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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Operaria Bass 2
Low voice
[Sheet music + CD]
Breitkopf & Härtel
The OperAria repertoire anthology was much applauded when it came on stage with ...
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The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique
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Decouvrir L'Opera Francais: Vocal Album
Français
Opera
[Book + CD]
Heugel
Pour Mezzo Soprano Ou Contralto-Born in Laval Françoise Semellaz studied in Le...
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Pour Mezzo Soprano Ou Contralto-Born in Laval Françoise Semellaz studied in Le Mans and Paris before embarking on a successful teaching career. Currently a professor at the Lille Conservatoire she devotes herself to classical singing. As a vocalist herself this compilation of Decouvrir L'Opera Français is well-informed. Containing airs for Mezzo-Sopranos and Contraltos the accompaniment is helpfully recorded on the CD included. Airs include those by Boiëldieu Delibes Gounod Massenet Offenbach Saint-Saëns and Thomas. With a detailed preface and wide selection of Airs Semellaz's Decouvrir L'OperaFrançais is essential to all aspiring advanced Mezzo-Sopranos and Contraltos.
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Operaria Baritone
Baryton
[Sheet music + CD]
Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...
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Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voice
[Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
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Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Operaria Sopran 1
Soprano voice
[Sheet music + CD]
Breitkopf & Härtel
lyric coloratura. The OperAria repertoire collection for all voice genres that w...
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lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature
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Operaria Sopran 2
Soprano voice
[Sheet music + CD]
Breitkopf & Härtel
lyric. The OperAria repertoire collection for all voice genres that was successf...
(+)
lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique
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FANTASIES FROM OPERA FOR VIOLIN AND PIANO
Violin and Piano
[Sheet music]
Dover Publications
Par . This single-volume compilation features four popular opera fantasies arran...
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Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano
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Charles Gounod Romeo And Juliet Opera - Opera
Opera
Schirmer
Description Charles Gounod: Romeo And Juliet (Vocal Score) Opera in five acts...
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Description Charles Gounod: Romeo And Juliet (Vocal Score) Opera in five acts Songlist Romeo And Juliet
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Opera Highlights Piano: Piano: Instrumental Album
Piano solo
Cramer Music
A collection of 25 popular pieces taken from the operas arranged for piano solo.
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Faust
Opera
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...
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'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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Choeur Des Soldats (Extr.Opera
Français
Divers
[Sheet music]
Leduc, Alphonse
La référence FH8420 de l'éditeur Leduc dont l'auteur célèbre est Gounod, qu...
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La référence FH8420 de l'éditeur Leduc dont l'auteur célèbre est Gounod, qui a pour titre Choeur Des Soldats(Extr.Opera, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition
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Live at the Opera - Flute: Flute: Instrumental Album
Flute
[Sheet music + CD]
-
Intermediate
De Haske Publications
The world's most beautiful arias with full orchestra play along-Great opera sing...
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The world's most beautiful arias with full orchestra play along-Great opera singers have enthralled us for over three hundred years. When we see them on stage our ears are filled with some of the finest classical melodies of all time. Live at the Opera makes this precious treasure trove accessible to instrumentalists too: 15 Italian operatic arias have been individually arranged for flute recorded by the world-renowned flautist Walter Auer. The accompaniment is supplied by an authentic opera orchestra and it is also available as a play-along version without the soloist. A historical background to each piece along with performance tips is included in this unique collection.
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Charles Gounod: Roméo Et Juliette - 2013 Edition: Mixed Choir: Vocal Score
[Vocal Score]
Edition Choudens
A lifelong resident of Paris Gounod can hold a claim to being the most importan...
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A lifelong resident of Paris Gounod can hold a claim to being the most important figure in late 19th century French music on account of his influence on later composers. Studying at the Paris Conservatoire Gounod left in 1839 to travel through Europe initially to Rome but then on through Austria and Germany. He was profoundly struck by the music he heard at the Sistine Chapel and by the German musical tradition and upon his return was uniquely cosmopolitan in his influences among Parisian musical society. His early works consisted largely of liturgical settings that earned him some praise but his work in the area in which he is most remembered namely opera took time to be recognised. His first two operas Sapho (1851) and La Nonne sanglante (1854) drawing heavily on Gluck and Meyerbeer respectively did not attract great attention. However his subsequent works including seven staged operas between 1855 and 1865 were increasingly well-received none more so than his masterpiece Faust (1859). Two further successes Mireille (1864) and Roméo et Juliette (1867) were premiered at the Théâtre Lyrique and inspired by the voice of Marie Miolan-Carvalho the singer who had created Marguerite in Faust. Roméo et Juliette with a libretto faithful to Shakespeare by Barbier and Carré who had provided texts for some of Gounod’s earlier works is inescapably full of love music but is by turns as wistful and cheerful as any in Gounod’s operatic output. Based upon the 1876 published version of the opera the edition includes: • Original version of N° 1 Introduction including Si mon coeur encore sommeille • Ariette N° 3 (Je veux vivre) in both F and G majors. • Three possible endings for Act 1 including Il nous échappe! • Cavatine N° 7 (L’amour! Oui! Son ardeur a troublé) in both B and B flat majors. • Original version of N° 11 Trio et quatuor (Dieu qui fis l’homme à ton image!) • Choeur et danse N° 19 (Frappez l’air)
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Charles Gounod: Romeo et Juliette: Voice & Piano: Vocal Score
Opera
Schirmer
Opera in five acts.
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Franz Liszt: Piano Transcriptions from French & Italian Operas: Piano:
Piano solo
-
Advanced
Dover Publications
This volume spanning the composer's output from 1835 to 1879 presents a selecti...
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This volume spanning the composer's output from 1835 to 1879 presents a selection of his paraphrases and fantasies on operas written chiefly in the French and Italian traditions. His masterful transcriptions and fantasies reveal his exceptional ability to transform the essence of an operatic theme into unforgettable music for the piano. Selected and with an introduction by Charles Suttoni. Published in association with the American Liszt Society.
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Decouvrir L'Opera Francais (DIVERS AUTEURS / SEMELLAZ)
Mezzo-Soprano voice, Piano
[Sheet music + CD]
Heugel
Pour Mezzo Soprano Ou Contralto. Par DIVERS AUTEURS / SEMELLAZ. Born in Laval, F...
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Pour Mezzo Soprano Ou Contralto. Par DIVERS AUTEURS / SEMELLAZ. Born in Laval, Françoise Semellaz studied in Le Mans and Paris before embarking on a successful teaching career. Currently a professor at the Lille Conservatoire, she devotes herself to classical singing. As a vocalist herself, this compilation of Decouvrir L'Opera Français is well-informed. Containing airs for Mezzo-Sopranos and Contraltos, the accompaniment is helpfully recorded on the CD included. Airs include those by Boië ldieu, Delibes, Gounod, Massenet, Offenbach, Saint-Saë ns and Thomas. With a detailed preface and wide selection of Airs, Semellaz 's Decouvrir L'OperaFrançais is essential to all aspiring, advanced Mezzo-Sopranos and Contraltos. / Opéra-opérette / Recueil / Mezzo-Soprano ou Contralto et Piano
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Faust (GOUNOD CHARLES)
Piano, Voice
[Sheet music]
Barenreiter
Opera in five acts Version with recitatives. Par GOUNOD CHARLES. Charles Gounod...
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Opera in five acts Version with recitatives. Par GOUNOD CHARLES. Charles Gounod’s international renown is based on the success of his opera „Faust“ after Goethe’s drama: The aging Faust makes a pact with the devil. He sells his soul to Mephistopheles and in return gets back his youth – and he experiences new happiness in love when he meets the young Marguerite. The vocal score to Gounod’s masterpiece (completely sung version) assembles many popular numbers such as Marguerite’s “Jewel Aria” and the “Lied of the King in Thule” as well as Mephistopheles’s “Rondo of the Golden Calf” and Faust’s Cavatina “Salut ! demeure chaste et pure”./ Répertoire / Chant et Piano
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Charles Gounod: Faust: Orchestra: Score
Orchestra
Dover Publications
Charles Gounod's interpretation is the best-known and most frequently performed ...
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Charles Gounod's interpretation is the best-known and most frequently performed of any stage or Orchestral treatment of the Faust legend. Faust was a major success upon its first fully realised performance at Milan's La Scala in 1862.The Opera's lyricism tremendous variety of mood and Orchestral colour and subtle delineation of character continue to delight generation upon generation of audiences.Now Opera lovers can study and enjoy the complete masterpiece in this attractive volume which has been reprinted from an authoritative edition. Despite the frequency of its performances Gounod'swork is hard to find in print so this rare edition of the full score constitutes a treasure for conductors performers and music majors alike.
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Gounod Ch. - Faust - Conducteur
Orchestra
Dover Publications
Charles Gounod's interpretation is the best-known and most frequently performed ...
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Charles Gounod's interpretation is the best-known and most frequently performed of any stage or Orchestral treatment of the Faust legend. Faust was a major success upon its first fully realised performance at Milan's La Scala in 1862. The Opera's lyricism, tremendous variety of mood and Orchestral colour, and subtle delineation of character continue to delight generation upon generation of audiences. Now Opera lovers can study and enjoy the complete masterpiece in this attractive volume, which has been reprinted from an authoritative edition. Despite the frequency of its performances, Gounod's work is hard to find in print, so this rare edition of the full score constitutes a treasure for conductors, performers, and music majors alike.
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Three Opera Choruses: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
These famous and beloved choruses from the operas of Verdi Gounod and Borodin ...
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These famous and beloved choruses from the operas of Verdi Gounod and Borodin are published for the first time in one collection. There is a chorus for the women a chorus for the men and a chorus for the entire mixed choir creating a performance gem for your concert. This three-in-one choral allows you to teach well-known themes to your young singers as well as providing opportunities to educate your students about the operas Prince Igor Faust and Il Travatore and the composers who crafted them. Available: SA/TTBB/SATB choral PianoTrax CD.
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Liszt F. - Piano Transcriptions From French And Italian Operas
Piano solo
Dover Publications
These virtuoso transpositions of themes by Mozart, Verdi, Bellini, and other mas...
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These virtuoso transpositions of themes by Mozart, Verdi, Bellini, and other masters offer unforgettable music for piano. This affordable anthology was published in association with the American Liszt Society. Table of Contents for Piano Transcriptions from French and Italian Operas Sarabande and Chaconne from Almira, Concert Arrangement (Handel) [Sarabande und Chaconne aus dem Singspiel Almira] Reminiscences of Don Juan [Don Giovanni] (Mozart) [Réminiscences de Don Juan] Reminiscences of Robert le Diable: Valse Infernale (Meyerbeer) [Réminiscenes de Robert le diable /Valse Infernale] Overture to William Tell (Rossini) [Ouverture de l'Opéra Guillaume Tell] Reminiscences of Lucia di Lammermoor (Donizetti) [Réminiscences de Lucia de Lammermoor/Fantaisie dramatique] Concert Waltz on Two Themes from Lucia and Parisina (Donizetti) [Valse de concert sure deux Motifs de Lucia et Parisina] Grand Concert Fantasy from Sonnambula (Bellini) [Grosse Concert-Fantaisie aus der Oper Sonnambula] Reminiscences of Norma (Bellini) [Réminiscences de Norma/Grande Fantaisie] Concert Paraphrase of Rigoletto (Verdi) [Rigoletto/Oper von Verdi/Concert-Paraphrase] Miserere from Trovatore (Verdi) [Miserere aus Trovatore von Verdi/Concert-Paraphrase] Concert Paraphrase of Ernani (Verdi) [Ernani/Oper von Verdi/Concert-Paraphrase] Waltz from Faust, Concert Paraphrase (Gounod) [Valse de l'Opéra Faust de Gounod/Paraphrase de Concert] Polonaise from Eugene Onegin (Tchaikovsky) [Polonaise aus Tschaikowskys Oper Jewgeny Onegin]
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Charles Gounod: Messe Solennelle De Sainte-Cécile: SATB: Vocal Score
Français
Organ
[Sheet music]
Leduc, Alphonse
French composer Charles Gounod (1818-1893) was a prominent in his day best rem...
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French composer Charles Gounod (1818-1893) was a prominent in his day best remembered for his Ave Maria and his opera Faust. 1854 saw the premiere of his Messe Solennelle also known as the Messe De Sainte-Cécile. This work fully established Gounod as a noteworthy composer. Despite being a minor composer to us today Gounod was famed in his day so much so that at his funeral Camille Saint-Saëns played the Organ and Gabriel Fauré conducted. Gounod''s Messe Solennelle De Sainte-Cécile proves the composer's extraordinary talent and caught theattention of much of Paris when it was first performed. Famous recordings include that of the Chorus of Radio France with the New Philharmonia Orchestra. For all aspiring choirs Gounod''s Messe Solennelle De Sainte-Cécile is an imperative sublime addition to the repertoire.
11.99 GBP - Sold by Musicroom UK
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Charles Gounod: Messe Brève No.7: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Leduc, Alphonse
French composer Charles Gounod (1818-1893) was a prominent composer in his day ...
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French composer Charles Gounod (1818-1893) was a prominent composer in his day best remembered for his Ave Maria and Opera Faust. 1890 saw the premiere of his Brief Mass. This work helped establish Gounod as a noteworthy composer. Despite being a minor composer to us today Gounod was famed in his day so much so that at his funeral Camille Saint-Saëns played the Organ and Gabriel Fauré conducted. Gounod's Brief Mass proves the composer's extraordinary talent and caught the attention of much of Paris when it was first performed composed for SATB choir solo voices and Organor Piano accompaniment. For all aspiring choirs Gounod's Brief Mass is an imperative sublime addition to the repertoire.
9.50 GBP - Sold by Musicroom UK
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