SKU: BT.VOLMB148

ISBN 9788863881455. Italian.

Songs include: Aguas de Marco, Amapola, Besame mucho, Brazil, Fascinacion,Garota de Ipanema, Historia de un amor, Manha do carnaval, Maria Elena, Mas que nada, Patricia, Quizas, quizas, quizas, Samba de Orfeu, Solamente unavez, Tico-Tico.

Titulos incluidos: Aguas de Marco, Amapola, Besame mucho, Brazil, Fascinacion, Garota de Ipanema, Historia de un amor, Manha do carnaval, Maria Elena, Mas que nada, Patricia, Quizas, quizas, quizas, Samba de Orfeu, Solamente una vez, Tico-Tico.

SKU: PR.411411690

UPC: 680160686032.

The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete.
The four “name” arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,” who is oftencalled, “Minty.” Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,” declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'” she proclaims. Hertransformation is complete.

SKU: OU.9780193573086

ISBN 9780193573086. 11 x 9 inches.

For SSAA and piano She Sang the Stars uses the lens of Elias Lonnrot's Finnish epic, the Kalevala, to explore the stages of womanhood. With all texts in English translation, the work's outer movements act as an introduction and conclusion, while the central movements profile three female characters from the Kalevala at different stages of life.