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ALLEGRO
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
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VIOLONCELLO - CELLO
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DE FALLA MANUEL ALLEGRO DE CONCIERTO P° SOLO
Piano solo
[Partition]
Chester
Arrangé pour piano solo. <br>Falla a lui-même donné l...
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Arrangé pour piano solo. <br>Falla a lui-même donné la première représentation de l'Allegro de Concierto en mai 1905 à Madrid. Ce fut huit ans avant que l'oeuvre ne soit jouée de nouveau, au Wigmore Hall, à Londres en 1985. Convient aux pianistes de niveau avancé. / Classique / Partition /
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Sonata
Piano solo
Schott
The Sonata is one of Erkin's works which the casual listener may fail to attribu...
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The Sonata is one of Erkin's works which the casual listener may fail to attribute to a particular geography at a first hearing. He will however become absorbed by a unique sense of identity, surprising harmonies and rhythms which integrate with such sincerity and authenticity in the flow of the music. At a more attentive hearing, one can discover features of ancient Anatolian music which Erkin always transforms with extraordinary inspiration, enfolding audiences unfamiliar with this culture in a music which is often profoundly spiritual with an admirably woven polyphonic texture in which not one bar seems superfluous or out of place. The first movement Allegro is woven from two contrasting themes. The first is a vigorous progression in the middle register with contrapuntal elements quasi as counterpoint. A luminous second theme evoking folk tunes connects back to the first theme and the movement ends in a brisk tone. In the second movement Adagio molto sostenuto a profound, introspective first theme is developed in variations of exquisite lyricism. The imposing middle section which forms a rondo suggests latent unrest. Imbued with energy and determination, the final Allegro consists of abstracted elements of Anatolian folk music bearing the creative stamp of Erkin. The movement ends with an impressive crescendo. / Piano
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Cello School 8
Cello
[Sheet music + CD]
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Sonata in G Major (Allegro, Grave, Vivace) (Sammartini) * Allegro Appassionato, Op. 43 (Saint-Saëns) * Elegié (Fauré) * Scherzo (van Goens). / Violoncelle
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Water Music
Saxophone Quartet: 4 saxophones
Advance Music
Historical information about Händel's Water Music Suites is limited, but certai...
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Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)
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Divertimento Di Danza
String Orchestra
Schott
Composition de Harald Genzmer ' Divertimento di danza ' pour orchestre à cordes...
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Composition de Harald Genzmer ' Divertimento di danza ' pour orchestre à cordes continue clairement la forme baroque de la divertimento. Cette musique ' light ' - dans le vrai sens du mot - consistait en une séquence de mouvements lâches avec les formes libres et les mouvements de danse alternat-ing successivement variées. Le divertimento composé de cinq à six mouvements. Genzmer gardé à tous ces faits, mais il introduit la nouvelle vie dans les formes anciennes. Bien qu'il n'a pas composé 'dans l'ancien style', il respecte certaines règles de la forme traditionnelle. Les mouvements : Ouverture - Allegro (Fugato) - Adagio - Presto (sur une danse de l'ancien français) - Finale (sur un mouvement de danse anglais) / Orchestre A Cordes
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Vanhal Johann Krtitel - Allegro Aus Der Sonatine A-dur Op.2 N°1 - Piano
Piano solo
Barenreiter
Edition no.: H 7926 ISMN: 9790260103092 Composer / Author: Vanhal, Jan Krtitel T...
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Edition no.: H 7926 ISMN: 9790260103092 Composer / Author: Vanhal, Jan Krtitel Title: Allegro Detailed instrumentation: Piano Product format: Performance score(s) Includes the following individual parts: Piano Publisher: Bärenreiter Pages / Format: 31,0 x 23,5 cm cm Weight: 59 g
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Allegro In A Minor, Op. 144 (Lebensstürme)
Piano solo
Alfred Publishing
Franz Schubert était l'un des compositeurs les plus prolifiques de la musique d...
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Franz Schubert était l'un des compositeurs les plus prolifiques de la musique de piano ensemble, et l'Allegro in A Minor, Op.. 144, démontre sa maîtrise à l'écriture pour un piano à quatre mains. Ce travail important et passionnée a été composée en 1828, l'année de la mort de Schubert. Il est écrit en forme sonate-allegro et peut avoir été conçu comme le premier mouvement d'une sonate. Il a d'abord été publié par Anton Diabelli en 1840 avec le titre Lebensstürme: Characterischeres Allegro (tempêtes de la vie: Caractéristique Allegro). L'Allegro fait un usage intensif du chromatisme, napolitains accords sixième, et les contrastes de l'humeur. On y trouve aussi un enregistrement de CD en circulation de l'étiquette Naxos. / Piano
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Joseph-Hector Fiocco Georg Philipp Telemann: Allegro in G Major and Sonatina in
Violin and Piano
Dowani
Joseph-Hector Fiocco (1703-1741): AllegroGeorg Philipp Telemann (1681-1767): Son...
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Joseph-Hector Fiocco (1703-1741): AllegroGeorg Philipp Telemann (1681-1767): Sonatina I
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Georg Friedrich Händel: L'Allegro Il Penseroso Ed Il Moderato: SATB: Vocal
Choral SATB
satb (soli), SATB (chorus), Keyboard
-
Intermediate/advanced
Novello & Co Ltd.
G.F. Handel's masterful L'Allegro Il Penseroso Ed Il Moderato have been expertl...
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G.F. Handel's masterful L'Allegro Il Penseroso Ed Il Moderato have been expertly-edited by Donald Burrows to present this complete vocal score arranged for two Soprano Tenor and Bass Soli with an SATB Chorus and Orchestra. This complete edition of L'Allegro Il Penseroso Ed Il Moderato features the 1740 1741 and 1743 scores reflecting Handel's personal changes involving alternative and additional movements. The 1740 score is a complete reconstruction requiring two Soprano  a Tenor and a Bass soloists. For the longer 1741 score Handel added extra movements toaccommodate additional soloists the complete version of which is included here. Finally the 1743 score boasts a radical change from the previous years with a removal of part three and a significant rearrangement of other movements. L'Allegro Il Penseroso Ed Il Moderato was first performed on the 27th of February 1740 at the Lincoln's Inn Fields theatre after just over a month of drafting. The work is a setting of a libretto by James Harris and Charles Jennens based on John Milton's two complementary yet contrasting poems about the relative virtues of happiness and melancholy. This edition of L'Allegro Il Penseroso Ed Il Moderato presents practical versions of the score which are based on the musical schemes of Handel's performances in 1741 and 1743. For a complete vocal score of this masterpiece by one of the all-time great composers this Novello Handel Edition is authoritative.
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Joseph Edouard Barat: Andante et Allegro: Trombone: Instrumental Work
Trombone and Piano
[Sheet music]
Leduc, Alphonse
Composed by Joseph Edouard Barat Andante Et Allegro is a piece for Trombone and...
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Composed by Joseph Edouard Barat Andante Et Allegro is a piece for Trombone and Piano dedicated to H. Couillaud a Conservatoire professor. Quite difficult this piece would be perfect for recitals and contest and can be played by advanced players. Starting slowly the first half of the piece evolves into a Piu vivo part. The second half of the work is a rapid Allegro theme (tempo 144-152) followed by a slower part and the Allegro theme played again “a tempo” before introducing the close in harmonies. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Pianoaccompaniment such as 'Andante and Allegro' or 'Introduction and Dance' among many others.
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L'Allegro, Il Penseroso Ed Il Moderato (Vocal Score)
Choral SATB
Novello & Co Ltd.
G.F. Handel's masterful L'Allegro, Il Penseroso Ed Il Moderato have been expertl...
(+)
G.F. Handel's masterful L'Allegro, Il Penseroso Ed Il Moderato have been expertly-edited by Donald Burrows to present this complete vocal score, arranged for two Soprano, Tenor and Bass Soli, with an SATB Chorus and Orchestra.This complete edition of L'Allegro, Il Penseroso Ed Il Moderato features the 1740, 1741 and 1743 scores, reflecting Handel's personal changes, involving alternative and additional movements. The 1740 score is a complete reconstruction, requiring two Soprano, a Tenor and a Bass soloists. For the longer 1741 score, Handel added extra movements to accommodate additional soloists, the complete version of which is included here. Finally, the 1743 score boasts a radical change from the previous years, with a removal of part three and a significant rearrangement of other movements. L'Allegro, Il Penseroso Ed Il Moderato was first performed on the 27th of February 1740 at the Lincoln's Inn Fields theatre, after just over a month of drafting. The work is a setting of a libretto by James Harris and Charles Jennens, based on John Milton's two complementary yet contrasting poems about the relative virtues of happiness and melancholy. This edition of L'Allegro, Il Penseroso Ed Il Moderato presents practical versions of the score which are based on the musical schemes of Handel's performances in 1741 and 1743. For a complete vocal score of this masterpiece by one of the all-time great composers, this Novello Handel Edition is authoritative. / Choeur Mixte (SATB)
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Gabriel Grovlez: Sicilienne and Allegro Giocoso: Bassoon: Instrumental Work
Français
Bassoon, Piano (duet)
[Reduction]
Leduc, Alphonse
for Bassoon and Piano-Gabriel Grovlez (1879-1944) studied under Gabriel Fauré a...
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for Bassoon and Piano-Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sicilienne Et Allegro Giocoso is a sublime addition to the Bassoon repertoire. Much of the composer's works show neo-classical features which is also the case inSicilienne Et Allegro Giocoso where the texture is predominantly melody dominated homophony cadences are frequently heard and modulations to related keys occur despite tonality being interestingly exploited.Grovlez's C minor Sicilienne is unusual in style as it is composed in common time yet the triplets and sextuplets in the Bassoon part provide the 'tarantella feel' required of the musical genre. This is superbly contrasted by the quirky Allegro Giocoso (fast and cheerful) composed in the relative major. All these features make for an enjoyable and delightful performance!
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Gabriel Grovlez: Sarabande et Allegro pour clarinette et piano: Clarinet:
Français
Clarinet and Piano
[Score and Parts]
Leduc, Alphonse
Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservato...
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sarabande and Allegro is a sublime addition to the Clarinet repertoire. Much of the composer's works show neo-classical features which is also the case in Sarabande and Allegro. Where the texture is predominantly melody dominated homophony perfect cadences are frequently heard and modulations to related keys occur. Grovlez's C minor Sarabande is in a steady triple meter superbly contrasted by the fast Allegro composed in the relative major. All these features make for an enjoyable and delightful performance!
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Sonate KV 545 (Collection Anacrouse) (MOZART WOLFGANG AMADEUS)
Piano Solo
[Sheet music]
Bourgès Editions
Par MOZART WOLFGANG AMADEUS. La collection ANACROUSE offre aux pianistes novices...
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Par MOZART WOLFGANG AMADEUS. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres. Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Cette sonate dite facile ou « sonata semplice » est la plus célèbre de Mozart. Son sous-titre est trompeur car elle n’est pas aussi facile que l’on pourrait croire. En effet, la maîtrise pianistique et la science de Mozart échouent à révéler la réelle difficulté de cette sonate. Sa création date du 26 juin 1788, peu d’années avant la disparition du compositeur. La finalité de cette création serait mi-pédagogique, mi-commerciale d’où l’objet de son surnom.Cette pièce a trois mouvements : Allegro, Andante et Rondo-allegretto. Elle débute par un allegro sur un tempo assez allant avec une basse appelée basse d’Alberti en rythme de croche, se déployant tout au long du mouvement. La structure du premier mouvement est une forme sonate. La mélodie comporte deux sujets sur la tonique et à la réexposition se présente le thème sur la sous-dominante. La basse dAlberti exposée dans ce premier mouvement est développée d’une manière assez étendue en fluidité dans le deuxième mouvement, l’andante.Seul l’allegro est représenté dans cette partition, ce premier mouvement, très connu, ensorcelle de nombreux pianistes de tous niveaux grâce à la relative aisance de son interprétation et à l’enchantement et à la frivolité qui s’en dégage. / Date parution : 2023-03-21/ Répertoire / Piano Solo
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Gabriel Grovlez: Sarabande & Allegro: Alto Saxophone: Instrumental Work
Saxophone and Piano
Leduc, Alphonse
Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservato...
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Alto Saxophone repertoire. Many of the composer's works show neo-classical features which is also the case in Sarabande et Allegro where the texture is predominantly melody-dominated homophony perfect cadences are frequently heard and modulations to related keys occur. Grovlez's F minor Sarabande is in a steady triple meter superbly contrasted by the fast Allegro composed in the relative major. All these features make for a thoroughly enjoyable and delightful performance!
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Johann Sebastian Bach: Bach Flute Solos: Flute Solo: Instrumental Album
Flute
[Sheet music + Audio access]
Cherry Lane
11 beloved Bach pieces arranged as flute solos with both piano and harpsichord a...
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11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I
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Jongen: Allegro Appassionato Op79: Viola: Score
Viola, Piano
[Sheet music]
Leduc, Alphonse
Belgian organist composer and teacher Joseph Jongen (1873-1953) was admitted t...
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Belgian organist composer and teacher Joseph Jongen (1873-1953) was admitted to the Liège Conservatoire at the mere age of seven years old. Published in 1925 Allegro Appassionato is an extraordinary addition to the Viola repertoire. Jongen won many awards during his sixteen years of musical education including the Belgain Prix de Rome in 1897. He began composing at age 13 and therefore has an exhaustive catalogue of works to his name. Allegro Appassionato is a virtuosic work for the Viola addressing aspects such as harmonics exploited tonality chromaticism double stops flourishingsemiquavers complex rhythms articulation and a significant amount if performance directions and dynamics among other elements. For all advanced violists Jongen's Allegro Appassionato is essential to a varied repertoire.
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André Chailleux: Andante et Allegro: Alto Saxophone: Instrumental Work
Français
Alto Saxophone and Piano
Leduc, Alphonse
André Chailleux's Andante and Allegro for Alto Saxophone and Piano composed in...
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André Chailleux's Andante and Allegro for Alto Saxophone and Piano composed in 1958 is an ideal performance piece for intermediate saxophonists. Beginning with a lyrical lent passage the piece slowly moves towards a 6/8 Allegro which includes many semiquaver flourishes for the Saxophone. Perfect for aspiring saxophonists Andante and Allegro for Alto Saxophone and Piano is essential to performance progression on the instrument.
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Gabriel Grovlez: Sarabande et Allegro for Oboe and Piano: Oboe: Instrumental
Oboe, Piano (duet)
[Sheet music]
Leduc, Alphonse
Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservato...
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Oboe repertoire. Much of the composer's works show neo-classical features which is also the case in Sarabande et Allegro where the texture is predominantly melody-dominated homophony perfect cadences are frequently heard and modulations to related keys occur. Grovlez's D minor Sarabande is in a steady triple metre superblycontrasted by the fast Allegro composed in the relative major. All these features make for an enjoyable and delightful performance.
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Solos For The Cello Player
Cello, Piano
[Sheet music]
Schirmer
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Alleg...
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Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) - Allegro Spiritoso (Senaille) - Andante (Beethoven) - Andante (Gluck) - Aria (Lotti) - Bourrée I (Bach) - Country Dance - La Cinquantine (The Golden Wedding) - Larghetto (Handel) - Lento (Schumann) - Lullaby - Menuet (Mozart) - Nina (Pergolesi) - Romance - Sicilienne (Debussy) - The Swan (Saint-Saëns) - Village Song (Popper)./ Recueil / Violoncelle et Piano
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Concerto F Major (SAMMARTINI GIUSEPPE)
SCHOTT
Par SAMMARTINI GIUSEPPE. Giuseppe Sammartini, qui était considéré comme l'un ...
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Par SAMMARTINI GIUSEPPE. Giuseppe Sammartini, qui était considéré comme l'un des plus importants compositeurs de musique instrumentale de son temps, maintenu dans ce concerto un cadre conventionnel - cependant, il a utilisé les possibilités instrumentales - notamment dans le dialogue entre l'instrument soliste et l'orchestre - avec imagination et d'une manière inhabituelle. Les mouvements : assai Allegro - Siciliano - Allegro/ Répertoire / Flûte à Bec Soprano et Cordes
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Rubank Treasures for Clarinet: Clarinet Solo: Instrumental Album
Clarinet
[Sheet music + Audio access]
Rubank Publications
Available for the first time: easy to advanced solo works from the Rubank archiv...
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Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings printable piano accompaniments and PLAYBACK audio tools. This new collection of 11 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players) accompaniment tracks for practice and PDF piano accompaniments for use at contest. Includes: Adagio and Allegro from Sonata No. 6 for Violin (Handel) - Adoration (Borowski) - Berceuse (Barat) - First Concertino (Guilhaud) - Largo and Allegro (Loeillet) -Marche Comique (Ostransky) - Pavane pour une Infante Defunte (Ravel) - Romance and Troika (Prokofiev) - Russian Sailors Dance (Glière) - Sinfonia (Arioso) from Cantata No. 156 (J.S. Bach) - Two Russian Pieces (Kalinikov/Voloshinov).
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Samuel R. Hazo: Jubilat?o (Fanfare and Allegro): Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
(Fanfare and Allegro)-Commissioned for the 100th anniversary of the Calgary Stam...
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(Fanfare and Allegro)-Commissioned for the 100th anniversary of the Calgary Stampede Showband of Calgary Alberta Samuel Hazo has created a stunning and inspired work for mature players. The title (taken from the Latin phrase “JubilateDeo”) is indicative ofthe pervading sense of ceremony and jubilation. Bookended with a broad and powerful fanfare the exuberant allegro section features a spirited pulse with mixed meters and soaring melodies. Adynamic percussion score is inherent throughout thework all the way to the dramatic finish. Dur: 5:00
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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Robert Schumann: Konzert-Allegro mit Introduktion Opus 134: Piano Duet:
Piano solo
G. Henle
Introduction and Concert Allegro op. 134-Introduction And Concert Allegro Op.134...
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Introduction and Concert Allegro op. 134-Introduction And Concert Allegro Op.134 Piano Reduction was composed in 1853 and was one of the last works completed by Robert Schumann. This Piano duet is the reduction from the fullOrchestral score with Piano 1 taking the solo and Piano 2 representing the Orchestra in a beautiful and technically challenging piece.
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Eugène Bozza: Prélude And Allegro: Double Bass: Instrumental Work
Français
Double bass, Piano (duet)
[Sheet music]
Leduc, Alphonse
Contrebasse Et Piano-Composed by Eugène Bozza Prélude And Allegro can be play...
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Contrebasse Et Piano-Composed by Eugène Bozza Prélude And Allegro can be played by Double Bass Tuba or Saxhorn with a Piano accompaniment. Written in F for the Double Bass Tuba or Saxhorn this piece has an intermediate level of difficulty. Really enjoyable for the players and audiences Prélude and Allegro would be ideal for a recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.
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Adagio And Allegro, Op. 70 (SCHUMANN ROBERT)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), comp...
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Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Robert Schumann: Concert Allegro With Introduction In D Minor: Piano: Miniature
Eulenburg
for Pianoforte and Orchestra-On her 34th birthday Clara Schumann received from ...
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for Pianoforte and Orchestra-On her 34th birthday Clara Schumann received from her husband not only a grand piano but also the latest music material including the one-movement Concert Allegro with Introduction Op.134 as well as the composition Introduction and Allegro appassionato Op.92 which also consisted of only one movement. With both works Schumann continued the renewal of the solo concerto genre initiated by him.The editions are based on Vol. I/2/2 (RSA 1007-20) of the Robert Schumann Complete Edition.
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Robert Schumann: Adagio & Allegro Op. 70 Horn & Piano: French Horn: Instrumental
French Horn and Piano
[Score and Parts]
G. Henle
Adagio and Allegro op. 70 for Piano and Horn-Schumann Robert Adagio & Allegro Op...
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Adagio and Allegro op. 70 for Piano and Horn-Schumann Robert Adagio & Allegro Op70 (Herttrich) Pf/Hn Urtext Pb
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Inside
The Flute Collection: Flute and Accomp.: Instrumental Collection
Flute and Piano
[Sheet music + Audio access]
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Intermediate/advanced
Schirmer
Intermediate to Advanced Level / G. Schirmer Instrumental Library. Solos appropr...
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Intermediate to Advanced Level / G. Schirmer Instrumental Library. Solos appropriate for advanced high school students or college music majors, this collection presents staples of the standard flute literature. This edition also includes access to online recordings of full performances as well as piano accompaniments. Contents: Sonata in E minor, BWV 1034 (J.S. Bach) · Concertino, Op. 107 (Chaminade) · Syrinx (Debussy) · Nocturne et Allegro Scherzando (Gaubert) · Gigue (Leclair) · Adagio and Gigue from the Sonata in G Major (Loeillet) · Allegro deciso from the Sonata for Flute and Piano, Op. 14 (Muczynski) · Ballade (Perilhou) · Andante from the Sonata in D Major, Op. 94 (Prokofiev) · Andante Pastoral et Scherzettino (Taffanel). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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