SKU: CA.5408700

ISBN 9790007181666. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time.

SKU: CL.011-4967-01

Jonathan Parker’s debut work, Adorem, is a unique and expressive lyrical composition written for middle and high school bands. Designed to explore a wide range of dynamics and textures, it’s an excellent choice for developing blend, balance, phrasing, intonation, and overall musicianship. Sensitively scored, this work is sure to be favorite for performers, conductors, and concert audiences. Highly recommended!

SKU: MN.40-888

Text: Omer Westendorf.

Omar Westendorf text. Flowing, sensitive. Soprano-Alto Duet and Piano. Sold 2 copies per unit.

SKU: HL.1117967

UPC: 847986001924. 8.75x14.0x5.24 inches.

Studio quality recordings made easy! The LCT 240 PRO Vocal Set sounds fantastic on all sources commonly used in a project situation and especially works with vocals. No source is too loud or too subtle for the LCT 240 PRO. It can handle ear-shattering sound pressure levels up to 142 dBSPL. With its high sensitivity capsule it is able to reproduce sound source in a clear and precise way at any volume. • Used in high-end studios around the world. • What's in the box?: • The 240 PRO Vocal Set comes with a shock mount that reduces structure-borne noise, a transport bag, and a pop filter that you can use to reduce plosives.

SKU: CA.5136103

ISBN 9790007110826. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.

SKU: CA.3608112

ISBN 9790007239954. Language: German. Text: Hembold, Ludwig.

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks after a meal, in the form of a strophic hymn with instrumental interludes. His sensitive approach to the textual model emphasizes inner details of the hymn, the content of which extends far beyond a mere musical grace. Score and part available separately - see item CA.3608100.