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St. Thomas - Trumpet 4
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Lieder Zur Weihnachtszeit
4 Instruments Cuivre
Schott
Une collection choisie des chansons de Noël les plus classiques de 'O Holy Nigh...
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Une collection choisie des chansons de Noël les plus classiques de 'O Holy Night' sur 'poussé' Es ist ein Ros ',' Silent Night ',' fille de Sion 'de chansons de Noël internationaux tels que' In dulci jubilo ',' Gloria in excelsis Deo ''Jingle Bells' ou 'nous vous souhaitons un Joyeux Noël', le corniste Thomas Swartman arrangé pour quatuor de cuivres ou ensemble de cuivres. Chaque pièce est formée dans un enregistrement sonore charmant et festif. Les quatre voix seront occupés avec trompette, bugle, cornet, bugle ténor, trombone, baryton et tuba. Ensemble Matériel exceptionnelle pour le répertoire de concert de Noël! / 4 Instruments Cuivre
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Lieder Zur Weihnachtszeit
4 Instruments Cuivre
Schott
Une collection choisie des chansons de Noël les plus classiques de 'O Holy Nigh...
(+)
Une collection choisie des chansons de Noël les plus classiques de 'O Holy Night' sur 'poussé' Es ist ein Ros ',' Silent Night ',' fille de Sion 'de chansons de Noël internationaux tels que' In dulci jubilo ',' Gloria in excelsis Deo ''Jingle Bells' ou 'nous vous souhaitons un Joyeux Noël', le corniste Thomas Swartman arrangé pour quatuor de cuivres ou ensemble de cuivres. Chaque pièce est formée dans un enregistrement sonore charmant et festif. Les quatre voix seront occupés avec trompette, bugle, cornet, bugle ténor, trombone, baryton et tuba. Ensemble Matériel exceptionnelle pour le répertoire de concert de Noël! / 4 Instruments Cuivre
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Tiger Suit
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Amsco Wise Publications
KT Tunstall has had a recurring dream since she was a child. She sees a tiger in...
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KT Tunstall has had a recurring dream since she was a child. She sees a tiger in her garden and goes outside to stroke it. She returns indoors and is seized by the fear that she could have been killed. Over the years, it has occurred to her that the reason the tiger responds so passively is that she herself is disguised as a tiger. That she is wearing a tiger suit.The Brit Award-winning singer has tapped into that childlike boldness in the making of her third album. Tiger Suit heralds the start of a new musical adventure for KT, where organic instrumentation blends with dance friendly textures, the results of which KT has dubbed as 'Nature Techno'.Elements of all the influences that make up 'Tiger Suit' come together in the stunning first single (Still A) Weirdo, one of the last songs to be written for the album. A beautiful acoustic guitar line floats through organic and electronic rhythm sounds, while the lyrics are some of KT's most personal and affecting. Of the song that is sure to strike a chord with many, KT says: 'I had this idea when I was younger that you automatically became more intelligent as you got older. Indeed I am slightly cleverer, as I now know it was stupid to think that!?And looking back on the making of the album as a whole, she continues: 'I really went out of my comfort zone and wandered off further than expected,? she says, 'and it made me realise I can do anything. There are no rules, there are no constraints, it's just about what you've got the balls to do.?The album has received consistently high ratings, including 4.5 stars from Stephen Thomas Erlewine of Allmusic, saying it is 'built upon Tunstall's strongest set of songs yet' and calling it 'an excellent album that satisfies as pure sound and as songwriting sustenance'.This official matching folio contains all the songs from the album arranged for Piano and Voice with Guitar Chords. / Piano/Vocal/Guitare (PVG)
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Aebersold 74 Latin Jazz
All Instruments
[Sheet music + CD]
Jamey Aebersold Jazz
Jazz Play-Along Vol.74. Une douzaine de normes plus beaux du monde dans le Jazz ...
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Jazz Play-Along Vol.74. Une douzaine de normes plus beaux du monde dans le Jazz Latin populaire style. Un départ rafraîchissant des styles swing et bossa typiques qui ont dominé le Jazz dans le passé. La section rythmique authentique comprend Mark Levine, Piano - David Beloss - Harold Muniz et John Santos, diverses percussions. / Rép International / Recueil / Tout Instrument
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Flute Quartet: 4 flutes
[Score and Parts]
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières
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The Flûte Audition
Flute
Universal Edition
The New Essential Companion. Henrik Wiese, the internationally renowned orchestr...
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The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière
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5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Oxford Service Music For Organ: Manuals Only, Book 2 (MARSDEN THOMAS ANNE)
Organ
[Sheet music]
-
Easy
Oxford University Press
Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour...
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Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour les étudiants, les joueurs, et l'église de tous les niveaux et les capacités Chaque groupe livre des pièces en fonction des besoins de service: Préludes, Interludes, processions, Postludes Mélodieux, répertoire attrayant, couvrant cents 16e au 21e. avec quelques nouvelles pièces écrites spécialement pour la collection Les plus grands compositeurs de l'instrument bien représentés Pieces nouveau modifié de présenter la musique de façon claire et pratique pour les joueurs, avec des suggestions d'enregistrement et de tempo pour chaque pièce Une forte représentation dans les syllabus ABRSM nouvelles (à partir de 2011) Noté collection: env. livre 1 Grades 1-4- réserver 2 Gr. 4-6, livre 3 gr. 6-8 Editeur de haut-profil, des enseignants de premier plan et organiste de concert Il s'agit d'une importante collection de musique d'orgue pour les étudiants, les joueurs, et les musiciens d'église de tous les niveaux et les capacités. Compiler et rédacteur en chef Anne Marsden Thomas a tiré sur sa longue expérience de l'enseignement et la lecture pour sélectionner les plus intéressantes, le répertoire mélodieux dans deux nouvelles séries d'anthologies classé, un ensemble (3 volumes) pour les manuels seulement, la seconde série (3 volumes) pour claviers et pédalier. Dans chaque produit, les pièces sont regroupées selon les besoins de services en préludes, intermèdes, processions, et Postludes. Le répertoire s'étend du 16e au 21e siècle, avec quelques nouvelles pièces écrites spécialement pour la collection. Un certain nombre de pièces dans la collection ont été sélectionnés pour le programme d'organes ABRSM. Le résultat est une magnifique collection de répertoire pour tous les joueurs, contenant une foule de morceaux attrayants et variés qui offrent beaucoup de soutien pratique pour les musiciens d'église et d'enrichir et de développer leur jeu. / Niveau : Facile / Recueil / Orgue
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Saxophone Play Along Vol.4 : Sax Classics - Book
Saxophone
[Sheet music + Audio access]
Hal Leonard
The Saxophone Play-Along® Series will help you play your favorite songs quickly...
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The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the Saxophone should sound, and then play-along using the separate backing tracks. The mleody and lyrics are also included in the book to help you follow along.The audio CD is playable on any CD player. For PC and Mac users, the CD also contains Amazing Slowdowner Software so you can adjust the recording to any tempo without changing pitch. Volume 4 includes: Boulevard of Broken Dreams - Harlem Nocturne - Night Train - Peter Gunn - The Pink Panther - St. Thomas - Tequila - Yakety Sax. / Saxophone
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Méthodes Et Traités - 4 Volumes - Europe
Recorder
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la flûte à bec.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (réf. 5809) : Martin AGRICOLA - ANONYME - Silvestro, dal Fontego GANASSI - Philibert JAMBE DE FER - Marin MERSENNE - Michael PRAETORIUS - Pierre TRICHET - Sebastian VIRDUNG - Aurelio VIRGILIANOVolume 2 (réf. 5810) : Bartelomeo BISMANTOVA - John CARR - John HUDGEBUT - Etienne LOULIE - Humphrey SALTER - Jacob VAN EYCKVolume 3 (réf. 5811) : 4 Anonymes - Sébastien de BROSSARD - Encyclopédie méthodique - Johann Philipp EISEL - Louis-Joseph, le neveu FRANCOEUR - Jean-Pierre FREILLON PONCEIN - François-Alexandre-Pierre de GARSAULT - Jacques-Martin HOTTETERRE-le-Romain - - Jean-Benjamin de LABORDE - Joseph Friederich Bernard Caspar MAJER - Pierre PRELLEUR - Jean-Chrestien SCHICKHARDT - William TANS'UR - Johann-Christoph WEIGELVolume 4 (réf. 5984) : Anonyme (1 à 6) - Filippo BONANNI - - Klaas DOUWES - - Jean-Pierre FREILLON-PONCEIN - - Jacques-Martin HOTTETERRE-LE-ROMAIN - - Sir John HAWKINS - Pablo MINGUET Y YROL - - John SADLER - - Thomas STANESBY - - William Senior TANS'UR - - Joos VERSCHUERE REIJNVAEN - - Johann Gottfried WALTHER - - Daniel WRIGHTTable des matières : Volume 1 : Anonyme : Manuscrit sans titre - (s.d.)Virdung Sebastian : Musica Getutscht - 1511Ganassi dal Fontego Silvestro : Opera intitulata Fontegara - 1535Agricola Martin : Musica instrumentalis Deutsch - 1545Jambe de Fer Philibert : Epitome musical - 1556Virgiliano Aurelio : Il Dolcimelo - 1600 (ca)Praetorius Michael : De Organographia - 1619Mersenne Marin : Harmonie universelle - 1636Trichet Pierre : Traité des instruments - 1640Volume 2 : Van Eyck Jacob : Der Fluyten Lust-hof - 1646Bismontova Bartolomeo : Compendio musicale - 1677Hudgebut John : A vade mecum for the lovers - 1679Salter Humphrey : The genteel companion - 1683Carr John : The delightful companion - 1686Loulié Etienne : Méthode pour apprendre à jouer de la flûte douce - 1694 (ca)Anonyme : The compleat flute-master - 1695Volume 3 : Freillon-Poncein Jean-Pierre : La véritable manière - 1700Brossard Sébastien de : Dictionnaire de musique - 1703Anonyme : The fifth book of the new flute master - 1706Hotteterre-le-Romain Jacques-Martin : Principes de la flûte traversière - 1707Hotteterre-le-Romain Jacques-Martin : L'Art de préluder - 1719Schickhardt Jean-Chrestien : Principes de la flûte - 1720Anonyme : The complete Musik-Master - 1722Weigel Johann-Christoph : Musicum Theatrum - c. 1722Prelleur Pierre : The modern musick master - 1730Majer Joseph Friederich Bernard Caspar : Museum musicum theoretico praticum - 1732Eisel Johann Philipp : Musicus autodidactos - 1738Tans'ur William : A new musical grammar - 1746Anonyme : The compleate tutor for the flute - 1750Garsault François-Alexandre-Pierre de : Notionnaire ou Mémorial raisonné - 1761Francoeur le neveu Louis Joseph : Diapason général de tous les instruments à vent - 1772Anonyme : Compleate instructions for the common flute - 1780Laborde Jean Benjamin de : Essai sur la musique - 1780Encyclopédie méthodique : Edition de Panckouke - 1788Volume 4 : Douwes Klass : Grondig ondersoek van de toonen der musijk - 1699Freillon-Poncein Jean-Pierre : La véritable manière - 1700Hotteterre-le-Romain Jacques-Martin : L'art de préluder sur la flûte traversière - 1707Anonyme : The bird fancyer's delight - c. 1730Walther Johann Gottfried : Musicalisches Lexicon - 1732Stanesby Thomas : A new system of the flute à bec - c. 1732Wright Daniel : The compleat tutor for y flute - c. 1735Anonyme : The compleat tutor for the flute - c. 1750Sadler John : The muses delight - 1754Tans'ur William Senior : The elements of Musick - 1772Minguet Y Yrol Pablo : Reglas, y advertencias generales - 1774Anonyme : The compleat tutor, for the common flute - c. 1775Hawkins Sir John : General history of the science - 1776Bonanni Filippo : Descrizione degl'istromenti - 1776Verschuere Reijnvaen Joos : Catechismus der musijk - 1787Anonyme : New and complete instructions - c. 1790Anonyme : Directions for playing on the flute - s.d.Anonyme : The complete flute master containing - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Flûte A Bec / 1085 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Aebersold 8 (ROLLINS SONNY)
All Instruments
[Sheet music + CD]
Jamey Aebersold Jazz
Jazz Play-Along Vol.8. Par ROLLINS SONNY. Intermédiaire/Advanced niveau ces air...
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Jazz Play-Along Vol.8. Par ROLLINS SONNY. Intermédiaire/Advanced niveau ces airs représentent une grande partie du vocabulaire du joueur de jazz. Ils sont tous considérés comme standards de jazz. Gamme de chansons du simple au complexe, ralentir tempos à rapide. Les changements de la corde sur plusieurs airs sont telles que l'improvisateur novice peut en solo ussingle échelle tels que le Blues ou pentatonique, pourtant, intermédiaires et avancés les joueurs auront toujours beaucoup de défi en jouant sur les changements de corde qui coule et naturel qu'ils vont. D'autres présentent un plus grand défi, avec des tempos rapides, tinatures de 3/4 et rainures en alternance. Quelque chose pour tout le monde. Section rythmique est Dan Haerle, piano - Rufus Reid, basse - Jonathan Higgins, batterie. / Rép International / Recueil / Tout Instrument
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Weihnachtshistorie 'Es Begab Sich' (SELLE THOMAS)
Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
[Sheet music]
Carus Verlag
Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei...
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Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
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Weihnachtshistorie 'Es Begab Sich' (SELLE THOMAS)
Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
[Sheet music]
Carus Verlag
Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei...
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Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
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Weihnachtshistorie 'Es Begab Sich' (SELLE THOMAS)
Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
[Sheet music]
Carus Verlag
Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei...
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Par SELLE THOMAS. Gattungen: Kantaten, Oratorien - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon
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Gliozzi M./ Simon D. - L'orgue Aux Milles Saveurs Vol.3
Français
Organ
Editions Buissonnieres
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou ...
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Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires
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Spectrum
1 Piano, 4 hands
[Sheet music + CD]
ABRSM Publishing
Spectrum pour Piano Duet est une collection unique d'oeuvres contemporaines pour...
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Spectrum pour Piano Duet est une collection unique d'oeuvres contemporaines pour piano, quatre mains. La gamme nouvellement mise en service des pièces en standard à partir de la 3e année de diplôme et sont adaptés pour des pianistes de tous âges. Sept pièces ont des parties plus faciles Secondo, pour l'enseignant et l'élève et des paires mixtes de niveau.A côté des compositeurs établis sont représentés six jeunes compositeurs, qui ont chacun contribué une variation sur le thème de Howard Skempton, les couleurs primaires.La série de spectre très réussie a été créé par ABRSM et Thalia Myers en 1996, et inclut désormais des volumes pour quatuor avec piano, violoncelle, clarinette et cordes. Le but de cette série reste inchangé: la commission quelques-uns des meilleurs compositeurs d'écrit morceaux de longueur modeste et difficilement, tout en préservant les caractéristiques essentielles de leur style de composition / 2 Pianos
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Auf, Auf, Ihr Reichsgenossen (BAUSZNERN DIETRICH VON / SELLE THOMAS)
Choeur SAM (STB) et (2 Instruments)
[Sheet music]
Carus Verlag
Tonalité : C-Moll -. Par BAUSZNERN DIETRICH VON / SELLE THOMAS. Gattungen: Kirc...
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Tonalité : C-Moll -. Par BAUSZNERN DIETRICH VON / SELLE THOMAS. Gattungen: Kirchenlieder, Sätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SAM (STB) et (2 Instruments)
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New Carnival Of Venice (STEVENS THOMAS)
4 Trompettes en Sib et Piano
[Sheet music]
Leduc, Alphonse
Par STEVENS THOMAS. / Répertoire / 4 Trompettes en Sib et Piano
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Luthermania (SCHNEIDER ENJOTT)
Orgue à 4 Mains
Schott
Par SCHNEIDER ENJOTT. This frenetic assortment of familiar chorale melodies by M...
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Par SCHNEIDER ENJOTT. This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. An organ with three manuals is required./ Répertoire / Orgue à 4 Mains
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Real Repertoire Studies. Grades 4 - 6 (BROWN CHRISTINE)
Piano solo
[Sheet music]
Faber Music Limited
Par BROWN CHRISTINE. This volume of studies is specifically selected and edited ...
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Par BROWN CHRISTINE. This volume of studies is specifically selected and edited for the intermediate pianist to provide a wide range of technical challenges in pieces which also provide musical interest. Including classic studies by Heller, Czerny, Schumann and Bartok, plus plenty more essential technical repertoire all players should have in their library. / Date parution : 2008-01-22/ Etude / Piano
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4 Noëls - Pour Soliste, Choeur Mixte Et Orgue (THOMAS ARMAND)
Soliste, Choeur à 4 Voix Mixtes et Orgue
[Sheet music]
Armiane
Par THOMAS ARMAND. / Feuillet / Soliste, Choeur à 4 Voix Mixtes et Orgue
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The Apostles
Orgue À 4 Mains
[Sheet music]
Schott
Naji Hakim, né en 1955 à Beyrouth, est un des organistes et compositeur pour o...
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Naji Hakim, né en 1955 à Beyrouth, est un des organistes et compositeur pour orgue les plus importants de notre époque. Il a été l'élève de Jean Langlais au Conservatoire de Paris. De 1985 à 1993, il fut organiste du Sacré-Coeur à Paris, puis le successeur / Orgue À 4 Mains / 66 pages / niveau : Intermédiaire / Partition
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The Faber Music Soundtracks Piano Anthology
Piano solo
[Sheet music]
Faber Music Limited
The Faber Music Soundtracks Piano Anthology is an essential collection of some o...
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The Faber Music Soundtracks Piano Anthology is an essential collection of some of the best-loved music from film and television, specially arranged for solo piano for the intermediate pianist. Featuring music from television favourites such as Sherlock, Downton Abbey, Killing Eve and Planet Earth, and movies including Lord of the Rings, Pan's Labryinth, The Piano, The Favourite and Manchester by the Sea./ Recueil / Piano
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Oxford Service Music For Organ: Manuals And Pedals, Book 2 (MARSDEN THOMAS ANNE)
Organ
[Sheet music]
-
Easy
Oxford University Press
Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour...
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Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour les étudiants, les joueurs, et l'église de tous les niveaux et les capacités Chaque groupe livre des pièces en fonction des besoins de service: Préludes, Interludes, processions, Postludes Mélodieux, répertoire attrayant, couvrant cents 16e au 21e. avec quelques nouvelles pièces écrites spécialement pour la collection Les plus grands compositeurs de l'instrument bien représentés Pieces nouveau modifié de présenter la musique de façon claire et pratique pour les joueurs, avec des suggestions d'enregistrement et de tempo pour chaque pièce Une forte représentation dans les syllabus ABRSM nouvelles (à partir de 2011) Noté collection: env. livre 1 Grades 1-4- réserver 2 Gr. 4-6, livre 3 gr. 6-8 Editeur de haut-profil, des enseignants de premier plan et organiste de concert Il s'agit d'une importante collection de musique d'orgue pour les étudiants, les joueurs, et les musiciens d'église de tous les niveaux et les capacités. Compiler et rédacteur en chef Anne Marsden Thomas a tiré sur sa longue expérience de l'enseignement et la lecture pour sélectionner les plus intéressantes, le répertoire mélodieux dans deux nouvelles séries d'anthologies classé, un ensemble (3 volumes) pour les manuels seulement, la seconde série (3 volumes) pour claviers et pédalier. Dans chaque produit, les pièces sont regroupées selon les besoins de services en préludes, intermèdes, processions, et Postludes. Le répertoire s'étend du 16e au 21e siècle, avec quelques nouvelles pièces écrites spécialement pour la collection. Un certain nombre de pièces dans la collection ont été sélectionnés pour le programme d'organes ABRSM. Le résultat est une magnifique collection de répertoire pour tous les joueurs, contenant une foule de morceaux attrayants et variés qui offrent beaucoup de soutien pratique pour les musiciens d'église et d'enrichir et de développer leur jeu. / Niveau : Facile / Recueil / Orgue
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Collected Motets. 4, 5 And 6 Voices (MORLEY THOMAS)
4 à 6 Voix
[Sheet music]
Stainer and Bell
4, 5 and 6 Voices. Par MORLEY THOMAS. / Répertoire / 4 à 6 Voix
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