SKU: WD.080689656729
UPC: 080689656729.
Kathie Hill presents a buffet of her best non-seasonal songs in The Best of Kathie Hill's All-Year-Long Songs. These 14 songs include a tempting variety of styles, difficulty levels and themes that makes this collection perfect for worship leading, almost any children's activity, and for sharing the excitement of your kid's choir program between musicals. Kids will enjoy favorites like The Perfect Ten, Input Output and The Sign of Christ. Directors will sink their teeth into the blend of contemporary songs, hymn arrangements and worship choruses, while teachers will devour the free downloadable teaching activities for each song. And just as a good smorgasbord ends with dessert, The Best of Kathie Hill's All-Year-Long Songs concludes with three optional scripts which combine songs from the collection to create sweet mini-musicals on God's faithfulness, the character and names of Jesus, and the life changing power of Christ. Like The Best of Kathie Hill's Christmas, The Best of Kathie Hill's All-Year-Long Songs is a must for your music library.
SKU: HL.49008226
ISBN 9790001124751. 8.25x11.5x0.246 inches.
Strongly influenced by Russian Impressionism this concerto can also be performed with a small string ensemble. A recent recording by the young Russian virtuoso Maxim Vengerow with conductor Mstislav Rostropovich is available on EMI.
SKU: SU.80101353
Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).
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