SKU: CA.3115419
ISBN 9790007208769. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and parts available separately - see item CA.3115400.
SKU: CA.3115405
ISBN 9790007187163. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400.
SKU: MN.50-6128
UPC: 688670561283. English.
This 19th-century text is perhaps best known to Lutherans but deserves a wider awareness. In many ways it parallels the ideas in Psalm 23. Set to a graceful original melody, this anthem is perfect for World Communion Sunday or any time when you want the anthem to focus on our personal response to the Eucharist. Duration: 3:00.
SKU: CA.3115403
ISBN 9790007187156. Language: German/English.
SKU: CA.3106000
ISBN 9790007043377. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..
SKU: LO.10-5656L
ISBN 9780787776299.
Here is the Palm Sunday anthem you have been looking for! The accessible vocal writing, the joyously driving accompaniment, and the optional children's choir and ring and sing handbell part make this stand-out anthem an immediate winner. Quickly learned but difficult to forget, this is an anthem you will return to again and again. One of Anna Laura's best!
SKU: BR.CHB-4521-02
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
ISBN 9790004406151. 7.5 x 10.5 inches. German / English.
The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
SKU: HP.C6285
UPC: 763628162856.
Original Anthem This energetic introit for Palm Sunday comes from Wes Cameron and begins with unison voices singing Hosanna to the Son of David! The melody then builds and is split into two parts, and then expands to SATB. The optional 8 handbells provide an added element of joyous praise to this festive worship opener proclaiming, Blessed is he who comes in the name of the Lord.
SKU: CA.3115412
ISBN 9790007208738. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and part available separately - see item CA.3115400.
SKU: CA.3115411
ISBN 9790007208721. Language: German/English.
SKU: CA.3115400
ISBN 9790007186760. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master.
SKU: CA.3105407
ISBN 9790007241346. Language: German/English. Text: Lehms, Georg Christian.
The cantata Widerstehe doch der Sunde BWV 54 is now one of Johann Sebastian Bach's most popular solo cantatas. The short text, which comprises three movements, comes from a 1711 collection of cantata texts by the Darmstadt court poet Christian Lehms, and warns in drastic terms that no sinner will inherit the kingdom of God. It is certainly no coincidence that Bach allocated this text to an alto voice, then often regarded as a symbol for the repentant sinner. The cantata comes from Bach's Weimar period and only survives in a fair copy of the score by Johann Gottfried Walther (music text ) and Johann Tobias Krebs (vocal text underlay). This didn't 't present any difficulties in preparing an edition. In Lehms' word book the cantata is allocated to Oculi Sunday (the third Sunday in Lent), but can also readily be sung on other occasions in the church year. Score available separately - see item CA.3105400.
SKU: HL.284669
UPC: 888680853709. 6.75x10.5 inches.
This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celebrations. Ideal as a call to worship, traditional churches will enjoy presenting this anthem with the trumpet obbligato for a special festive touch.
SKU: HP.C6365
UPC: 763628163655. Joel Raney.
Original Anthem Combining SATB voices with optional children's choir, 2 oct. handbells, flute, and percussion this uplifting original is fun to sing and perform. It briefly quotes All Things Bright and Beautiful and captivates with bouncy rhythms and a joyful message. Filled with Hosannas this is ideal for Palm Sunday.
SKU: LO.70-2452L
ISBN 9780787779115.
This valuable collection offers a generous selection of ready-to-goâ? preludes, offertories, interludes, and postludes, designed especially for busy organists facing limited preparation time. Included are original compositions as well as organ arrangements of familiar hymns with modest pedaling demands. This volume focuses on seasonal repertoire for the spring and summer.
SKU: CA.3115413
ISBN 9790007208745. Language: German/English.
SKU: BR.OB-4521-19
ISBN 9790004313121. 9 x 12 inches.
SKU: LO.20-2102L
ISBN 9780787765767.
Christ’s entry into Jerusalem is celebrated in this exciting arrangement that includes the spirituals Ride On, King Jesus and Hosanna, Loud, Hosanna. Your ringers will have the opportunity to work on various handbell techniques, including mallets, shakes, thumb damps, martellato, and martellato lifts. This piece will energize your Palm Sunday celebration, spring concert, or festival.
SKU: CA.3118213
ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.
SKU: HL.35029356
UPC: 884088955847. 5x5 inches. David Angerman/Joseph M. Martin.
Uses: Palm Sunday Scripture: Zechariah 9:9; John 12:12-15; Matthew 21:5 The triumphal entry is announced with all of its pomp and regality in this re-tooling of a time-honored hymn tune, typically associated with Easter. Perfectly at home in its new clothing, this theme epitomizes jubilation and praise. Fanfare-like episodes connect sturdy a cappella sections and fully orchestrated crescendos bring the whole song to dizzying heights. StudioTrax CD has 3 tracks - Accompaniment, Split-Track, Performance.
SKU: HP.C5924B
UPC: 763628259242. George W. Kitchin, rev. Michael R. Newbolt. John 12:32, Matthew 16:24, 1 Peter 2:21, Matthew 1:21, Psalm 103:19, Matthew 25:31, John 3:14.
Classic hymn This classic hymn takes on new life in arranger Tom Fettke's hands! A powerful choral proclamation in its introduction, along with a contrasting middle section based on John 3:16, God so loved the world, allowing for a poignant solo moment, makes this a stunning anthem for the Lent and Easter season.
SKU: HL.322513
UPC: 888680974558. 5.0x5.0x0.184 inches. II Kings 9:13, John 12:12-19, Matthew 2:1-11.
The sacred evergreen ELLACOMBE is given festive clothing in this arrangement of a Palm Sunday must-do! Multigenerational in scope, music ministry and congregation come together as one for a unique worship experience. Imagine the waving of palms and the warmth of children's voices, the sparkle of bells and the power of corporate singing, as this paean of praise becomes essential repertoire for the community of faith. Score and Parts (perc 1-2, str bs) available as a digital download.) Handbell part (3 oct.) also available as a digital download.
SKU: HL.49002005
ISBN 9790001021753. UPC: 884088134846. 9.0x12.0x0.071 inches.
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the elaborate and artistic counterpuntal work.
SKU: BA.BA10172-91
ISBN 9790006491513. 27 x 19 cm inches. Key: C major.
Erschallet, ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant, it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch, corresponding to D major in chamber pitch), and the first number was intended to be repeated at the end of the work.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CL.RWS-1925-01
Bryce Newton has composed this work for the developing band to commemorate the World War II code-breaking efforts by the NCR Company in Dayton, Ohio. This stirring composition evokes a sense of mystery and excitement from start to finish. Written well within the technical abilities of the developing band, this powerful composition will capture the imagination of your students while also providing quality teaching material. An excellent choice for your concert or festival performance.
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