SKU: BT.SCHBB3317
Blue Rose is based on two folk melodies which have been freely developed. It uses uneven beats and bars which creates a rocking feeling that is somewhat reminiscent of Balkan music. The title refers to the way the piece starts, unfolding and blooming as it slowly becomes stronger, like the blue light of dawn. It is one of the few pieces of the composer that is based in a major key (D major). Blue Rose basiert auf zwei Volksmelodien, die hier frei entwickelt werden. Im Stück werden ungerade Takte verwendet, die ein schaukelndes Gefühl erzeugen und an die Musik des Balkan erinnern. Der Titel bezieht sich auf die Weise, wie das Stück beginnt: sich entfaltend und erblühend, bis es langsam stärke wird - wie das blaue Licht der Dämmerung. Es ist eines der wenigen Werke, das die Komponistin auf D-Dur basierend geschrieben hat.
SKU: PL.0906
* American folk melody gives a lilt to this setting of Psalm 84 * simple organ part discreetly supports the voices * imitative writing much like early American music * easily teachable modal melodies.
SKU: AP.42063S
UPC: 038081484044. English. Traditional Irish Carol.
In this sensitive arrangement of one of the world's oldest Christmas carols, the haunting melody is passed throughout the orchestra. Changing textures combine with shifting modes to create a lyric and peaceful atmosphere that surely will be remembered long after the concert is over. (3:30) This title is available in MakeMusic Cloud.
SKU: AP.36-M381591
UPC: 660355172717. English.
With evolving colors and quickly shifting moods, Cecile Chaminade's "Etude Humoristique" is certain to amuse audiences, as the title implies. With technically challenging passages and a folk dance-esque B section, this piece would be a perfect opening for a recital.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: NR.85939
SKU: BR.CHB-5386-02
ISBN 9790004413876. 7.5 x 10.5 inches. German.
It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.For three, four and six female voices a cappella.
SKU: NR.85938
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