Violin

SKU: HL.48180261

For Violin and Piano. Composed by George Frideric Handel. Arranged by Georges Catherine. Leduc. Baroque. Softcover. 6 pages. Alphonse Leduc #AL17008. Published by Alphonse Leduc (HL.48180261).

UPC: 888680846213. 9.75x12.5 inches.

G.F. Handel (1685-1759) is considered as one of the greatest composers to have ever lived. Therefore, when violinist, Georges Catherine arranged Short March for violin and piano, it was very well-received. G.F.Handel was a German-born baroque composer who spent the majority of his life in England. His works remain ever popular to this day and Catherine's transcription of Short March for violin and piano ensure that the composer's much loved works are more accessible. For all violinists, this Catherine arrangement of Handel's Short March is essential.

By Jordi Cervello. For Violin and piano. Bowed Instruments. Duration 7:00. Published by Editorial de Musica Boileau

Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2

SKU: FL.FX073016

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 10 seconds. FLEX Editions #FX073016. Published by FLEX Editions (FL.FX073016).

A short story, a short dance... as if we were in the villages in the past. For concerts or exams of young instrumentalists (1 or 2 years of practice). - Pascal PROUST ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2.

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953
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Transfigured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.

Violin and Piano

SKU: AP.36-60710010

(from For Children, Sz. 42). Arranged by Bela Bartok and ed./arr. Joseph Szigeti. Violin. Master String Series. Book. LudwigMasters Publications #36-60710010. Published by LudwigMasters Publications (AP.36-60710010).

ISBN 9798888521663. UPC: 676737709938. English.

Hungarian composer, pianist and ethnomusicologist Béla Bartók (1881-1945) originally completed the cycle of 85 short piano pieces FOR CHILDREN in 1909. Each piece was based on a folk tune, with the first 42 being Hungarian, and the remaining 43 being Slovakian. Famed Hungarian violinist Joseph Szigeti (1892-1973) took six of the Hungarian folk tunes and transcribed them for violin and piano. As Bartók later removed and revised some of the songs in the collection, the following numbers included are the original numbers from the 1909 collection: No. 28 - Parlando, No. 18 - Andante con moto, No. 42 - Allegro vivace, No. 33 - Andante sostenuto, No. 6 - Allegro, No. 13 - Andante, No. 38 - Poco vivace. In addition to the original, more difficult violin part he transcribed originally, Szigeti also wrote a simplified version where only the first to fourth positions are used. Both violin versions are included in this edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin & Piano

SKU: SU.32000020

For Violin & Piano. Composed by Randall Shinn. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #32000020. Published by Subito Music Corporation (SU.32000020).

A short, intense work for violin and piano that alternates between atonal and dissonant tonal sections. Violin & Piano Duration: 5' Composed: 2013 Published by: Distributed Composer.

Piano Accompaniment; Violin (Score and Solo Part) - difficult

SKU: HL.49044450

Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450).

ISBN 9790001198639. 9.0x12.0x0.124 inches.

This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou

Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou.

Violin and Piano Reduction. Composed by Oscar Rieding. Edited by Annette Oppermann. Henle Music Folios. Classical. Softcover. 14 pages. G. Henle #HN1048. Published by G. Henle

Violin & piano (Solo)

SKU: OU.9780193557192

Composed by Martin Butler. Violin & Piano. 12 pages. Duration 5'. Oxford University Press #9780193557192. Published by Oxford University Press (OU.9780193557192).

ISBN 9780193557192. 12 x 8 inches.

For violin and piano A short lyrical work based on music form the opera A Better Place, and in particular on the melancholy descending scales and rising fifths associated with the character of Suzanne. This is a small character portrait of Suzanne, with the omnipresent character of the river as her backdrop.

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

(Violin and Piano with marked and unmarked string parts). By Gabriel Fauré and Gabriel Faur. Edited by Dominik Rahmer. For Violin, Piano Accompaniment (Score and Parts). Henle Music Folios. Softcover. 20 pages. G. Henle #HN1101. Published by G. Henle