SKU: HL.322535
UPC: 888680974749. 5.0x5.0x0.15 inches. Psalm 139.
Each measure of this inspiring psalm setting is filled with intention and nuance. A new addition to the composer's series featuring anthems inspired by the Psalter, this is a piece of inspired writing. The abundant melodic material closely follows the spiritual context of the message, reaching out with the assurance of God's presence in every aspect of our lives. Many occasions are worthy of this affirmation and the lofty musical elements are concert worthy for choirs of distinction. Moving! Score and Parts (fl, ob, cl, bn, tpt 1-3, hn, tbn 1-2, tba, timp, chm, perc, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: BT.F-37113
SKU: HL.48187672
UPC: 888680844448. 5.5x7.5x0.239 inches.
Ludwig van Beethoven: Quartet Op.132 in A minor (PH68) (Quartet-Strings).
SKU: HL.132654
UPC: 884088974886.
SKU: BA.BA04502-01
ISBN 9790006449132. 33 x 26 cm inches. Language: German. Preface: Ernst Fritz Schmid / Wilhelm Fischer.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.EMBZ7817
English-German-Hungarian.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.
SKU: FP.FHC13
ISBN 979-0-57050-128-1.
Himself the master of writing the progressive yet playable study, Cuthburt Harris was the ideal judge when compiling this masterful series of graded studies by the great masters including Czerny, Chopin, Bertini, Heller and Lemoine. Includes exercises targeting all areas of phrasing, style, touch, agility and independence of the fingers, as well as scales and chords.
SKU: CA.9000700
ISBN 9790007108212.
SKU: FP.FHC16
ISBN 979-0-57050-131-1.
SKU: BR.CHB-5386-02
ISBN 9790004413876. 7.5 x 10.5 inches. German.
It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.For three, four and six female voices a cappella.
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