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Choral Soprano solo, SATB, Keyboard
Chester
INSTRUMENTS
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Judith Weir: A Blue True Dream Of Sky: Soprano & SATB: Vocal Work
Choral Soprano solo, SATB, Keyboard
[Sheet music]
-
Intermediate
Chester
Judith Weir's a blue true dream of sky engages the singers in three separate par...
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Judith Weir's a blue true dream of sky engages the singers in three separate parts ? solo Soprano unaccompanied Chorus and the pivotal pair of Alto soloists who act as a hinge to the others? to create an intricate yet clear setting for this ecstatic poem by e. e. cummings. Judith Weir is one of Britain?s most prolific and successful composers widely known for her operas like TheVanishing Bridgegroom and A Night At The Chinese Opera and her many Choral works as well as her pieces for Strings and Piano. She was Artistic Director of the Spitalfields Festival and is a professor at Cardiff University.
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Benjamin Britten: Te Deum In C: Soprano & SATB: Vocal Score
Choral Soprano solo, SATB, Keyboard
[Sheet music]
Chester
Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Org...
(+)
Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version).The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves.Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his
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Philip Wilby: God Be In My Head: Soprano & SATB: Vocal Score
Choral Soprano solo, SATB, Keyboard
[Sheet music]
Chester
Solo SATB Choir and Organ or unaccompanied Voices.
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Lennox Berkeley: The Lord Is My Shepherd Op.91 No.1: Soprano & SATB: Vocal Score
Choral Soprano solo, SATB, Keyboard
[Sheet music]
Chester
Psalm 23 set for Solo Treble SATB Chorus and Organ. This work was commissioned ...
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Psalm 23 set for Solo Treble SATB Chorus and Organ. This work was commissioned by Chichester Cathedral for its 900th anniversary.
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Lennox Berkeley: Look Up Sweet Babe Op.43 No.2: Soprano & SATB: Vocal Score
Choral Soprano solo, SATB, Keyboard
[Vocal Score]
Chester
For Solo Treble SATB Choir and Organ. Text: Richard Crashaw
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