Little Tree consists of three short choral settings of poems by E.E.Cummings with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry your heartwith me progresses into four voices; the final song now is a ship opens briefly with two solo voices but ends in 6 vocal parts. Accompanying all three pieces is a simple marimba part which acts as a continuoinstrument. In the opening movement it simply doubles the lowest vocal part; in the later pieces it provides a simple basis for the choral harmony. Judith Weir's wonderful vocal score for SSA and Marimba accompaniment. Idealfor children and female voiced choirs.

Original pieces as well as new arrangements for upper voices of some of the most popular titles from John Tavener's outstandingly varied and extensive list of works for choir.Over the years we can trace a line from theexquisite simplicity of his setting of Blake's The Lamb to the monumental Veil Of The Temple.The arrangements are all for soprano and alto singers with a varying number of parts up to four sopranos and fouraltos (in Ikon Of Saint Hilda). An Organ or Piano accompaniment part is provided as applicable with an additional optional Cello solo in Song For Athene.

Paul Smith and Michael Godfrey. A musical entertainment based on a classic tale from ancient Greek mythology. A song sequence linked by brief narrations and scored for 1-3 part voices and keyboard. The melodies explore a varietyof musical styles. Ideal for study during lessons.

A fun choral work for 3 equal voices with piano accompaniment about the famous Tralislaw Tralalinski and his singing family pets and neighbours.

A folk song based on Polish words by Julian Tuwim for SSA and piano. Handy as a short item to include in a Junior/Middle school concert.

A delightful deceptively simple setting in the form of a lullaby for mixed choir and accompaniment of Rudyard Kipling's poem The White Seal. Easy part writing throughout. Commissioned by the Towne Singers.

The Alleluia Jubilate was written for the Choir Schools’ Association Conference and is therefore a creation for well-trained young musicians. The opening phrases in which the conductor separates the syllables with restsis particularly effective in cathedrals and spaces with long reverberation time.Contemporary British composer and conductor James Whitbourn an award-winning creator of Choral music film and television scores and works for theconcert hall may be best known for his largest composition the oratorio Annalies which sets words from The Diary of Anne Frank.

An arrangement for upper voices of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on Frenchphilosopher and aviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with textby Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayedwith a delicate combination of humour and poignancy. This SSA and Piano arrangement of The Roses by Richard Allain.

Hymns Of Paradise for bass solo SA chorus and six violins. This work was commissioned by Ross Pople for performance by the London Festival Orchestsra. It was first performed on 27th May 1993 at St Paul's Cathedral.

An arrangement of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher andaviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with text by NicholasWright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with adelicate combination of humour and poignancy. This SSA and Piano arrangement of The Lamplighters by Richard Allain.

Igor Stravinsky was still three years away from the incendiary premiere of his ballet The Firebird in Paris when he wrote the Pastorale from which this Alleluia has been adapted. The Pastorale was originally scored as a songwithout words for Soprano and Piano and dedicated to his teacher Rimsky-Korsakov’s daughter Nadia. Stravinsky himself transcribed it several times over several decades for a variety of ensembles.In this version the simple text‘Alleluia’ has been added parts for three Voices devised and an optional Piano accompaniment added.

An arrangement of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher andaviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with text by NicholasWright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with adelicate combination of humour and poignancy. This SSA and Piano arrangement of The Birds by Richard Allain.

Tavener's 1996 work for unaccompanied SSA choir commissioned by Les Petit Chanteurs de Saint-Andre de Colmar.