est l’artiste qui fait danser son public sur les rythmes les plus branchés du moment, puis fait appel à un orchestre symphonique pour l’accompagner durant son concert de rap.Avec Solo Piano II, Chilly Gonzales se distingue une fois de plus comme un authentique “entertainer, conscient que la plus belle marque de respect pour ses fans est avant tout de “shut up and play the piano (dixit Chilly Gonzales dans “The Unspeakable Chilly Gonzales, 2011).
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