Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edited by Jan Kachlik / Miroslav Srnka. This edition: urtext edition. Paperback. Barenreiter Urtext. Version in 10 movements. Classical. Vocal score. With Language: Latin, Text Language: Czech/English/German. Opus 58. Duration 1 hour, 27 minutes. Editio Baerenreiter Praha #H07920. Published by Editio Baerenreiter Praha

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SATB vocal soli, SATB choir, 2 violins, basso continuo

SKU: CA.9101811

Composed by Johann Ernst Eberlin. Edited by Wolfgang Furlinger. South German church music of the Baroque. Missa Quinti Toni 1100501. Sacred vocal music. Single Part, Violin 1 and 2. 12 pages. Carus Verlag #CV 91.018/11. Published by Carus Verlag (CA.9101811).

ISBN 9790007230265. Key: C major. Language: Latin.

Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir. Score and part available separately - see item CA.9101800.

SATB vocal soli, SATB choir, 2 violins, basso continuo

SKU: CA.9101819

Composed by Johann Ernst Eberlin. Edited by Wolfgang Furlinger. Missa Quinti Toni 1100501. Sacred vocal music. Set of Orchestra Parts. Carus Verlag #CV 91.018/19. Published by Carus Verlag (CA.9101819).

ISBN 9790007145316. Key: C major. Language: Latin.

Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir. Score and parts available separately - see item CA.9101800.

SATB vocal soli, SATB choir, 2 violins, basso continuo

SKU: CA.9101805

Composed by Johann Ernst Eberlin. Edited by Wolfgang Furlinger. South German church music of the Baroque. Missa Quinti Toni 1100501. Sacred vocal music. Choral Score. 16 pages. Carus Verlag #CV 91.018/05. Published by Carus Verlag (CA.9101805).

ISBN 9790007113926. Key: C major. Language: Latin.

Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir. Score available separately - see item CA.9101800.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032109

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.321/31 clarino 1, 1x 50.321/32 clarino 2, 1x 50.321/33 trumpet 1, 1x 50.321/34 trumpet 2, 1x 50.321/35 trombone 1, 1x 50.321/36 trombone 2, 1x 50.321/37 trombone 3, 1x 50.321/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/09. Published by Carus Verlag (CA.5032109).

ISBN 9790007081003. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032105

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1771. MH 155. 20 pages. Duration 35 minutes. Carus Verlag #CV 50.321/05. Published by Carus Verlag (CA.5032105).

ISBN 9790007080990. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.