Dont Kreutzer Rode: three of the most prominent Violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century Rodolphe Kreutzer and Pierre Rode each composed epochal collections of studies (see HN 1177 and HN 1186); in 1852 as an introduction to these two standard works Jakob Dont wrote his exceptionally helpful 24 Preparatory Exercises op. 37 which even today no student of the Violin can avoid. Their success is also evident from the fact that numerous revised editions were published in the twentieth century by violinists such as Hans Sitt Carl Flesch or Ivan Galamian. Now for the first time G. Henle Publishers’Urtext edition restores access to the unadulterated original with Dont’s authentic fingering and bowing suggestions in an outstandingly legible musical text. The prominent Violin pedagogue Paul Roczak acted as a consultant for this edition and carefully supplemented Dont’s original marking.

Cadenzas for the Violin Concerto D major op. 61-Authoritative Henle Urtext edition of Ludwig van Beethoven's Violin Concerto D Op.61 Cadenzas. With foreword and transcription after Beethoven's original cadenzas for the piano version by Wolfgang Schneiderhan.

First came Johann Sebastian Bach?s sonatas and partitas then Nicolò Paganini?s caprices. Now with the Op. 27 Sonatas of Eugène Ysaÿe the key works in the repertoire for unaccompanied Violin areavailable in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his specialcapabilities. Thanks to newly discovered source material we are able to present a ?definitive text? that in many respects supersedes the previously available text from the first edition.

Antonín Dvorák
Romance en fa mineur op. 11
Till Kordt-Dauner (Editeur)
Johannes Umbreit (Réduction pour piano)
Antje Weithaas (Doigtés violon)
Edition Urtext, réduction pour piano, reliure paperback
partie de corde avec ou sans indications de doigté
L’année 1873 représenta pour Dvorák un tournant. Suite au refus de son opéra «Le Roi et le charbonnier», il essaya de donner une nouvelle direction à son œuvre. Son Quatuor à cordes en fa mineur op. 9, achevé la même année, devait marquer le coup d’envoi d’un nouveau style, moins influencé par la musique de Wagner – à sa grande déception ce quatuor subit un échec auprès des musiciens. Malgré ces expériences douloureuses, Dvorák donna une deuxième chance au mouvement lent du Quatuor et le transforma en une Romance pour violon et orchestre ou piano, laquelle fut exécutée en 1877 avec beaucoup de succès. Les doigtés et les coups d’archet de Antje Weithaas confèrent une brillance toute particulière à notre édition Henle Urtext de ce petit bijou de la littérature pour violon. / Partitions classique / Cordes / Violon / HENLE VERLAG

Urtextausgabe-Nicolò Paganini’s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1 Paganini gave the violin world a timeless masterpiece which no up-and-coming violin virtuoso can ignore. As well as the musical text our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerousexamples and illustrations for each of the 24 Capricci from the autograph he knowledgeably explains the characteristics of Paganini’s notation and its significance for its interpretation today.

BWV 1001-1006-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. His Sechs Sonaten Und Partiten (BWV 1001-1006) werewritten before 1720 but not published until 1802 and only gained popularity towards the end of the 19th century. They are now regarded as the seminal work in the solo Violin repertoire and were among the first works to showcasethe technical abilities of the Violin. The Suite consists of 3 Sonatas each with four movements in the traditional slow-fast-slow-fast pattern and 3 Partias which vary with four to seven dance-likemovements. Contains two volumes with and without fingering.

Avant Paganini ?tait qualifi? de ?capriccio? un morceau de bravoure jou? au violon en guise de cadence dans les sonates ou les mouvements de concertos. Le terme pouvait ?galement d?signer parfois des ?tudes pour instruments ? cordes. La fusion de la forme de la cadence concertante avec celle de l??tude technique fut l?une des plus grandes nouveaut?s introduites par Nicol? Paganini. Avec ses Capricci op. 1 Paganini donna ? ce genre une nouvelle dimension musicale. Donnant l?impression d??tre improvis?es ces pi?ces d?bordent d?invention m?lodique et sont structur?es avec intelligence et clart?. L??dition Urtext propos?e ici repose exclusivement sur le manuscritautographe de Paganini car n?ayant sans doute pas ?t? revue par le compositeur la premi?re ?dition comporte de nombreuses erreurs. Les indications de jeu de Renato De Barbieri dans la version annot?e reposent sur l??tude approfondie du manuscrit autographe ainsi que sur de longues ann?es de pratique en concert. La pr?face d?une grande richesse d?informations vient ainsi compl?ter une ?dition telle que l??uvre en m?ritait depuis longtemps.

Par RODE PIERRE. with original fingering and bowing by the composer -additional markings and practical comments by Friedemann Eichhorn / Gertsch, Norbert / Répertoire / Violon Solo