SKU: KN.61781S
UPC: 822795617818.
This burning swing/shuffle chart maintains the blues tradition while mixing in some contemporary harmonies, with nice shout sections for the entire ensemble. Written or ad lib solo space is included for trumpet and alto saxophone. Written for advancing groups, each set includes a guitar chord chart by Jim Greeson. Duration 5:20.
SKU: KN.61035S
UPC: 822795610352.
Continuing with Carl Strommen's popular baseball-theme charts, this one refers to the tradition of infielders tossing the ball to each other after a successful out. It opens with an unaccompanied bass solo, followed by a trumpet and tenor soli. The same duo is later featured in the written or ad-lib solo section. Set in a bright swing groove for advancing groups, shifts between 2 and 4 feels and solid material for all make it a sure winner. Rhythm section parts are notated with chords cued, and a guitar chord chart by Jim Greeson is included. Duration 3:05.
SKU: BR.EB-9074
ISBN 9790004179499. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: VIII version for violoncello Tokyo: October 14, 1989.
SKU: KN.00661
UPC: 822795006612.
Great writing in the Basie tradition is presented here for developing jazz musicians, featuring accessible brass ranges, notated rhythm section parts, and flexible instrumentation requirements. It even has Count Basie's signature piano figure at the end! A guitar chord chart by Jim Greeson is included in each set. Duration 4:10. Available in SmartMusic.
SKU: KN.00661S
SKU: OT.23054
ISBN 9789655050042.
Daniel Akiva is an internationally known composer and guitar artist. Like many of his works, the Three Pieces for Solo Flute relates to music of the Sephardic (Spanish) Jewish tradition.
SKU: GI.G-9700
ISBN 9781622773930.
Santo, Santo, Santo / Holy, Holy, Holy equips Spanish-speaking and English-speaking Christians to sing together in congregations and parishes, seminaries and schools, care facilities and homes, offering communities a comprehensive collection of songs that span the full range of worship elements, occasions, and pastoral and theological themes. A symbol of unity of the church, this hymnal assists leaders in finding beautifully crafted translations of songs they already know and love, and in discovering compelling new songs from a variety of cultures and Christian traditions.
SKU: KN.62310S
UPC: 822795623109.
Kendor continues its tradition of publishing accessible charts that have integrity and style with this cleverly titled original for advancing groups. Set in a warm, contemporary feel, this straight eighth ballad features the pianist on written figures and a flugelhorn soloist that improvises over lush chord changes. Voicings are clearly notated for the pianist and bass lines are provided to assist student players. This piece should be approached like a wind chorale with bucket-muted brass playing smooth legato articulations. Strategically placed dynamic contrasts add to the appeal of this innovative work. A guitar chord chart by Jim Greeson is included in each set. Duration 4:50.
SKU: FJ.HX9015S
English.
Brimming with optimism, this original chart from Jamie Roth pulls from gospel tradition in a bright and cheerful full-band setting. After a straight-eighth-note introduction builds to a huge plagal cadence, the band emerges in shuffle swing time with each section featured in turn. Solo changes are provided for Piano, Alto 1, Tenor 1, Trumpet 2, Trombone 2, and Guitar. A transcription of the Tenor Sax solo from the recording is provided. Detailed rhythm section parts include written bass lines and suggested piano voicings. Great writing with lots of tasty lines for every part in the band! (Top trumpet note: C6).
SKU: BR.EB-9397
ISBN 9790004188712. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109.
SKU: KN.KEN60061
UPC: 822795600612.
This medium swing original for developing groups is a riff-based blues in the tradition of the Count Basie and Duke Ellington bands. The solo section is playable by any instrument with solo sheets provided in all keys, along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 3:45.
SKU: CL.032-0338-01
Good ballads in any style are difficult to find and this contemporary funk groove is definitely a keeper. Alto sax is showcased in the popular David Sanborn tradition and a contrasting bossa nova solo section spotlights piano or guitar.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
